At first glance, photographer Timothy Pakron’s “Silver Print” series of portraits might look like ink paintings or some kind of CG art. They’re actually photographs created by hand painting developer onto photo paper in the darkroom instead of immersing the paper entirely in the solution. Pakron writes,
By using the familiarity of the face as the template, my process involves hand painting the developer in the darkroom, intentionally revealing specific, desired aspects of the face in the negative. Doing so creates a stark negative space that gives the portrait a lucidity. Instead of creating a realistic, straight from film portrait, I am more interested in exploring how the original image can be brought to the surface in alternative ways. The portraits embody their own unique strangeness.