Unmesh Dinda of PIXimperfect has put together a brilliant educational video on the oft-confusing Divide blend mode in Photoshop. In this tutorial he'll show you how to use it to remove any color cast, before diving into the fascinating mathematics behind this useful tool.
My name is Antoine Loncle, and I'm an independent photographer. I shared my homemade 8x10 box camera on several photography groups and it received a lot of interest. I figured I'd do a little write up for anyone that wanted to know more about the camera as well as see some images of the building process.
The City of Detroit has launched a redevelopment plan for the Gratiot/7-Mile community. I’ve been hired by the city and the consulting firm Giffels-Webster as the still-images creative director and photographer.
Recently I became—as I’m sure many of you already are—utterly sick of the endless chargers and cables in my studio. It's a mess of wires that always seem to get tangled and it always ends up looking like Medusa on a bad hair day.
Anyone who has had any exposure to still life photography or studio work will know just how expensive backdrops can be. I have a couple from Kate Backdrops company, one of which I use very often, but I've been hankering after a few more.
Shooting street photography without a project in mind is like shopping for food when you’re hungry. You might get a few nice treats, but ultimately you get back and find there is nothing to sustain you.
Lightroom and Photoshop are designed to work hand-in-hand, so you can easily pass photos between the two programs while you're working with them. Photography instructor Phil Steele of Steele Training made this beginner's 17-minute tutorial on doing "round trips" (and even "nested round trips") with photos between Lightroom and Photoshop.
Light, shadow, and highlight -- this is always a great combination for creating portraits from a lighting point of view. This is the interesting part: changing the intensity of the highlight or the tone in the shadows while maintaining the exposure can produce a different feel to an image, from being dramatic to soft and subtle, and that is what is so intriguing about photography.
Did you know that you can make your own ground glass focusing screen? In his latest video, wet plate photographer Markus Hofstätter shows you exactly how by making a ground glass screen for one of his large format cameras.
Daniel Riley of the popular YouTube channel rctestflight has been building tiny autonomous boats, and recently he realized that the platform would be perfect for shooting photos for hyperlapse videos. In this 14-minute video, he explains how he made and tuned a boat for automated hyperlapses.
Portrait photographer Miguel Quiles is back with the third part of his series on various lighting modifiers. Part one covered the beauty dish, part two covered the umbrella, and part three is all about the different ways you can use a softbox to capture distinctive portraits.
Photographer Jon Crooks of Prime Studios put together a helpful walkthrough that shows you exactly how to use the Nishika N8000 3D film camera, and how to turn the resulting images into cool 3-dimensional GIFs.
This is a photo series about the life of an artist and struggles that might come along with it. I got a project grant from NFFF (Nordic Society of Photography) for this project in early 2019.
'Politricks': "the word "politics" altered to convey the empty-campaign promises often experienced after politicians get elected." About a year ago I had this thought of making a picture from this word.
Last year, I used a custom-built setup to shoot a timelapse of an eternal terrarium in my kitchen. Over the course of 10 months, a camera took two photos every hour of the day, while the plants inside the terrarium grew on their own without disturbance.
Filmmaker Daniel DeArco is back with the promised Part 2 of his tutorial on creating cool and compelling "match cuts" to up your transition game. In Part 1, he showed you how he captured the three shots that he would be using to create the match cut; in Part 2, he takes us the rest of the way there in post.
Creative consultant and talented videographer Daniel DeArco is one of the best there is at creating impressive transitions from shot-to-shot in his videos. In his latest video, he'll take you behind the scenes to show you exactly how he created one of the coolest cuts in his recent empathy video.
"Super-resolution" and "pixel-shift" photography isn't just possible if you have a fancy camera that can move the sensor 1 pixel between shots. As Usman Dawood of Sonder Creative demonstrates in this video, you can even do it with your run-of-the-mill smartphone, shooting hand-held.
Recently I made my own custom-built camera rig for shooting Through-The-Viewfinder videos on a Nikon Z6 through the viewfinder of an old Lomo Lubitel 166. With my setup, I can have the whole camera in the frame but without distracting hands visible. Here's how I did it.
YouTuber and Photoshop expert Unmesh Dinda of PiXimperfect has put together a helpful and detailed guide that shows you exactly how to set up your Wacom tablet and keyboard shortcuts for the best photo editing and retouching experience.
Photo restoration wizard James Berridge made this fascinating 15.5-minute video showing how he used Photoshop to restore and colorize a horribly damaged photo captured 116 years ago in 1903.
