Garrett Grove is the type of photographer it’s easy to be jealous of. Looking through his work you’ll notice an effortlessness to the beauty he captures. This element of his photography is deceiving and likely to cause hours of frustration in your personal photography as you try in vain to achieve the same impressive results he nails on a regular basis.
This dual nature, of ease and awe, is what’s so appealing about his work. We recently got to talk to Garrett to try and figure out how he makes it look so easy, and why it really isn’t.
Born in 1922, photographer and writer Art Shay has had a career that most creatives only dream of. Between Life, Time, Fortune, Sports Illustrated, Forbes, Business Week, Parade, The New York Times Magazine and many more, Shay has shot about 1,100 magazine covers.
This video — shot and produced by Bradley Rochford of Hanson Dodge Creative — gives you a quick overview of the amazing life and work of this still-active 91-year-old photographer. Read more…
This fascinating behind-the-scenes video shows what it’s like to work as a sports photographer for the New York Times. It follows around Barton Silverman, a photographer who has been working at the Times since March of 1962. Over the past 50 years, he has covered many a championship game and has photographed many a legendary athlete. The New York Times writes,
When he started at The New York Times 50 years ago, [Silverman] worked as a lab assistant, a title he would hold for four years. But he wanted to be a photographer. So he volunteered to carry Larry Morris‘s camera bag to Madison Square Garden.
“As I was taking notes,” he said, “I basically figured out how to shoot a hockey game.”
In the meantime, he volunteered to shoot for the team, earning the program credit “Photos by Barton.”
Here’s a short interview he gave after photographing his 39th Super Bowl back in 2010. Also, be sure to check out this New York Times Lens piece that sheds some more like on the epic photograph of a leaping Joe Namath mentioned in the video.
(via ISO 1200)