
DZOFilm’s Gnosis 24mm is its Widest Macro Cinema Lens Yet
Less than a month after announcing the Pictor 12-25mm T2.8 parfocal cinema lens, DZOFilm has unveiled its Gnosis 24mm T2.8 macro cine lens.
Less than a month after announcing the Pictor 12-25mm T2.8 parfocal cinema lens, DZOFilm has unveiled its Gnosis 24mm T2.8 macro cine lens.
DZOfilm has announced the Pictor 12-25mm T2.8, a wide-angle, parfocal cinema lens designed for use with Super35 cameras that costs less than $3,000.
DZOFilm's new Catta Ace 18-35mm T2.9 cine lens is a versatile wide-angle parfocal optic that promises controlled focus breathing and excellent image rendering for the price that's comparable to pro-level photography-centric lenses.
DZOFilm has announced the Gnosis VV macro line of cinema lenses that it says are designed for cinematic closeups and capturing details with clarity and sharpness.
DZOFilm has released two new Vespid cinema primes. The company says the 21mm and 40mm wide-angle full frame cine primes are just wide enough to showcase a wide scene without adding any distortion that could begin to creep in as the angle becomes broader.
DZOFilm has announced the Marlin 1.6x Expander that adapts Super35 lenses to larger sensors. It promises to not only extend the effective focal length of those lenses but also the image circle itself.
Dzofilm has announced three T2.1 Vespid Cyber cinema prime lenses that are designed to connect directly with the new DJI RS 3 Pro LiDAR autofocus system. The 35mm, 50mm, and 75mm lenses have a unique data interface function to output focusing and aperture data to the gimbal.
Lensrentals has published its end-of-the-year data that reveals the most popular new 2021 equipment that has been rented in the last year. Perhaps unsurprisingly, the Sony Alpha 1 was the most popular stills camera, with Nikon's Z7 II in second place.