If you are a photographer or fledgling retoucher opening Photoshop for the first time, it is a daunting experience, to say the least. There is a wealth of knowledge, free and purchasable online, but how do you know what to search for if you don’t know what you don’t know?
If you have never printed your own work before, you might not know that some careful preparation is needed to make sure the colors in your print match what you see on your screen. This 20-minute video from photographer Michael Woloszynowicz will teach you how to print your images with confidence.
If you have 30-minutes to spare for a tutorial, check out this one by photographer and retoucher …
They say the devil's in the details, and one of the most crucial details of any portrait is the eyes. You want to make sure that the eyes in your portraits are always looking the absolute best without somehow coming off as fake or enhanced.
Here to help us do just that with a new tutorial that focuses, for once, on the white of the eyes, is retouching expert Michael Woloszynowicz.
There are a seemingly infinite number of videos that walk you through retouching a portrait from beginning to end; however, most of them are based in Photoshop, Lightroom and -- once upon a time -- Aperture. This leaves the less-used but robust Capture One Pro out of the game.
Well, not anymore! Giving Capture One Pro 8 some love is photographer and retoucher Michael Woloszynowicz, who decided to take it for a test drive and see how close he could get to his Photoshop results using Capture One Pro 8 instead.
When it comes to the quantity of lights that one needs, opinions are often heavily polarized and a hotly contested debate often rages. There are those that are staunch supporters of one light while others claim that a handful of lights are needed before anything meaningful can be done. Ultimately neither group is right as there is no definable minimum or maximum number of lights that one should use.
Michael Woloszynowicz of Vibrant Shot is back with another share-worthy and thorough tutorial, and this time he's showing you how to fix some of the hair and skin issues that tend to crop up in portraiture.
When retouching skin on a subject, there’s a fine balance to strike between smoothing out a rough skin texture and keeping the skin looking natural. There are no shortage of ways to find this balance, but in the above tutorial Michael Woloszynowicz of Vibrant Shot shows us his method for achieving the desired results in an efficient and effective manner (something of a gift he has).
One of the issues talented photographer and retoucher Michael Woloszynowicz often runs into when he's taking portraits is mismatched skin tones. Using a light modifier of some sort he'll get the tone he wants in the face, but the tones or colors in another part of the subject's skin simply don't match.
You could correct for this using curves, selective color or hue/saturation, but Woloszynowicz has a better way: using solid fill layers and tonal averaging, he's able to "take the guesswork" out of it and perfectly match tones every time.
When it comes to sharpening an image, more than likely, your technique involves using a certain method over the entire image all at once. However, that's rarely the best way to do it, because how much and where to sharpen varies quite a bit depending on what you're shooting.
No matter who it is you're photographing or where you're taking their picture, it's almost inevitable that in at least a few shots there will be some stray hairs flying across the photo. Usually, the result is an extra hour or so in post-production trying to get the hairs out one-by-one. Cue infomercial guy saying: "There has to be a better way!"
There are many ways to remove color casts from your images in Photoshop, but this tutorial by photographer and retoucher Michael Woloszynowicz offers one of the quickest, easiest and most effective methods we've seen.