Photographer duo Joachim Guanzon and Marden Blake (AKA aesonica) created this short behind-the-scenes video showing how they recently shot and Photoshopped an Audi A4 photo for a print advertisement. You can read a longer how-to over on the aesonica website:
The goal is to make it look as if you had 20+ lights, grids, flags and reflectors to shoot your project. There is nothing better than hearing someone ask how many lights were needed to create your shot and revealing that you used only one. The trick is by doing something that could realistically be done with enough equipment and lighting skill, with only one light.
On the other hand, if you get too carried away, there is nothing worse than someone asking if you used Photomatix to compile your HDR garbage shot followed by “My 13 year-old has that program too!”
Photo enthusiast Robert Simpson created this informative behind-the-scenes video detailing how he created a composite photograph showing tiny children running along a bookshelf. Although a ton of planning and preparation went into the shot, everything was done at home on a small budget rather than in a fancy studio. This may inspire you to dream a little bigger using your current resources.
Here’s an illuminating (pun intended) video walkthrough by photographer Eric Curry, showing how he went about creating a photo of a B-25 bomber. His technique for lighting the plane is similar to the real estate photography walkthrough that we featured last weekend, and involves lighting the scene a bazillion times from different angles, and then combining the different parts of the photo in Photoshop.
As he says in the video, it’s a useful technique that can be done by “anyone with a digital camera and a tremendous amount of patience.”
Here’s an educational time-lapse tutorial by Los Angeles-based architectural photographer Mike Kelley in which he walks through how he goes about photographing buildings. His technique might be described “manual HDR” — after shooting the building over a longish period of time to capture different lightings, he then enters the scene and lights different areas of the building using two Canon 430EX Speedlites. Afterward, he loads the stills into Photoshop and selects different portions of the scene from different photos depending on the lighting he wants. The finished composite photo ends up looking as if it were lit by a large number of Speedlites.
Want to adorn a wall with a giant print using your own photography? Here’s a great video in which photographer Lee Morris shares how he shot, printed, and framed a massive 5-foot-wide panoramic print for less than $150 — super cheap compared to the $1,000+ you might pay to have it professionally done. After shooting multiple photos on a bridge in Rome, he merged the images using Photoshop, had a metallic print made by Bay Photo Labs, and then framed it using a large mirror he found at Bed Bath and Beyond. The final result is quite impressive!
Disclosure: Bay Photo Labs is a sponsor of PetaPixel
Here’s a video in which renowned street photographer Joel Meyerowitz shows us his method of doing street photography. His quiet, friendly, and “invisible” style is quite different from Bruce Gilden’s in-your-face technique. The New Yorker also has a great video on Meyerowitz’s photography.
After Hurricane Katrina hit New Orleans, photographer Richard Misrach visited the empty city and documented the destruction. Although he shot roughly 1,000 photos using an 8×10 large format camera, he noticed that many of the snapshots he captured using a point-and-shoot camera told an interesting story of what had occurred. These photos, which showed the graffiti messages left by residents fleeing their homes, were subsequently published in a book titled “Destroy this Memory“. In the video above, Misrach tells the story of how the project came to be.
If you want to do street photography, attacking people with cameras like Fabio Pires does in London probably isn’t the way you should go about doing it — unless you’re trying to give photography a bad name. Does anyone know of any good behind-the-scenes videos of good (and candid) street photography being done in a respectable way?
Street photographer Eric Kim generated some buzz last month by recording himself shooting on the street with a GoPro mounted to his Leica M9. Now, he’s back again with an even cooler point of view: through the Leica M9′s viewfinder itself. This 10 minute video of Kim doing street photography in Santa Monica was recorded using a HTC EVO 4G smartphone stuck to the back of his camera.
Wouldn’t it be awesome if this kind of footage existed for all the iconic photographs taken throughout history?