Here’s a breathtaking time-lapse video showing the northern lights over Finland. It was created using DSLRs by Flatlight Films for the Finnish Tourist Board’s Visit Finland website, and is meant to convince people to visit the country. We’re convinced.
Melbourne-based design studio Betty Wants In is at it again. They’ve created this stunning slow-mo video of BASE jumpers doing their thing — a perfect followup to the skydiving one they shared back in April. The footage was captured with GoPro cameras and then slowed down using Twixtor, just like the crazy wingsuit video we shared yesterday.
For his project “Cloud Collection“, photographer Rüdiger Nehmzow went about four miles off the ground and photographed clouds through the open door of the plane. With no glass between Nehmzow and the sky to muddy up the shots, the resulting photographs are absolutely stunning. Photos after the break
Time-lapse photographer Randy Halverson spent three months hunting thunderstorms at night in central South Dakota using a Canon 5D Mark II, Canon 60D, and Canon T2i. Capturing both the storms and the Milky Way in the same shots proved to be a difficult task:
One of the challenges in making this video, was trying to get good storm and star shots. The opportunity doesn’t come along very often, the storm has to be moving the right speed and the lightning can overexpose the long exposures. I had several opportunities this summer to get storm and star shots. In one instance, within a minute of picking up the camera and dolly, 70mph winds hit. One storm was perfect, it came straight towards the setup, then died right before it reached it. [#]
In the end, he captured enough photographs to create this 3-minute-long time-lapse video showing the galaxy floating overhead while storm clouds roll in. Lightning photos are one thing, but seeing storms sweep across the scene at night is incredible.
It took six months of on and off shooting for photographer Colin Rich to create this amazing time-lapse video showing Los Angeles at night. He used a Canon 5D that’s still chugging along after 120,000 actuations. Be sure to watch it in HD and in fullscreen!
Six months after the atomic bomb “Little Boy” was dropped on Hiroshima, three American photographers and one Japanese photographer shot panoramas from five different locations to document the devastation. Mari Shimomura of the Hiroshima Peace Museum recently gave high-resolution scans of these panoramas to 360cities founder Jeffrey Martin, who then turned them into these 360-degree panoramas. It’s a stark and unsettling reminder of something that will hopefully never happen again. Read more…
Photographer Vincent Laforet recently attached a Canon 600mm f/4 lens with a 2X converter to a $58,000 RED Epic camera using a yet-to-be-released mount, capturing some great footage of a lake at more than 3400mm (in 35mm terms).
While long lenses are nothing new in the motion picture world – this type of resolution combined with Canon’s Image Stabilization technology is utterly impressive and should be a huge hit with wildlife and sports photographers around the world.
This is once again an example of technology allowing us to pull things off we once thought impossible (or could be done with a lot of additional technology)
It’s a beautiful look at what the world looks like when you’re at a focal length powerful enough to peer closely at the moon.
Inspired by Tor Even Mathisen’s stunning time-lapse of the aurora borealis over Norway, amateur photographer Ágúst Ingvarsson decided to try making his own time-lapse video to show the world what the northern lights look like over Iceland. Using a Canon 7D and Tokina 11-16mm f/2.8 lens, he shot roughly 6,500 still photos between December 2010 and March 2011, using most of the images for this beautiful video.
Shoot a stunning time-lapse video of the Milky Way, and there’s a good chance it’ll go viral. Photographer Randy Halverson used a Canon 60D and Canon T2i with Tokina 11-16, Sigma 20mm F1.8, and Tamron 17-50 lenses to shoot these beautiful images of the night sky over South Dakota.
Shot in RAW format, the Milky Way shots were 30 seconds exposure F2.8 or F1.8 with 2 second interval between shots, for 3-4 hours run time. ISO 1600
Ten seconds of the video is about 2 hours 20 minutes in real time.