Time-lapse guru Dustin Farrell recently released this epic video showing the stunning landscapes of Arizona and Utah. Every single frame in the video was a still photo captured with a Canon 5D Mark II.
“What Light” is an incredible stop-motion video that features sunlight dancing around a bedroom. It might look like it was done with CGI, but the sunlight was actually manipulated using cut-outs and stencils placed in the window. Creator Sarah Wickens says,
I noticed how the sun came through the windows in my bedroom, creating patches of light that moved throughout the day, as the sun changed position in the sky. So I started experimenting with ways of using that light to make animation, sticking cut-outs and stencils on to my windows to carve the light into different shapes [#]
The result of her efforts is one of the most creative stop-motion videos we’ve seen.
Crazy about photography, web designer and aspiring commercial photographer Dabe Alan decided to get a sleeve tattoo showing the evolution of cameras. He documented the process by creating stop-motion videos in which the artwork magically appears on his arm. The videos show 12 hours of sitting in the tattoo parlor, and comprise 2713 separate photographs shot with a Canon 5D Mark II and 24-70mm lens.
Here’s an educational time-lapse tutorial by Los Angeles-based architectural photographer Mike Kelley in which he walks through how he goes about photographing buildings. His technique might be described “manual HDR” — after shooting the building over a longish period of time to capture different lightings, he then enters the scene and lights different areas of the building using two Canon 430EX Speedlites. Afterward, he loads the stills into Photoshop and selects different portions of the scene from different photos depending on the lighting he wants. The finished composite photo ends up looking as if it were lit by a large number of Speedlites.
Photographer Nathan Seabrook made this creative stop-motion music video for the band Yuba Diamond. Despite what your eyes might tell you to believe, no computer trickery was used. Instead, Seabrook used roughly 1700 separate prints and some old fashioned techniques (e.g. fishing line and projecting scenes onto the background) for all the animations and effects seen in the video.
Photography has almost always been in crisis. In the beginning, the terms of this crisis were cast as dichotomies: is photography science or art? Nature or technology? Representation or truth? This questioning has intensified and become more complicated over the intervening years. At times, the issues have required a profound rethinking of what photography is, does, and means. This is one of those times. Given the nature of contemporary art practice, the condition of visual culture, the advent of new technologies, and many other factors, what is at stake today in seeing something as a photograph? What is the value of continuing to speak of photography as a specific practice or discipline? Is photography over? [#]
The videos run a total of 5 hours altogether, so you’ll need to set aside a good amount of time to chew through the talks. You can also find transcripts of the sessions and more information about the experts here.
YouTube user smithje77 and his dog recently embarked on a cross-country road trip from Seattle to Maine (3,000+ miles!), and he decided to document the journey by programming his Droid X to snap a photograph every 90 seconds (the script is available here). Afterward, he took all the stills captured and combined them into one epic time-lapse video that shows what it’s like to drive from coast to coast.
Johan Rijpma spent six months creating this two and a half minute time-lapse video showing rolls of transparent adhesive tape slowly unwinding. For one of the shots, he spent hours standing in the wind and rain, turning a plate 0.4 degrees every 30 seconds and then snapping a photo. Some of the sequences took as long as 12 hours to develop.
(via Laughing Squid)
Freelance videographer Dave Wallace made this creative stop-motion video for ClickPixx using 2335 printed photos. By patiently swapping the photos in and out of 10 picture frames arranged on a wall, Wallace managed to create a stop-motion video within a stop-motion video. You can also find a behind-the-scenes video here to see how it was made.