After cleaning out his garage, photo enthusiast Drew decided to convert it into a makeshift studio by creating a mount to hang seamless white paper or a muslin from the rafters. He used ceiling hooks, chains, S hooks, and a 12-foot-long dowel.
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For his project “Day Into Night”, photographer Stephen Wilkes set up a 4×5 camera with a 39-megapixel digital back 40-50 feet off the ground in a cherry picker, and photographed the scene throughout the course of one day. Keeping a constant aperture, he adjusted his shutter speed to compensate for the position of the sun. Afterward, the hundreds of images captured were edited to roughly 30-50 photos, and then seamlessly Photoshopped together to show a gradual transition from day to night.
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