Nikon announced the new 600mm f/6.3 VR S super-telephoto prime lens that it says is the lightest 600mm prime in its class, enabling handheld shooting at extreme distances for Nikon Z photographers.
Sigma's new 60-600mm f/4.5-5.6 DG DN OS Sports lens is the world's first 10x ultra-telephoto zoom lens for mirrorless cameras and features six stops of optical stabilization at the telephoto end and seven stops at the standard end.
Nikon just announced the 600mm f/4 TC VR S IS Super-Telephoto lens for its Z-mount cameras and photographer Steve Perry was fortunate enough to get some hands-on time with it. In short, he's quite impressed.
Nikon has announced the Nikkor Z 600mm f/4 TC VR S Super-Telephoto lens that features a built-in 1.4x teleconverter for its mirrorless Z-mount cameras. The company says it offers an unprecedented combination of versatility and powerful performance.
The Nikon Z 800mm f/6.3 VR S is an anomaly: lens with this kind of focal length and aperture shouldn’t be so easy to use and inexpensive. So, what’s the catch?
Nikon has announced the Nikkor 800mm f/6.3 VR S super-telephoto lens for its Z-mount cameras. While still a hefty lens, it is 48% lighter and 16% shorter than its F-mount counterpart thanks in part to the use of a Phase Fresnel (PF) front element.
Canon has announced two new super-telephoto lenses for the RF mount: the RF800mm f/5.6L IS USM and RF1200mm f/8L IS USM. Unlike what was the case with the 400mm f/2.8L and 600mm f/4L primes launched last year, these two new lenses are unique.
Nikon has announced the 400mm f/2.8 TC VR S for full-frame mirrorless Z-mount cameras. This company describes this $14,000 lens as a high-performance super-telephoto prime that is designed to work seamlessly with the new Nikon Z9.
Nikon has announced that it is developing a new 400mm f/2.8 TC VR S prime lens with a built-in 1.4x teleconverter for Nikon Z-mount, which will be the first super-telephoto lens made for Nikon's mirrorless system.
A Canon EF 1200mm f/5.6 lens was the focus of a bidding war at the Wetzlar Camera Auctions (WCA) last week that saw it climb to a final value of 500,000 euros (about $580,000), the highest ever value for a camera lens.
The long-awaited Sigma 150-600mm for mirrorless cameras has finally arrived. Available for Sony E-mount or Leica L-mount, does this redesigned super-telephoto zoom meet the expectations of real-world wildlife photographers?
Remember when lenses had character? Tokina remembers. Last year, it released the SZX 400mm f/8 reflex lens which oozes personality that most modern lenses miss out on -- it's a tiny but mighty telephoto lens.
Camera Labs' Gordon Laing was given the opportunity to test the two largest and most expensive lenses for Canon's mirrorless RF system -- the Canon RF400mm f/2.8L and the Canon RF600mm f/4L -- and has evaluated how they stack up in stills and video tests.
Wetzlar Camera Auctions is set to offer an exceedingly rare Canon EF 1200mm f/5.6L lens for sale on October 9, 2021.
Tokina has announced that its SZX Super Tele 400mm F8 Reflex MF lens that was originally announced in July of 2020 for Canon EF, Nikon F, Sony E, Fuji X, and Micro 4/3 mounts is now available for Canon RF and Nikon Z.
Back in July, Canon unveiled its new RF 600mm f/11 and RF 800mm f/11 lenses. If you're familiar with Canon's vintage lenses, you may have noticed that the new lenses share interesting similarities with Canon's R 600mm f/5.6 and 800mm f/8 lenses from 1960.
In a surprising turn of events, Tokina has just unveiled the SZX Super Tele 400mm f/8 Reflex MF: a reflex/mirror lens for modern cameras that uses a catadioptric design to achieve a super-compact, super-light, super-telephoto.
The two strangest lenses Canon is reportedly going to launch on Thursday are the RF 600mm f/11 and the RF 800mm f/11. Now, we have our first leaked photos to show us why exactly Canon has decided to make these lenses so slow. As expected: they're incredibly small and hand-holdable.
With the major Japanese trade show CP+ being cancelled over coronavirus concerns, Olympus has taken to YouTube to share the presentation it was planning to give at the show. The 45-minute presentation included an interesting look at how much reach the new M.Zuiko Digital ED 150-400mm f/4.5 TC1.25x IS PRO lens gives when combined with the M.Zuiko Digital 2x Teleconverter MC-20.
Photographer and filmmaker Jesse Watson made this beautiful 3-minute short film that shows the silhouettes of a hiking family framed within the rising full moon.
Canon has announced redesigns to two popular super-telephoto lenses in the new EF 400mm f/2.8L IS III and EF 600mm f/4L IS III. Both lenses are designed to be significantly more portable than their predecessors.
