Light modifiers don’t come cheap, especially softboxes. But, if you have enough DIY talent, some patience, and $20 bucks to spare, you’re only an hour or so away from having a custom-made softbox of your own.
Posts Tagged ‘stepbystep’
Hyperlapse photography is an increasingly popular technique in which standard timelapse imagery is brought to life with camera movement. Rather than move the camera with a slider or with a crane, hyperlapse shots move the camera across very long distances.
19-year-old photographer Morten Rustad wanted to pass on some of the things he has learned about creating hyperlapses, so he created the helpful 9-minute-long video tutorial above. It’s a great primer for anyone looking to get started with this type of photography.
Earlier this year I tried Polaroid emulsion lifts for the first time. An emulsion lift (or emulsion transfer) is when the emulsion layer is removed from a sheet of instant film and then transferred to a different surface.
I’ve always thought they would be hard to do and was surprised at how easy and fun it was, so I thought I’d put together a little step by step guide to making instant film lifts!
Want to make some business cards for your photography business that stand out from among traditional cards? Try making some in the style of 35mm film slides. Last week we shared photographer Lars Swanson’s beautiful slide cards, and this week we have a step-by-step look at how you can make something similar.
I know there are a few guides out there for home processing, some of which were instrumental in helping me get over my fears. All of these other guides seemed to be a little incomplete and that lack of detail made me wait longer than I should have before taking the plunge. In reality, it’s easy to do your film at home. Let me show you!
Here’s a video that may be very interesting to you if you’ve never tried your hand at creating a tintype with wet plate collodion photography. Oklahoma City-based photographer Mark Zimmerman recently strapped a GoPro Hero 3 to his head and went through the entire process of creating a wet-plate photo on aluminum, from flowing the collodion in the beginning, through exposing it using his large format camera, and ending with a finished tintype photo of a camera.
The vast majority of my photographic work is environmental portraiture, corporate and editorial photography, and interiors, some of my commercial photography does include product photos. Quite honestly, some of this stuff is pretty straightforward, take a nice representative image of the product on a clean white backdrop so it integrates onto a website (also white) seamlessly. Sometimes a client gives me a bit more artistic license, and sometimes I get to do a shoot that’s just for me.
First things first, the most important thing to do is to plan well. Forward planning is vital to any night sky shot, along with a steady tripod and a warm coat. There are quite a few websites and twitter feeds that can help you with your planning. Even though it only takes about an hour and a half for the ISS to complete an orbit of the planet, you could be waiting quite some time under the night skies before the station appears above. The station only appears for a short time (about 1-2 weeks) and then re-appears again many weeks later. This is due to the orbit of the station above earth.
You can check out a collection of ISS photographs he has taken here.
Image credit: Photograph by Shane Murphy and used with permission
How would you go about photographing a $380,000 Lamborghini Aventador? Here’s an interesting behind the scenes video in which photographer Blair Bunting presents a step-by-step walkthrough of how went about doing it. He uses $60,000 in lighting gear, but also demonstrates how you can achieve similar lighting by light painting with a single softbox. Another neat trick is using a small light and a model car to plan your lighting setup prior to working with the actual car. The finished photograph can be seen here.