thoughts

You never know when a good photo opportunity will present itself to you. Always be prepared.

Dear Photography,

You have been around long before I ever picked up a camera, and you will undoubtedly be around long after I fire off my last exposure. Photos resonate with people, which is why I, like so many others, love your craft.

"When you push the shutter and take a photo, you're a photographer... but are you an artist?" asks photographer Roger Ballen. "As an artist, I use photography as a medium to express my artistic vision."

In the 3-minute video above, by COOPH, Ballen offers 7 thoughts to help you become both a photographer and an artist.

As children, we often assume different roles while re-enacting grand fantasies. All hail to Cesar, riding atop a palanquin, or to the astronaut floating above the world looking down at it. The doctor saving lives, or the war photographer documenting the rawness of the human condition and the horrors of society as it fails. Then, we grow up. We settle into our role within our socio-cultural strata and send subtle ripples across the fabric of the society that surrounds us.

As tourists, we recapture some of that wonder. We gain the opportunity to stand in the midst of the coliseum, to stride casually down the halls of grand empires and to snap photos of exotic peoples, destinations, and in some instances candid moments. These rich experiences add to the substance of who we are and let us get back in touch with the beautiful sense of exploration which defined our youth. They are, for many, what make travel wondrous, expansive and oh-so addictive.

It occurred to me yesterday that the whole idea of "tips" is a bit lopsided. If someone does a great job, we give them a hefty tip; if they do a terrible job, we give them no tip. In other words, the worst thing we can do to someone who provides a bad level of service is to not give them extra money.

That's... kind of a low bar to set. It's not even carrot-and-stick -- it's carrot-and-smaller-carrot.

We’ve all seen those images over the past few years (popping up in our Facebook feeds or in the media) depicting spectacular displays of the Aurora Borealis or Northern Lights from Great Britain, Ireland or the lower 48 in the US. Regardless of the location, they’re pretty amazing images.

But beneath the wow-factor and thousands of ‘likes’ and ‘shares’ lurks a nasty little integrity issue. These aurora images may be photographic eye-candy, but many of them are pure high fructose corn syrup.

Photographers often harangue one another over pricing. Ironically, very few are willing to publicly disclose how much they charge for jobs. In economic speak, this leads to an inefficient market that has wide ranging pricing for the same output.

More to the point, no one knows what to charge, photographers don’t have an easy way to benchmark their rates and approach, and thus pricing information is guarded like gold. The cycle of opacity continues.

One of the things I love about photography is it appeals to both the geek and the artist in all of us. On the geek side you have the technical considerations of making an image; the f-stops, shutter speeds, depth of field, histograms, dynamic range, all the stuff we must all master in order to communicate our vision.

Of course we can’t forget about all the ‘geeky’ gear, super telephotos, focusing rails, tele-converters, extension tubes, fill flash, and such. On the artistry side things are a little tougher to define, shape, color, composition, mood, balance, and that fickle mistress light, to mention just a few.

PBS NewsHour just published this short interview with photographer Ken Van Sickle as a segment in its "Brief But Spectacular" series. It examines the question "what makes a photographer when everyone is taking pictures?"

Dear young, aspiring artist,

It is no secret that today’s society raised an eyebrow on you when you decided to pursue that degree on photography, graphic design, or whatever you’re passionate about but “doesn’t pay well”. And if you haven’t come to that point in life, give these words a thought.

It’s been a big week for Nikon announcements at CES 2016 in Las Vegas, with launches of the Nikon D500, Nikon D5, and new SB-5000 Speedlight. The new D500 is a camera that many people have been waiting a long time for — a successor to the Nikon D300/D300s and a true flagship for the Nikon DX line of APS-C cameras. The D500 packs in many of the same new, next-generation features as the Nikon D5 that was also just announced, including a brilliant new autofocus system, EXPEED 5 image processing, and a whole lot more.

With the Nikon D500 now official, I am extremely excited to say I had the privilege of shooting with the D500 to create images for its launch. I’ve had to keep this project under wraps since August, but now that the camera has been announced, I can finally share my thoughts on this new DX flagship DSLR.

Dear Vogue,

I just read your January 6, 2016 article on “The 10 Wedding Rules to Break.”

If people call me a pro or a hack I really don’t care. Either way, clients pay for me to take pictures for them. For personal work, I create images that are both photography and art, some of which are liked, some are ignored, and some tic up an occasional nose — I do it because it feeds my soul.

When my children were little they would collect things in their pockets. They were little pack rats; the kid version of hoarders. Anything that caught their eye would go into their pocket for safe keeping: a colorful leaf; a Skittle, a Happy Meal toy. And, like most moms, I would have to carefully search their pockets before putting their dirty clothes into the wash.

But, now and then, I would miss something, like the time I missed the rock.

The next time you are frustrated, having a bad day or negativity is simply surrounding you, break the cycle and turn everything around with your photography. It always amazes me how incredibly powerful photography is in bringing light into the darkness of life. While most of the things don’t have this almost magical power, your photography has. It’s one of the most positive things you could do, especially in moments when you need it the most.

I have had many hobbies in my life, but nothing comes close to my love for wildlife photography.

Over the years, I have made many wildlife photographer friends. Interestingly, many of them were competitive in one or more hobbies, or were doing well in their professions before taking up wildlife photography. Some were successful commercial photographers, wedding photographers, graphic designers, bass fishing champions, hunters, birders, engineers, world-class professors and researchers, while others were retired medical doctors, entrepreneurs, and even lawyers. With their talents and connections, these people could have chosen any fancy hobby they wanted. But once they tried wildlife photography, they never looked back.

