One of the problems photographers face today is explaining to clients why it’s worth it to pay a professional to do a job the client often feels they can do themselves. And while people familiar with photography can immediately give a plethora of reasons why an entry-level DSLR in an layman’s hands is NOT the same as hiring a professional, clients often don’t get it.
That’s why Sudbury, Ontario-based photographer James Hodgins started his witty, “Crappy Vs Snappy” showcase. He either invites clients to tag along on shoots with their own camera or snaps his own crappy images in “P” mode, and then places the results side-by-side with his professional-quality shots. The client rarely needs any more convincing after that. Read more…
Mother + Daughter is an ongoing series of portraits by North Carolina-based photographer Carra Sykes. Each diptych features one portrait of Sykes and one portrait of her mother, with both women wearing the same clothes and holding the same pose. Read more…
If you’ve been wondering how the Canon 6D compares to the 5D lineup in terms of size, control layout, and ergonomics, here’s a side-by-side comparison photo in which the 6D (center) is placed next to the new Canon 5D Mark III (left) and the older Canon 5D Mark II (right). The cameras are each ever-so-slightly different in their shapes, but the 6D is noticeably smaller than its higher-tier siblings. It’s more than 10% smaller in its dimensions, and is ~10% lighter than the 5D Mark II and ~20% lighter than the 5D Mark III. Here’s a larger version of the image.
The photography industry isn’t the only one transitioning away from film and into digital; Hollywood’s undergoing the exact same thing. Side by Side is an upcoming documentary film produced by Keanu Reeves that offers a look into this major transition that’s underway
For almost one hundred years there was only one way to make a movie — with film. Movies were shot, edited and projected using photochemical film. But over the last two decades a digital process has emerged to challenge photochemical filmmaking.
SIDE BY SIDE, a new documentary produced by Keanu Reeves, takes an in-depth look at this revolution. Through interviews with directors, cinematographers, film students, producers, technologists, editors, and exhibitors, SIDE BY SIDE examines all aspects of filmmaking — from capture to edit, visual effects to color correction, distribution to archive. At this moment when digital and photochemical filmmaking coexist, SIDE BY SIDE explores what has been gained, what is lost, and what the future might bring.
The folks over at NoFilmSchool recently did a low light comparison of the Canon 5D Mark II, Canon 5D Mark III, and Nikon D800. The cameras were used to film the same dark candlelit scene with the same settings, and the ISO was slowly pushed up to the cameras’ respective limits. It’s pretty striking how big of a difference in low light/high ISO quality there is in the cameras, especially in light of DxO Lab’s test results for the cameras’ sensors…
Here’s a test comparing the 1080p HD video recording capabilities of the iPhone 4S and the Canon 5D Mark II. Vimeo user Robino Films shot the same scenes at the same time with both cameras using a special rig, and then synched the footage together. They also tried to match the exposure, shutter speed, frame rate, and picture style as much as possible.
dpreview forum member Jorginho created a couple side by side images showing the recently leaked Nikon mirrorless camera sensor next to other sensor sizes. It gives us a visual look at how big a 2.7x sensor actually is. Above, we see the Nikon sensor next to the tiny Pentax Q sensor, which has a crop factor of 5.7x. Read more…
Here’s an interesting video by Take Zero Productions that compares the footage of the same scene recorded by both an iPhone 4 and a Canon 7D. You can also head on over to the Vimeo page to compare the footage in HD, since HD is disabled in this embedding.
Note that in the description, they write,
I was mainly focusing on the iPhone video here and didn’t have intentions of making this a comparison video so some of the 7D shots aren’t properly exposed and some aren’t even focused. But here it is regardless.
What do you think of the iPhone’s video capabilities compared to the Canon 7D?