Well known photographer and blogger Scott Kelby recently pointed to the 18-55mm kit lens as a reason why beginners find it difficult to take good shots — it is neither wide nor long enough to create visual impact, he wrote. I’d like to respectfully disagree.
It’s precisely because the 18-55mm kit lens is cheap and common that I relish the challenge of capturing great images with it. I just love the “You shot that with a kit lens?” wide-eyed reaction when people realize how learning to read the scene and lighting makes more difference than splurging on an expensive lens upgrade. Read more…
What’s the worst photographic mistake you’ve ever made? Whatever it was, the scope of the error — at least geographically speaking — was probably much smaller than what Scott Kelby recently did. In the short video clip above, Kelby shares what he calls “probably [his] most embarrassing photography story ever.” Read more…
About six months ago, well-known photographer Scott Kelby switched from Nikon — which he had shot for many years — to Canon. The switch has caused a flurry of questions from the photo community, and so today, Kelby asked Canon Explorer of Light Rick Sammon to stay for a few minutes after they wrapped up an episode of The Grid to help him answer this question. Read more…
Photographer Zack Arias created this video titled Signal vs. Noise to help his fellow photogs refocus their lives and careers. His advice: “Look for the signal in your life, and not the noise.” Arias writes,
As 2012 was coming to an end […] I felt as though my brain was full. There wasn’t any more room in it. I can’t take any more information. My head was filled with noise and trying to find anything of any substance was difficult. I would do my best to remember what I was going to the store to buy, but when I walked in the door I couldn’t remember. I’d sit in meetings with my studio manager where she would ask about the direction for the new year and I’d draw a blank. “I don’t know.” My mind was filled with thoughts but I couldn’t string them together in a coherent way to save my life.
Each year I take the month of December off from social media. I like to disappear, go work on stuff, and come back feeling fresh. Nearing the end of 2012 I knew I needed to leave all of that behind sooner than December and most likely stay off of it until the spring. My mind was stuck on static and the volume was set to eleven.
Arias has developed a number of strategies for strengthening signal and killing noise. Head on over to Scott Kelby’s blog for the whole shebang.
The megapixel war is heating up again in the high-end DSLR market, with the 36MP Nikon D800 leading the charge and rumored high-MP Canon and Sony competitors on the way. If you’ve been drooling over massive megapixels, be warned: with great megapixels comes great responsibility storage costs. Photoshop guru Scott Kelby writes:
I was reminded this week how large the file sizes are for images I shoot with my Nikon D800. I grabbed a hard drive to copy around 1,000 images I took in Cuba, and I was shocked to see that it wouldn’t fit on the drive because it was a whopping 43 Gigbytes!!! I looked at what the Raw files were from my Nikon D3s, and for around 1,000 Raw files it was 1/3 the size (around 15GB) and for the same number of JPEGs from a similar camera it around 6GB. I’ll shoot more than 1,000 photos at any given football game in just three hours (glad I’m shooting JPEG).
If you’re planning to buy a high-MP DSLR this holiday season, you should also be thinking about stocking up on external hard drives as well.
Here’s a talk Photoshop guru Scott Kelby gave at the recent Google+ Photography Conference on how to “crush the composition”. It’s a talk that goes beyond the basics of rules of thirds, leading lines, and repeating patterns.
Those of you lucky enough to already have Photoshop CS6 already know about all the popular, highly-advertised features like Content Aware Move. But there are a lot of smaller improvements that come with each re-design of Photoshop that never get to see the limelight. In honor of those small (but often highly useful) improvements, Photoshop Insider Scott Kelby put together a short YouTube video that highlights a few of them for you.
Photoshop guru Scott Kelby has released a free iPad app that teaches the lighting techniques he used for various photographs in his portfolio.
The newly released Scott Kelby’s Lighting Recipes is a free iPad app that walks you through twenty shots in thirteen different lessons. With an approximately 45 minute runtime, each lesson has a gear guide, and lighting diagrams, as well as production shots, and the final image. And yes, there is Kelby’s commentary as well.
Your photos look better processed in Lightroom 4. Period. […] The improvements in Lightroom’s Development module are so significant, and so much better than what we’ve ever had before, that I think you’ll be hard-pressed to find most anyone still using Lightroom 3 in just a few months from now. In fact, if they didn’t add another feature, it would still be worth the upgrade just to get better looking images.
You can watch a walkthrough of new the new module here, or play around with the new engine yourself by downloading the free Lightroom 4 Beta release. This is also great news for Photoshop users: the same engine is coming to Photoshop CS6 and Adobe Camera Raw.
Last week we reported that starting with Adobe CS6, only people who own the previous major release of the software (i.e. CS5 and above) will be eligible for upgrade pricing. Needless to say, Photoshop users are’t too happy about the changes, and now National Association of Photoshop Professionals president Scott Kelby is weighing in. In an open letter to Adobe, he writes,
While I understand that Adobe needs to make business decisions based on how it sees market conditions, I feel the timing of this new pricing structure is patently unfair to your customers (and our members). Here’s why: You didn’t tell us up front. You didn’t tell us until nearly the end of the product’s life cycle, and now you’re making us buy CS5.5 for just a few months on the chance that we might want to buy CS6 at a discount when it’s released. Otherwise, we have to pay the full price as if we were never Adobe customers at all.
Kelby also makes a plea for Adobe to either start the new policy with CS7 or to offer a tiered upgrade structure in which upgrade price is based on how recent your version is. That definitely makes more sense than having CS4 users pay full price to upgrade to CS6.