Posts Tagged ‘work’
Newspapers are fading. News media is in a limbo of redefinition. Now we can add photojournalism to that list of defunct media, said Neil Burgess, head of London-based photo agency NB Pictures. Burgess is also the former head of Network Photographers and Magnum Photos, and twice Chairman of World Press Photo, and has spent much of his life working on social documentary photography and 25 years as a photojournalist.
Octavious tells us,
When I first started photographed the hill there was no intent to photograph it for as long as I have been doing it. My weekly walks would always lend it self to being on the path the hill was located on.
There was something so intriguing about how the locals would interact with it. I soon realized thats the hill was stage and the locals the actors in this on going play, that’s when I fell in love.
To see more photographs from this project, check out his website.
Image credits: Photographs by Paul Octavious and used with permission
Here’s a set of photographs by Daniela Edburg, who creates surreal scenes and landscapes around the theme of knitting:
She tells us,
I started knitting for a photograph where a girl is standing on a small knit garden, her own little safe spot in the midst of a desolate landscape, I was knitting for weeks, and the activity started taking on a strong significance. The work I am doing now has become all about knitting. Knitting as a compulsive action, as a form of occupational therapy and as a way of creating a safe place or a cushioned version of almost anything.
To see more of Daniela’s work, check out her website.
Image credits: Photographs by Daniela Edburg and used with permission.
If you’re an amateur photographer looking to go pro, finding clients is often a difficult task. Snapm aims to make it easier by offering comparison shopping to people looking for high quality photography by amateur photographers.
It may have never occurred to you to hire a photographer for any reason before because it was always so expensive to hire a professional, and inconvenient to find an amateur. But Snapm opens the doors to the idea of hiring an affordable amateur photographer…
To get listed in the searches, you need to sign up for the service and create a portfolio, which looks like this:
Snapm embraces the startup mantra of “release early, release often”, so many of the features offered aren’t very polished yet. For example, while search returns a list of photographers near you, you cannot currently filter or sort by rate or reviews. However, if Snapm does begin to take off, it might become a great way to land your next gig.
We came across some work by Maciej Leszczynski the other day, and wanted to share it with all of you. We’ll let the photographs speak for themselves.
Leszczynski tells us,
Born 1986, I’m Polish, actually live in Sopot at Baltic coast. I’m biologist and self-taught photographer. I specialize in black & white photography, but sometimes I love capture in color as well. I’m trying to create simple, peace, balanced images where pure form, harmony and composition are essential. To achieve these I’m frequently using long exposure technique.
Visit his website to see more of his work.
Some members of the photography industry have been up in arms the past few days over an internship offered by the private studio of seasoned pro photographer James Nachtwey.
New York based Nachtwey is offering a three month position as his assistant, which seems like a great experience, since Nachtwey is an award-winning photojournalist who has been in the industry for nearly 40 years now.
However, the main gripe commentators on forums and in the blogosphere seem to be making is the fact that the position, which calls for experienced photography students or early-career photographers, seems to involve a lot of post-processing and lab work, and is unpaid. Outrage ensues.
Read the job description here, along with reactions.
But the bigger issue here is the idea of unpaid internships in general, and the situation many photographers face when trying to become professionals.
Ideally, internships offer valuable work experience, a learning environment, and networking connections. Unpaid internships usually come coupled with class credit as compensation. Paid internships offer a nominal stipend, sometimes enough to pay rent and cover some living expenses. The emphasis, in either case, is that the experience is the best reward.
Plenty of publications and non-profits offer unpaid photography internships, and there is always a cutthroat amount of competition for those positions. Having that name and experience on a resume might be worth time and energy.
However, there are a lot of publications, particularly newspapers, that can barely afford to keep their current staff employed, but who still pay interns around $500 a week for the duration of their internship.
Outraged commentators note that Nachtwey’s position is slightly different; he privately owns his studio, runs a for-profit business, and can’t offer class credit for photographers who are not in school. Additionally, many feel that the position likely will not improve or stretch their own photography skills, since it appears they will be functioning as post-processing specialists, rather than as photographers in the field, as for most newspaper internships.
And what’s more, many feel that the situation exemplifies the experience of emerging photographers, that they are being exploited because of their youth in the field, rather than being paid according to their ability.
Photographer Matt Brandon defends Nachtwey on his blog, The Digital Trekker, noting that paid photo internships are far and few, and often wishful thinking. Additionally, it would be an honor to work alongside Nachtwey, even if doing the equivalent of photography menial work. Nachtwey is a veteran of the industry and of the battlefield, as he has covered numerous wars internationally.
Others maintain that if Nachtwey offered the position as a unique workshop, people might actually pay out of their own pockets to work for him. Or if he called the position a volunteer position, rather than an unpaid internship, the issue would not exist.
This whole debate is pretty emotional.
On one hand, there’s a great deal of frustration coming from the ranks of early career photographers who are struggling to find jobs after graduating.
On the other hand, there are those who argue that photography is in general a tough industry to break into; those who weather the waves of competition (and an inglorious internship) may not make money initially, but require that sacrifice in order to rightfully enter the ranks of professionalism.
And there are also those who wonder if as a whole, the photography industry is defeating itself by offering free or cheap photography services for exposure instead of demanding a fair price commensurate with ability and quality.
Read more on the debate:
What do you think? Should photographers, regardless of experience, draw the line somewhere? Have you had a similar internship experience that you found either rewarding or otherwise?
Image Credit: March of the Cameras by The Suss-Man