Los Angeles-based photographer Johnny Tergo project “Passenger Side Window” is all about the art of the drive by shooting. The series was captured using a complicated camera rig Tergo built into the passenger seat of his Chevy Silverado.
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With the cost of my local neg scanner in London being £40/hour for a Hasselblad Flextight, I have been digitising using a DSLR for a quite a while. The results can be extremely good as long as a little time is put into the setup to begin with.
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Fotodiox has announced a new mount system called the RhinoCam that turns a Sony NEX mirrorless camera into a digital back for 645 medium format photography. The kit allows NEX owners to shoot with classic medium format camera lenses to capture 140+ megapixel photos.
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Focus stacking is when you combine multiple photographs of different focus distances in order to obtain a single photo with a much greater depth of field than any of the individual shots. This can be done by turning the zoom ring on your lens, but this can be difficult to control (especially for highly magnified photos). It can also be done using special rigs designed for the purpose, but those are generally quite pricey.
Photographer and software engineer David Hunt recently came up with the brilliant idea of turning an old flatbed scanner into a macro rail for shooting focus-stacking photos.
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Last week we shared a guest post by photographer Martin Legeer on how he built a Matrix-style bullet-time camera rig using 50 Canon DSLRs. Shortly afterward, Greek photographer Theodoros Tziatzios of Real Creations sent an email telling us about his own camera rig projects, which use double the number of cameras.
That’s right: a camera rig with 100 cameras for extremely smooth 360-degree views of subjects that freeze time and space.
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Back in March, a client for whom I’ve done some light consulting work asked me if it was possible to capture a 360-degree-image that can be rotated afterwards. I said of course, but didn’t think that much about the consequences — it’s a project that would wake me up at nights for the next few months.
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Photographer Christian Lobo came up with this thrifty macro setup that uses his Canon Rebel T3/1100D and a 50mm f/1.8. It might look ghetto, but it actually functions pretty well for casual macro photography.
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Street photographer Markus Hartel recently did some shooting on the sidewalks of New York City on a rainy day with a Kodak Playtouch rigged to his Leica M9 and 28mm Elmarit. The above video shows a point-of-view documentation of his walk along with the “keeper” shots that resulted.
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Here’s a tutorial by photographer Joe Edelman that teaches how you can build a studio lighting setup with fluorescent lights for under $200. You can find a detailed parts list over in the description of the video on YouTube.
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Many extreme athletes these days use helmet-mounted HD cameras for photos and videos captured from a first person point of view, but photographer Justin Olsen does things a little differently: he uses a chest-mounted DSLR. Using a custom rig created for him by a local sewing shop, Olsen snaps his unique photos using a 15mm on a Canon 1D Mark III or a 5D Mark II, and a PocketWizard to trigger the shutter wirelessly.
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