Night photographer Ben Canales made this image by stacking together roughly 50 different exposures in order to show all of the star trails across the sky. Regarding the color seen in the stars, Canales writes,
The different colors of the star streaks are from the “temperature” of light that the stars burn at. Just like a candle gives and orange light, and a gas stove burns blue- the stars in our sky shine all different sorts of colored light.
A while back, we featured a video tutorial by Canales on how to photograph the night sky. Give that video a look, find a still lake on a clear night, and you can make one of these photographs yourself!
The “midnight sun” is a natural phenomenon that occurs in summer months near the Earth’s poles where the sun doesn’t set and is visible 24 hours a day. During these times, the sun travels horizontally across the horizon throughout the night, causing the landscape to be bathed in an extended “golden hour” light.
Back in June, photographer Joe Capra traveled across Iceland for 17 days, covering some 2,900 miles and capturing 38,000 photographs using two Canon 5D Mark IIs and a Canon 7D. He then combined the stills into this time-lapse video showing the beauty of that country during the midnight sun.
Time-lapse guru Dustin Farrell recently released this epic video showing the stunning landscapes of Arizona and Utah. Every single frame in the video was a still photo captured with a Canon 5D Mark II.
Here’s a breathtaking time-lapse video showing the northern lights over Finland. It was created using DSLRs by Flatlight Films for the Finnish Tourist Board’s Visit Finland website, and is meant to convince people to visit the country. We’re convinced.
Melbourne-based design studio Betty Wants In is at it again. They’ve created this stunning slow-mo video of BASE jumpers doing their thing — a perfect followup to the skydiving one they shared back in April. The footage was captured with GoPro cameras and then slowed down using Twixtor, just like the crazy wingsuit video we shared yesterday.
For his project “Cloud Collection“, photographer Rüdiger Nehmzow went about four miles off the ground and photographed clouds through the open door of the plane. With no glass between Nehmzow and the sky to muddy up the shots, the resulting photographs are absolutely stunning. Photos after the break
Time-lapse photographer Randy Halverson spent three months hunting thunderstorms at night in central South Dakota using a Canon 5D Mark II, Canon 60D, and Canon T2i. Capturing both the storms and the Milky Way in the same shots proved to be a difficult task:
One of the challenges in making this video, was trying to get good storm and star shots. The opportunity doesn’t come along very often, the storm has to be moving the right speed and the lightning can overexpose the long exposures. I had several opportunities this summer to get storm and star shots. In one instance, within a minute of picking up the camera and dolly, 70mph winds hit. One storm was perfect, it came straight towards the setup, then died right before it reached it. [#]
In the end, he captured enough photographs to create this 3-minute-long time-lapse video showing the galaxy floating overhead while storm clouds roll in. Lightning photos are one thing, but seeing storms sweep across the scene at night is incredible.
It took six months of on and off shooting for photographer Colin Rich to create this amazing time-lapse video showing Los Angeles at night. He used a Canon 5D that’s still chugging along after 120,000 actuations. Be sure to watch it in HD and in fullscreen!
Six months after the atomic bomb “Little Boy” was dropped on Hiroshima, three American photographers and one Japanese photographer shot panoramas from five different locations to document the devastation. Mari Shimomura of the Hiroshima Peace Museum recently gave high-resolution scans of these panoramas to 360cities founder Jeffrey Martin, who then turned them into these 360-degree panoramas. It’s a stark and unsettling reminder of something that will hopefully never happen again. Read more…
Photographer Vincent Laforet recently attached a Canon 600mm f/4 lens with a 2X converter to a $58,000 RED Epic camera using a yet-to-be-released mount, capturing some great footage of a lake at more than 3400mm (in 35mm terms).
While long lenses are nothing new in the motion picture world – this type of resolution combined with Canon’s Image Stabilization technology is utterly impressive and should be a huge hit with wildlife and sports photographers around the world.
This is once again an example of technology allowing us to pull things off we once thought impossible (or could be done with a lot of additional technology)
It’s a beautiful look at what the world looks like when you’re at a focal length powerful enough to peer closely at the moon.