The Capitol was still under construction on March 4th, 1857, when photographer John Wood set up his wet plate collodion camera and captured the first known photograph of a US Presidential inauguration.
When photographer Erik Hijweege realized that there were over 22,000 species on the IUCN Red List of Threatened Species, he was shocked... and inspired. Inspired to create a hauntingly beautiful series of glass ambrotypes depicting some of these endangered species encased in ice.
French photographer Nède has been working on a project called Altered Reality in which he explores the line between mundane reality and madness. One of the images, shown above, is titled "The Unsuspecting Victim."
During a photo shoot last summer under the hot sun in the South of France, photographer …
Want a crazy photography challenge? Try photographing a snowflake. Want to make it even more challenging? Try doing it with the wet plate collodion process.
That's what a couple of photography professors over at the Rochester Institute of Technology recently attempted and pulled off.
This is a story about a collaboration to overcome 19th century technology problems using 21st century technology to produce well lit portraits.
Luke White and I, Paul Alsop, are two English photographers living in New Zealand who came together in 2014 to make wet plate collodion portraits.
Tested recently put on a show at the Castro Theater in San Francisco. One of the presentations was by local photographer Michael Shindler, who specializes in wet plate collodion photography.
In the 12-minute video above, Shindler transforms the theater into a studio and darkroom, introducing the live audience to this 19th-century photography process by creating a large-format tintype portrait of Adam Savage (the co-host of Mythbusters).
How small can you go when it comes to wet plate collodion photography? Photographer Anton Orlov of The Photo Palace recently experimented with this question by shooting thumbnail-sized 8x11mm tintypes using an old Minox subminiature camera -- a model A III from the 1950s.
Love the look of wet plate collodion photographs? Did you know you can give any digital photo that same look using Photoshop? It's a technique that can be learned in about 10 minutes.
Last week, RIT photography professor Willie Osterman held the 2015 RIT Photo MFA picnic in the front yard of his home in Bristol, New York. To commemorate the gathering, he pulled out a giant camera to shoot a wet plate collodion ambrotype portrait of the group.
On the other side of the camera, in the group, was fellow photo professor Frank Cost with a DJI Inspire camera drone. Cost used the drone to capture the wet plate shooting process from a subject's point of view before lifting off into the sky for a bird's-eye view. The drone was also captured in the resulting wet plate from the last portrait attempt.
Want to see how wet-plate collodion photography is done but have the attention span of a goldfish? Our buddy Sam Cornwell over at Phogotraphy has created an unusual step-by-step wet plate walkthrough -- everything is crammed into a 6-second Vine video.
Wet plate collodion photographer Alex Timmermans recently shot a new photo titled "Swan Lake" for his surreal Story Telling project. Here's a look at how the image was made.
Having failed woodworking at school, probably the worst thing I could have done is venture into the world of wet plate photography.
Back in 2012, I learned the dark art of the silver stuff, just around the time the wave of interest was starting to build worldwide. However, as I live in New Zealand, an island nation, it has taken a while (and is still taking a while) to reach us. As a result, getting anything wet plate-related is quite a task. One does not simply walk into a store and buy a 'wet plate kit'.
During past few weeks I have been working on a new picture I had in mind. This time I already knew the title: "The Rain Maker." It's a picture made with the collodion photographic process that was invented back in 1851.
Skateboard company Element recently put together a wonderful little mini-documentary titled The Road to Wolfboro. In it, a dedicated film crew follows photographer Brian Gaberman around as he shares his fascination of wet plate photography and captures some of the most beautiful scenes across the east cost.
From portraits to surreal scenes that feel as if they were pulled out of some long-lost storybook, the wet plate collodion photography of Alex Timmermans is unlike any we've seen or featured before.
What's a photographer to do when they're in possession of a 130-year-old wooden camera and a 100-year-old lens, capable of capturing images using the wet plate collodion process?
Well, if you’re Jonathan Keys, you set out on a mission to document the modern world around you using tools that are all but ancient in the world of photography... and you get spectacular results for your effort.
Keliy Anderson-Staley is an assistant professor of photography at the University of Houston. Her work has been exhibited at the National Portrait Gallery of the Smithsonian, the California Museum of Photography and the Portland Museum of Art, and is currently on view at the Houston Center for Photography.
Her book of portraits, On a Wet Bough, is forthcoming from Waltz Books. She is represented by Catherine Edelman Gallery.
Two years after photographer Ian Ruhter tried to capture photographs of the Yosemite Valley using the world’s largest wet plate collodion camera and suffered a "devastating failure," he decided to chase this seemingly impossible dream again.
He's known as the author behind the famed Alice's Adventures In Wonderland by most, but the breadth of his disciplines goes far beyond literature. Charles Lutwidge Dodgson, more commonly known by his pen name, Lewis Carroll, was also a logician, mathematician, an ordained minister and a photographer... yes, a photographer.
In this article, we'll share a collection of his work as we dive into his upbringing, his photography career and the controversy that surrounds it to this day.
From Los Angeles based photographer Jamie Johnson comes a unique series of photographs that juxtapose the past and the present in a fascinating way: large format wet plate collodion photos of children writing cheeky modern-day bad deeds on a turn-of-the-century chalkboard.
Artist Emma Howell's landscape images are unlike any we've ever run across. Not because she's capturing something unique, or using a process we've not seen before. They are unique because her images, captured using the wet plate collodion method, are exposed directly onto handblown glass vessels she creates herself.
Using discarded tin cans found on the hot Arizona desert ground, David Emitt Adams has created timeless pieces he calls Conversations with History. The cans are branded with tintype pictures, reflecting ties to the very locations the cans -- some of which have been sitting out in the sun for over forty years -- were found.
In the words of Adams, "The deserts of the West also have special significance in the history of photography. I have explored this landscape with an awareness of the photographers who have come before me, and this awareness has led me to pay close attention to the traces left behind by others."
Here's a video that may be very interesting to you if you've never tried your hand at creating a tintype with wet plate collodion photography. Oklahoma City-based photographer Mark Zimmerman recently strapped a GoPro Hero 3 to his head and went through the entire process of creating a wet-plate photo on aluminum, from flowing the collodion in the beginning, through exposing it using his large format camera, and ending with a finished tintype photo of a camera.
Photographer and photography student Eric Omori has an interesting project that combines the modern with the historical. He has been capturing paintball wars using wet plate photography. The project is titled Weekend Warriors.
Have an old Polaroid camera lying around collecting dust? Did you know that you can use it for wet …
Kevin Klein has a hobby of miniaturizing Victorian technology, and recently he made the world's smallest wet plate camera using 1/32-inch plywood and other wood materials. The camera is only a little bigger than a quarter, and shoots miniature 1/2-inch square plate images.