Posts Tagged ‘surreal’
Photographer Thomas Jackson has an ongoing project titled Emergent Behavior that consists of surreal photographs of swarms of various things (e.g. leaves, plastic cups, ping pong balls) in various locations. The images aren’t computer generated, but are rather composite images combining a number of photographs — probably similar to the “flock of phones” tutorial that we featured a while back.
Photographer Rachel Hulin has a cute project titled The Flying Series that consists of photos of her infant son Henry flying. Hulin tells TIME,
Speaking to some of the unusual body positions of her flying offspring, Hulin said, “I never throw him, and I never move him into a place in the frame that he wasn’t in to begin with. I like Henry to fly the way he feels like it, I never pose him in a specific way. Sometimes he’s graceful and sometimes he’s a little hunchback. I think telling you more would ruin it.” [#]
Here’s an awesome TED lecture in which digital artist Erik Johansson discusses creating realistic “photographs” of impossible scenes.
Erik Johansson creates realistic photos of impossible scenes — capturing ideas, not moments. In this witty how-to, the Photoshop wizard describes the principles he uses to make these fantastical scenarios come to life, while keeping them visually plausible.
City Silhouettes is a beautiful project by Beijing-based photographer Jasper James that consists of portraits of city dwellers blended with the cityscapes in the background. There’s no Photoshop trickery involved — James uses reflections seen in glass and the images are composed entirely in-camera.
I’ve always been captivated by the beauty of our world, and often dream of the things that lay just beyond what we can see. I wanted to create images of scenes that are not-quite real, but that almost could be.
The photographs in Nadav Bagim‘s project “WonderLand” might look like paintings or computer generated images, but they’re actually real photographs captured at home using ordinary objects and creative artificial lighting. His tools and props include things like vegetables, plastic bags, flowers, and leaves, and he captures the images using a Canon 60D and 100mm f/2.8 macro lens. Getting his “subjects” into the positions and poses he wants requires countless hours of patient encouraging.