Our Need for Human Stories: Street Photography, Privacy, and AI
In one of her most famous quotes, the photographer Dorothea Lange said that "the camera is an instrument that teaches people how to see without a camera."
In one of her most famous quotes, the photographer Dorothea Lange said that "the camera is an instrument that teaches people how to see without a camera."
I’ve spent countless hours walking streets both near and far from home with My Precious in my hand and a muscle memory for it in my fingers that made it effectively part of me — an extension of my arm. My Precious is, of course, my camera.
A documentary series looking at street photographers has just been released with the camera being turned on shooters like Daniel Arnold and Jill Freedman.
Hasselblad has announced the XCD 4/28P lens, a 28mm f/4 medium format lens that has an equivalent 35mm focal length of 22mm and is designed for use on the company's X System cameras.
It’s difficult to see how anyone other than the photographer is responsible for a photograph they may take, although I’m sure there are some specific exceptions – but usually, if a photographer is not responsible for their photograph, then who should be?
I love street photography, I teach street photography, I promote street photography, I defend street photography, and want everyone to experience the fun of doing street photography!
Much has been written about the concept of the "decisive moment", a notion popularized (posthumously, for the most part) by legendary candid photographer Henri Cartier-Bresson.
Street photography can speak to our souls. Taking images of common, everyday people and transforming them into art—that’s what it’s all about.
We rarely find ourselves capturing event-based street photography and push to create stories from the everyday. However, at this point in time, we can’t imagine a more important, and historically significant day.
One of the judges for LensCulture's 2022 Street Photography Awards selected a member of the photo collective he is a part of as a winner, leading to questions of bias or impropriety.
There are lots of misconceptions about street photography made by people starting out or itching to try this ultimately most challenging (unless you want to take boring photos), most rewarding, and most accessible of photographic genres.
Street photography is one of the most popular forms of the art but is also one of the most challenging to perfect. This one-hour-long in-depth video guide was put together to help anyone become a master of the craft.
Street photography is a category of photography that is dear to my heart. It’s the first category of photography that I tried to learn and master and over the many years, I’ve learned many skills and techniques.
Street photography is an age-old photography genre that is both popular and sometimes controversial. However, contrary to the reputation some prominent street photographers give the genre, there is way more to photographing streets than being aggressive and confrontational -- it can also be a relaxing, creative, and freeing experience for both amateurs and experienced shooters alike.
Swiss-French photographer Sabine Weiss, who is considered an early pioneer of the art of street photography, has died at her home in Paris. She was 97.
Street photography might be one of the easiest genres of photography to slide into — it’s just you, a camera, and more or less walking around documenting humankind with an artistic flare — yet it can be quite difficult to progress beyond snapshot-looking images. This article will explore tips for improving your street photography using nothing more than a smartphone.
Nighttime street and urban photography can actually be easy. Street lamps (your ready-made light sources), can effectively provide all the light you need for your photos. The illumination gives you compositional ideas and options for taking great shots.
Interest in street photography might also be accompanied by the desire to travel farther afield, which often doesn't come cheap. However, there are ways to plan a successful and safe street photography trip on a budget.
Street photography is one of the most appreciated genres in photography. By showing daily life in a new way, it can speak to everyone. That explains why some of the most famous photographers are street photographers: Henri Cartier-Bresson, Vivian Maier, Martin Parr, Diane Arbus, or Joel Meyerowitz. They created iconic pictures by finding the right moment to catch the interesting details that no one else could have seen.
Street photographer and photojournalist Dante Sisofo shares his personal history and a behind-the-scenes perspective of his return to street photography work in a post-pandemic world.
This principle applies to all photography: Show your best, discard the rest.
Brooklyn-based photographer Andrew Hallinan has been attending Black Lives Matter protests for a year. As he started to bring his camera on marches, he began to capture the police in striking rave-like flash photographs, blending fine art and social action.
I’m not a professional, but I take my street photography seriously. Because I enjoy it so much, I’ve invested a lot of time learning the craft and practicing it. I’m not great, but I’m better than I was.
One of the most effective ways to fill a frame with information, particularly in street photography, is to layer elements of your composition, either in two dimensions along the X and Y axis or in three with the Z axis.
Today marks 10 years since I attended a photography walk that would change the course of my life.
If someone were to ask you what type of camera is best for street photography, what would your answer be? In the early 2000s, when digital street photography was only for hipsters, your answer would probably be some kind of stylish rangefinder, and, if you had an extra kidney to sell, maybe even a Leica M. That all changed when Ricoh introduced the Ricoh GR in 2013 (and before that the GR Digital series in 2005).
The New York Daily News recently published an opinion piece by a writer named Jean Son titled “When your photograph harms me: New York should look to curb unconsensual photography of women” and I would like to address it here.
Hello photography fans. Today I am going to pit the Ricoh GR III—the reigning champ of street photography—against the new iPhone 12. I want to see if the new iPhone will be able to replace, at least to a certain extent, your camera and if it still makes sense to buy a compact camera if the street photography is your main genre.
I've always tried to create visual content with the highest possible quality and resolution, paying a lot of attention to detail and composition. In the beginning of my career that meant using large and medium formats, but lately, one of my favorite cameras is quite the opposite.
An opinion piece in the NY Daily News has sparked outrage among street photographers after the author called photography "a vehicle of gender-based violence in public places." The author believes that all candid—or "unconsentual"—photography of women should be outlawed, and is taking steps to encourage such a law in New York City.
Celebrated British street photographer Nick Turpin (whom the BBC called "one of the best") wants to teach you how to shoot on the streets like a pro. He has released this free 30-minute masterclass to teach you how to do what he does.
A couple of weeks into the coronavirus lockdown of 2020 and I’d noticed, among the many mentions on social media timelines of toilet paper shortages, sourdough fanaticism, and the essential viewing experience that is Tiger King, was a computer game called Animal Crossing: New Horizons.
If you have been shooting streets for some time or have been following the genre, you might have already thought about some of the things that I am going to talk about below. Street photography is a very volatile genre by virtue of the volatility of the decisive moments.
In most parts of the world, life has turned upside-down over the past few months. People are staying in their homes, freedom of movement is restricted, schools, parks, restaurants and many shops remain closed, and businesses are suffering.
Street photography has always been the cool kid of the photographic industry, and wedding photography has ever been the oldfangled unfashionable square. Even landscape photographers in their fishing vests and hiking boots seem to get more street cred than wedding snappers.
There are so many factors to potentially juggle for any given street/documentary situation that eye contact for me tends to fall a bit to chance -- if it happens it happens and if it doesn’t it doesn’t. It is rarely something I feel makes or breaks an image, but more frequently I’ve been thinking about what specific function working to achieve (or deliberately avoid) eye contact could offer to my photographs.
Photographer Evan Raft recently published a list of 7 helpful, back-to-basics tips for anybody who is interested in getting started with street photography. If you're a beginner, this video is a great place to start before going out and trying to capture your first few street shots.
Street photographers are not known for their reserve. We are happy to give advice on gear, framing and technique. But I believe the best photographers are those who also seek advice and look to learn from others. That said, not all advice is equal, and some ideas are outdated, narrow minded, or just plan wrong.
I've noticed that a commonly used compliment for street photographs is to describe them as "timeless." My interpretation of this is that it is used to mean that there are characteristics of the image which in some way transcend the boundaries of the context it was made in and can exist almost in its own context, its own space.
Fourteen years ago I took an interest in street photography. I went looking for resources and information on this amazing genre, unfortunately to no avail, until I came across a great free ebook in 2006 called “Street Photography for the purist” by Chris Weeks.