Photographer Miguel Quiles recently got his hands on one of the few Sony FE 400mm f/2.8 GM OSS lenses currently in existence (the $12,000 lens won't hit store shelves until late September). In the 6-minute video above, Quiles shares about his tests in using the super-telephoto lens for portraits.
Nikon today unveiled the upcoming DF-M1, a red dot sight designed for photographers who shoot fast and unpredictable moving subjects with super-telephoto lenses.
Nikon just released the new Nikkor 500mm f/5.6 PF ED VR, a new super-telephoto prime lens that's ultra small and lightweight for its class.
Portrait photographers generally pick focal lengths somewhere between 80mm and 135mm, which produces a flattened perspective distortion when the subject fills up the frame. Photographer Keydrin Franklin of 924photography recently decided to try his hand with shooting portraits with a 500mm super-telephoto lens.
Sony has announced a new FE 24-105mm f/4 G OSS zoom lens and the development of a new 400mm f/2.8 super-telephoto lens, expanding the selection available to photographers using E-mount full frame mirrorless cameras.
Sigma’s new 500mm f/4 Sport is getting a lot of attention. It might be because it’s the first telephoto prime in its new ART/SPORT series of lenses, or it might be because of the price tag of $5,999. That’s $3,000 less than the Canon and almost $4,300 less than the Nikon, while only being $1,000 more than the older Sigma 500mm f/4.5.
Police in Canada are using a super-telephoto camera setup to spot distracted drivers from afar and capture evidence of their misbehavior. The kit consists of a DSLR, 50mm lens, and a spotting scope.
Someone, somewhere, recently decided to bid a fond farewell to one of the most legendary telephoto lenses ever made, the Canon EF 1200mm f/5.6 L USM. Now that it is at the B&H SuperStore, a group of photographers from B&H were given the opportunity to take this optical giant out for a unique shooting experience.
We recently shared an impressive demo of the 65x optical zoom lens on the Canon SX60. If you're a smartphone shooter who wants the same reach without having to buy a new camera, check out this ridiculous 80x lens for smartphones.
DxOMark has already had a chance to put the exciting new Tamron 150-600mm super telephoto lens through its paces, and the results might surprise you. At a fraction of the cost, it actually OUTPERFORMS pricier (and not as far-reaching) Canon glass when mounted on full-frame systems.
Here's a little gear porn to keep your G.A.S. revving this Thursday. Japanese lens manufacturer Tamron has officially announced that it is working on a 150-600mm f/5-6.3 ultra-telephoto zoom lens that will replace the company's current 200-500mm lens and become the longest focal length zoom in its lineup.
If camera manufacturers were high school boys, building super telephoto zooms would be their equivalent of a pissing contest to see who can shoot the farthest or most accurately. Sports photographers would arrive at the stadium packing the biggest lens to win bragging rights, acting like Arnold Schwarzenegger slinging his Gatling gun in Terminator. But Canon’s super telephoto zoom, the EF 100-400mm f/4.5-5.6L IS USM, is getting long in the tooth, and it’s time to say, “hasta la vista, baby” to that lens.
Canon Singapore has published a first photograph of the long-awaited Canon …
You know that beastly Sigma 200-500mm that we've featured twice in the past two days? Turns out it's headed to the World Series to be used for some pretty ground-breaking imagery. A post today by Jakob Schiller over at Wired fills in some interesting details on what the lens will be used for.
Nikon’s massive 800mm f/5.6 super-telephoto lens hasn’t been launched yet, but English press photographer …
This is, in fact, the proper way to carry the Nikkor 1200-1700mm f/5.6-8.0 super telephoto lens. Weighing in at …
Photo enthusiast Chris Malcolm needed a better way to aim his 500mm lens at fast moving subjects (e.g. birds in flight), so he upgraded his lens with a DIY sighting aid by attaching a non-magnified red dot sight:
They're designed to clamp onto a gun sight wedge mount, so some kind of adapter is required. I played with the hot shoe mount, but it was too flexible -- the sight needed re-zeroing at every mount, and was easily knocked out of calibration. The degree of precision required to aim the central focus sensor at the target via the dot also made parallax error a problem on the hot shoe. So I decided to mount it directly on the lens. Least parallax error, plus the geometry of the lens barrel and the sight mount naturally lines it up with the lens. To protect the lens barrel I glued the sight clamp to a cardboard tube slightly too small, slit open to provide a sprung grab on the lens body. The slit also handily accommodates the focus hold button on the lens barrel.
Malcolm reports that the site "works amazingly well", making it "trivially easy to aim the lens at anything very quickly".
Once your lenses get to a certain level of awesomeness, you have to start carrying them like bazookas. Can …
Over at Leica User Forum, member dkpeterborough wrote a series of posts detailing how he and a fellow member of the Peterborough Photographic Society named Tony Lovell created a beastly 900mm lens. The lens uses optics salvaged from a government flight simulator projector lens, and cost only hundreds of pounds in parts (comparable lenses cost thousands).