Here’s an inspiring 3-minute video in which veteran fashion and portrait photographer David …

Maya’s calm and thoughtful features hover kindly over her father’s hollowed face. David’s prominent cheekbones are exaggerated by the Chiaroscuro effect of a bare-bulbed lamp. Strings of dark hair frame Maya’s profile in the windowless bedroom. Propped up on an elbow, she is beautiful, yet the role reversal is obscene.

I’m not the sharpest tool in the shed. I have no idea how to wear a scarf without looking like it’s 1974 and I am constantly changing my online passwords because I can’t remember them. I am not skilled at statistics and conducting a simple cost analysis makes me break out in hives. But… I think about things. A lot.

And one of the things I’ve been thinking about recently is why photographers stopped selling paper prints. And I have a theory.

People are always on the lookout for bargains. Everyone wants to spend as little money as possible while getting as much as possible in return. After all, the more money you save, the more you can do with the same budget. There’s nothing wrong with this at first glance. However, in practice things often get out of hand when people start to get motivated by greed and when there’s a lack of trust.

The first time I witnessed a camera detect a face to aid the autofocus system, I was amazed. In part because the technology seemed magical and the highlighted rectangle tracking faces seemed like science fiction, and in part because I seem to possess a talent for taking out-of-focus photos.

Nestled at the base of a red rock cliff just north of the Utah/Arizona border, Goulding’s Trading Post offers a commanding panorama of Monument Valley -- it’s every photographer’s dream vista. It also invites travelers, through prominent signage, to visit “John Wayne’s Cabin”. Now, to a sucker for kitschy Americana like me (who also just happened to be moseying through on a recent 1700 mile southwestern photography trip), that sign was magnetic.

For the past 29 years I’ve been traveling to China for my day job as an industrial designer to manage the ramp-up of new products manufactured in China. I’ve discovered that it’s become a common career path for product designers to morph into Asian sourcing managers because of our background in product development. That’s exactly what happened in my career about 30 years ago, with the exception that I’ve remained active in product design plus I’ve become a street photographer in China over the course of the last 5 years.

I firmly believe that photography is a powerful force for good in this world.

As reportage, it opens our eyes to tragedies we might otherwise ignore; as landscape or wildlife photography, it reveals a beauty we too often take for granted, and encourages us to treat the planet with the respect it demands; as portraiture, it reminds us that each person has uncharted and unfathomable depths to their humanity that we may never truly understand.

Dear photographer friend,

I wanted to write you a letter on the concept of “killing the masters of photography”. It is kind of a Buddhist philosophy, as well as a philosophy I gained from Seneca, my stoic philosophy hero and mentor.

I proudly ordered an Instacube in August 2012 amid significant press hype over a device that would display your Instagram feed with a large 6.5” screen. Finally... the digital picture frame that I actually wanted. The initial goal of $35,000 was quickly smashed, and the Kickstarter campaign ended up raising over $620,000.

Photographers are used to being behind the camera, but the prominence and rise of photography – particularly through social media – has created emerging opportunities for photographers. No longer relegated to pimping camera gear and workshops, the contemporary photographer has many more possibilities to endorse everything from cars to credit cars.

Dear friend,

You might have heard the term “YOLO”, which stands for “you only live once”. However, I think most people misconstrue the word. They think that it means to live a life of hedonism and pleasure, and give themselves the license to do stupid stuff and waste their time and money.

Throughout your measure of time learning photography and shooting, have you ever reached a point of realization that there is hardly a place left on the planet that you can shoot where someone else hasn’t already? Especially the most remarkable places, we find they have been packaged up, guard rails erected, and signs posted that welcome us while at the same time restrain our ability to capture a unique perspective.

My life is pretty good. I live in one of the coolest cities in the world (Toronto), I have a lot of close friends, good family, an amazing girlfriend who loves me, and I’m beginning to think my photography business is sustainable after almost five years of hard work. I’m happier now than I have been for most of my life. But here’s the reality: I am just a blue collar photographer.

Photography has been used in many ways throughout its history: as documentation, propaganda, keepsake, etc. But never has it been so frequently used as a weapon as in the Information Age. As visual communication becomes the de facto language of social media, we can only surmise that we will see more and more examples of using photography for nefarious purposes.

After reading Stephen Mayes’ TIME essay on the end of photography I couldn’t help but respond. To begin with, his main proposition is that “in the future there will be no such thing as a ‘straight photograph’” to which I’d add that I’m not sure there ever really has been much of a ‘straight photograph’ although in recent decades the public has become increasingly aware of this.

Here are some glitterbombs of truth about photography and being a photographer...

As landscape photography has grown in the age of digital cameras, photographer etiquette has seemingly plummeted. In this article, I will share some words for landscape photographers who need to check their etiquette.

Here's an inspiring 5-minute video in which renowned street photographer Joel Meyerowitz talks about his approach and mindset to making photos.

With this week’s announcement of the new Nikkor 24-70 VR, I wanted to take a moment to look back on what its predecessor, the 24-70mm f/2.8G, has meant to me.

Yesterday we shared a cringeworthy short film about how photo sharing has altered the way we experience the special moments in our lives; instead of being in the moment and enjoying it, it's easy to get caught up with making sure it's caught on camera (and perhaps shared on social media).

The 2-minute movie clip above shows a different outlook on life and photography. It's from the film "The Secret Life Of Walter Mitty," and features actor Sean Penn as a photographer named Sean O'Connell.

Don't fund my life. Really, don't send anything.

I’m a photographer, a businessperson, an artist, an educator and a friend. Many tough things have happened to me over the years, but it has been suggested that I keep the negativity to a minimum. Lots of good things have happened to me as well. Mostly, good things happened because of planning and preparation and a little luck. Bad things have happened because life happens and sometimes we are unlucky.