YouTube user smithje77 and his dog recently embarked on a cross-country road trip from Seattle to Maine (3,000+ miles!), and he decided to document the journey by programming his Droid X to snap a photograph every 90 seconds (the script is available here). Afterward, he took all the stills captured and combined them into one epic time-lapse video that shows what it’s like to drive from coast to coast.
Posts Tagged ‘videos’
Johan Rijpma spent six months creating this two and a half minute time-lapse video showing rolls of transparent adhesive tape slowly unwinding. For one of the shots, he spent hours standing in the wind and rain, turning a plate 0.4 degrees every 30 seconds and then snapping a photo. Some of the sequences took as long as 12 hours to develop.
(via Laughing Squid)
Freelance videographer Dave Wallace made this creative stop-motion video for ClickPixx using 2335 printed photos. By patiently swapping the photos in and out of 10 picture frames arranged on a wall, Wallace managed to create a stop-motion video within a stop-motion video. You can also find a behind-the-scenes video here to see how it was made.
Pre-med student Ryan Killackey and his wife spent nearly two years shooting 10,000 photographs in California using a Canon Rebel XS with a “nifty fifty” 50mm, 18-55mm kit lens, and 50-250mm. They then combined the stills into a short time-lapse video — adding a fake tilt-shift look to some of the footage using After Effects — creating a beautiful and creative portrait of California.
Astronomy and photography enthusiast Alex Cherney spent 31 hours over six nights shooting photographs of the Milky Way over the Southern Ocean using a Nikon D700 and Nikkor 14-24mm lens. The resulting 2.5 minute time-lapse video was named the overall winner of this year’s STARMUS astro-photography competition.
Inspired by Tor Even Mathisen’s stunning time-lapse of the aurora borealis over Norway, amateur photographer Ágúst Ingvarsson decided to try making his own time-lapse video to show the world what the northern lights look like over Iceland. Using a Canon 7D and Tokina 11-16mm f/2.8 lens, he shot roughly 6,500 still photos between December 2010 and March 2011, using most of the images for this beautiful video.
Vignetting is often viewed as a bad thing when discussing lens quality, but it’s sometimes desirable to add artificial vignetting to a photograph to draw attention to the center of the image, separating the subject from the background. Here’s a helpful tutorial that shows how you can add vignetting using a curves adjustment layer in Photoshop.