I hope you aren’t planning on sleeping anytime soon. Because these photographs from photographer Marcus DeSieno might just give you nightmares. What are they, you ask? Why, they’re nothing more than tintypes of parasites. Completely normal, right?
Keliy Anderson-Staley is an assistant professor of photography at the University of Houston. Her work has been exhibited at the National Portrait Gallery of the Smithsonian, the California Museum of Photography and the Portland Museum of Art, and is currently on view at the Houston Center for Photography.
If you don’t really think about it, it’s easy to take video for granted. After all, you can pull out your cell phone and be recording video in a few seconds flat (even fewer if you have Pressy). But what if you were limited to older photographic techniques? No, we don’t mean film, we mean wet plate photography.
Capturing even a 12fps animation for only a few seconds would seem an enormous task, and yet, that’s exactly what director Kellam Clark and his 40-person crew — altogether The Living Tin — are doing. They’re shooting video made entirely of collodion tintypes. Read more…
When my wife Sara and I finally decided to start planning our wedding (after a crazy Muppet Proposal proposal that seemed to tickle quite a few people’s fancy) one thing that became very important to us was what to do with our wedding portraits/photography.
We are both photographers. Sara and I have experience in handmade processes (Sara is heavily into large format pinhole photography and albumen printing), and after the proposal thing went viral we had all kinds of photographers contacting us pushing their services in our face.
Gigapixel photography is all the rage these days, as photographers all over the world compete to hold the record for “world’s largest photo,” but one photographer in San Francisco is participating in a very different way.
MIOPS is a new smartphone-controlled camera trigger that combines all of the features photographers want in a high-speed camera trigger into one convenient device.
Ed Drew is an artist who’s studying at the San Francisco Art Institute, pursuing a BFA in sculpture with a minor in photography. He’s also a defensive heavy weapons and tactics specialist for the California Air National Guard.
When Drew was deployed to Helmand Province, Afghanistan this past April as a helicopter aerial gunner, he decided to bring his passion for photography with him. What resulted were the first tintype photos to be created in a combat zone since the Civil War.
A few days ago, we told you about an app called Koloid that allowed iOS users to capture some of the look and feel of wet collodion photography using their iPhone. The $1 app let you not only take photos, but ‘develop’ them as well by tilting your phone to run chemicals over them.
The new app Tintype doesn’t go quite that far, but when it comes to authenticity, creator Michael Newton has made sure that his app brought the most accurate looking tintype processing possible to the iOS world. Read more…
Photographer David Emitt Adams experiments with unique metal bases in his experiments with tintype photography. Last week we shared a project in which he used abandoned tin cans found in a desert to create tintype photographs.
Using discarded tin cans found on the hot Arizona desert ground, David Emitt Adams has created timeless pieces he calls Conversations with History. The cans are branded with tintype pictures, reflecting ties to the very locations the cans — some of which have been sitting out in the sun for over forty years — were found.
In the words of Adams, “The deserts of the West also have special significance in the history of photography. I have explored this landscape with an awareness of the photographers who have come before me, and this awareness has led me to pay close attention to the traces left behind by others.” Read more…