The latest Sony cameras have the ability to shoot "pixel shift" images that create an ultra-high-resolution version of your scene. But what if you don't have a Sony a7R III or IV? Do what wedding photographer Ben of Bach Photography does in this video and steal a technique from landscape photographers.
Handheld focus stacking is a brilliant solution for many scenarios. It saves you all the troubles of using a focusing rail in the field and provides a maximum of flexibility. Whenever you need more depth of field than you can get with trading off image quality, this is the way to work around it.
One of the great things about our jobs as photographers is that we get asked to do so many diverse things. To me, new and different assignments keep me fresh. Sometimes we get asked to do things that push our limits or are even beyond the bounds of anything we have done before. This is the story about how I approached a recent project that pushed me to the limit, and how I was able to tackle it and win.
One of the greatest challenges in macro photography is the depth of field, or DOF for short. Not only does the zone of sharpness drastically fall off as we get closer to our subjects, other factors such as the lack of light and diffraction softening make it tricky to use narrow apertures on top of that.
Are you looking for an affordable but also electronic macro lens? Or maybe you have an old kit lens that's just sitting around, collecting dust since your last upgrade? Well then read on, because in this article I am going to share one cool hack that will allow you to transform almost any kit or standard zoom lens into a capable macro lens!
I will start with a warning: Digital Infrared Photography is not easy, and this will get technical fast.
Here's a creative technique to add to your bag of tricks. In this 9.5-minute video, we’ll show you from start to finish how we took an ordinary scene and turned it into to go from day to night in one single exposure, in-camera.
On the way out of the Terai Plain in Nepal, I stopped in the town of Janakpur. The town has a beautiful temple and I was all geared up to shoot some nice stuff. But as I wandered around, I could not “see” any images despite a religious ceremony that was taking place at the time of my visit.
A surgeon at a meat market. It's an absolutely simple yet ridiculous idea, so it had to be done for real! China has been harvesting organs from detainees, so maybe this absurd project of mine isn't so far from the truth!
Last week I made the long trip from the UK to Chile in the hopes of capturing my first total solar eclipse. I had experienced a cloudy total solar eclipse from the UK in 1999 but back then I was just 9 years old and certainly no photographer. Now that I’m apparently a professional landscape astrophotographer, a total solar eclipse was a gaping hole in my portfolio.
Photographer Steve Kazemir made this 4-minute video showing how he shoots beautiful photos of paint splashes frozen in time using an old speaker in his garage.
Today we are going to be shooting a photo that I have been wanting to do for a while now, but just haven’t made the time. There are these beautiful wildflowers that grow up on a hill near my house that I envisioned for this kite shot.
The modern orotone can be created in a number of ways, the most popular using a coating of liquid emulsion on a glass plate with a gelatine base. This method produces some excellent results with a minimum of effort.
Can you shoot Milky Way photos using an entry-level crop-sensor DSLR and a basic kit lens? Yes, you can, but there are some tips, tricks, and techniques you can use to improve your results. Photographer Michael Ver Sprill (AKA Milky Way Mike) made this 16-minute video tutorial as a basic guide to doing this.
The cheapest watch I could find, that was my mission! I decided I wanted to create a magazine advertising image using a really cheap watch. My goal was to replace the luxurious and expensive aspect of the image with an unknown brand but still maintaining that feel of expense and luxury in the final shot. It was also to focus on the photography and the importance and impact it has on advertising.
There are a great number of differences between professional photographers and those that shoot only as a hobby. Surprisingly enough one, of those differences isn’t always talent. There are many amazing and talented photographers that shoot for a hobby and they take my breath away.
Doing a photo shoot in China is different than anything I have experienced on any set anywhere else in the world. Heck, just getting from the hotel to the set is like playing a video game when it comes to driving on the roads... or sidewalks, for that matter. However, to go to a country expecting it not to have a different culture is ethnocentric and prepares one for nothing.
I’ll own up to this and say that I’m guilty of being stuck in my ways. But age is no excuse for not being as adaptive as I should be to the changing times. But let me explain.
We came up for the idea to do this shoot when we saw someone on Instagram who was dropping flowers into milk and just manually trying to get the timing right. Although they were able to get nice photos of the splash some of the time, they would miss the splash just as often as they were able to capture it. We knew we could build a rig that let us capture the perfect flower splash moment every single time. In all, we took about 70 photos and successfully captured the splash every time.