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A massive ten-year-long biodiversity study that represents the largest camera trap effort ever has now been turned into a free mobile game called Unseen Empire.

Softboxes are among the most popular light shaping tools. Few photographers have never shot with softboxes, and more often than not a softbox is a go-to modifier for beginners. In this article, I will break down the anatomy of a softbox, from physics to possible applications for it. Read on to become a master of using softboxes.

Lighting is one of the most complex topics in photography. There are literally hundreds of light shaping tools and countless scenarios they apply to. No wonder many photographers are reluctant to learn lighting, despite it being one of the core skills any photographer should have.

I’d argue that nearly all of us owned a speedlight at some point before we owned a studio strobe. When we’re looking to dip our toes into supplemental lighting, strobes seem like a big investment. It just makes sense to pick up a cheap speedlight to play with, right?

Every Sunday, we bring together a collection of easy-reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!

Landscape photographer Christian Möhrle of The Phlog Photography recently put together a handy compilation of his favorite tips and tricks for Adobe Lightroom Classic. Chances are good you'll find at least one or two (and probably several more) little workflow tips that you didn't know about.

It’s very easy to get stuck in grooves in photography, to find something that makes sense or comes from a position of authority; once habits are formed around ideas about genre, style, or technique, it can be very difficult to break out of those constraints.

My portrait photography education didn’t happen in a classroom, library, or workshop. Most of what I learned came from studying my heroes’ work, trying to figure out why I loved their pictures, and then putting my own twist on them.

“Comparisonitis” is the phenomenon of comparing yourself negatively to others; feeling that your life, love, work, holidays, house, or just the tidyness of your undersink cupboard, just aren’t as good as someone else’s.

Shooting in a studio has its advantages. But although being warm, dry and convenient are greatly appreciated, shooting between the same four walls can get a little boring if you’re constantly using them as backgrounds for your shots.

"Do you have any advice on how to take good photos?" Because I don't make a secret of my interest in photography, it's not uncommon for people around me to assume that I'm the right person to answer this seemingly innocuous question.

At first glance, all we see is a dinky point-n-shoot camera; not much to it. It slips inside my front pocket, I mean, how powerful can it be? Well, photographers shouldn’t be fooled by its size and minimalism; like many of our subjects in the street. The Ricoh GR III is called a “wolf in sheep’s clothing” for a reason.

With so many ways to be creative in photography, I get really excited with many ideas for a photograph. One area I find very interesting is sports action photography, but with a twist. It's great to capture that split-second moment and have that frame frozen, but I wanted to explore capturing the motion and freezing the action all in one go.

In the good old days of analog photography, print aspect ratio was ultimately determined by the paper size. In other words, if you printed an 8x10-inch, you had to crop your negative to a 4:5 aspect ratio. For slide film, the image aspect ratio was determined by the film format, for instance, 3:2 for 35mm film.

It has been said that meat consumption should decrease by 90% in the West if we want to avoid dangerous climate warming. And because all of us should be involved to achieve this goal, I of course decided to invite zombies to join in the effort of combating climate change.

If you’re like me and you’ve tried to attach gels to your lights in the past, you’ve likely resorted to using one of the many types of sticky tapes available. When I used to manage a studio, I would see all manner of tapes being used to attach gels to hot modifiers.

There are two major trends in photography today. The first is the ever-increasing numbers of photos being made. I can't even be bothered to look up how many billions of photos are being uploaded to Instickrbook every minute or every day or every year. It's a lot. This is usually talked about in terms of how many photos there are, and how we are drowning in them.

Instagram is rolling out a redesign to its profile view. The goal is to make it "easier and cleaner to use," but the new look will also deemphasize follower counts.

As a still life photographer, I spend a lot of time in my studio experimenting with different types of products. In a recent shoot, I did just this by photographing a perfume box. But instead of photographing the packing by itself, I used everyday objects to create the scene.

Adobe has announced a new wave of updates to the Lightroom CC ecosystem, including new features in both Lightroom Classic and Lightroom CC for Windows and Mac users -- features "based off of top customer feature requests."

Here's a 9-minute introduction to the three-point lighting setup! If you haven’t seen our video about portrait lighting, we go over five portrait lighting positions and what type of emotion you can get from those positions. So this is a follow up to that lesson and I recommend you watch it before diving into this one!

I ran across yet another case of Holy Cow Look At These Russian Photos, in which the photographs of Sergey Prokudin-Gorsky were showcased. In 1902, Prokudin-Gorsky learned the method of shooting three negatives (color separations) and then projecting them in registration through filters to produce projected color images.

The Hungarian software company DIRE Studio has just launched Technical Camera, a new iOS camera app that's designed for serious photographers who want a simple yet advanced tool for capturing still photos.

In 2016, I joined team Fuji after being extremely impressed with the X-T2 body. I had been watching mirrorless technology for a while, but this was the first time a system had everything I wanted in a camera body.

In a recent article, I spoke about the best ways to perfectly light your background with colored gels. We covered the best things to keep in mind if strong and vibrant colors across your backdrop are your objective. It turns out that gelling your background is actually relatively simple -- it's keeping those strong vibrant colors that's actually the tricky part.

A few months ago I was working on putting together a still life shoot with a fantastic stylist and a friend of mine, Kiki Tse. She had come up with this beautiful idea for a shoot: to represent a person in a still life context by the use of some of their personal effects.

To know someone's possessions; to see a navigational chart from their grandad; an amulet with a photo of their late sister without ever seeing a face to attach this narrative to invites the viewer to form their own account devoid of judgement of background, race, age or physical appearance.