Here’s a brief video in which Reuters shows off the special underwater camera it created to shoot swimming competitions at the London Olympics. The design was derived from the cameras used during the BP oil spill back in 2010.
Posts Tagged ‘reuters’
World class athletes eat huge meals to provide their bodies with fuel during training (you might have heard that swimmer Michael Phelps gobbles down 12,000 calories every day while training). Reuters photographer Umit Bektas recently decided to do a photo project exploring this fact by shooting studio portraits of Turkish Olympic athletes posing next to tables laden with their daily meal intakes.
When firefighter Joseba Etxaburu isn’t putting out flames, he works as a photo stringer for Reuters, and for the past 12-years he’s been attending the San Fermin festival in Spain, more commonly known as the “running of the bulls”. This year, however, while covering the release of wild cows into the bullring, he got a little bit more personal with one of his subjects than even he was comfortable with:
I think the cow had spotted me from the start and didn’t like the look of what she saw. She had a crooked horn and maybe she was self-conscious about being photographed. She kept her eye on me and started advancing. I tried to back away using a circular motion. It’s never a good idea to run to or from bulls or cows in a straight line. They are faster than you and will catch you. It’s better to move in a curve. They have less ability to turn than we do and there’s a chance you can out-turn her. On this day though that didn’t happen. She came at me and while I was trying to dodge, I slipped.
I grabbed onto her horn to stop her tossing me. It worked but she stepped on my elbow, which is the biggest scratch I got that day. With my other hand I held onto my camera. Those things aren’t cheap.
The whole altercation, Wild Cow vs Photog, was caught on camera by Reuters photographer Susan Vera: Read more…
Sports photographers use a variety of techniques and gear to shoot from different angles that are less accessible to the photographers during action: wirelessly triggered cameras mounted behind backboards, perched on overhead catwalks, clamped on the ground. Reuters photographers Fabrizio Bensch and Pawel Kopczynski decided to take the technology of remote photography to another level for the upcoming 2012 Summer Olympics with robotic cameras.
Reuters is reporting that US-based investment firm TPG Capital has expressed interest in pouring $1 billion into Olympus in a joint deal, and has notified other possible suitors including Sony, Canon, Fujifilm, and Panasonic.
Nearly all of Olympus’ profits are generated from its dominant 70 percent share of the global market for flexible diagnostic endoscopes. The steady cash flow from that business has allowed it to prop up its digital camera business, which is on course to lose money for a second straight year.
TPG would consider taking over the other less desirable parts of the firm to facilitate a deal. This could include the digital camera operation, which is in need of a major overhaul, including job cuts, the person said.
It’s interesting that the camera division is one of the “less desirable parts” of Olympus, since that’s what most consumers know the company for.
News photo agencies EPA, AFP, and Reuters have all issued kill orders for a photo of Kim Jong-il’s funeral procession released by the Korean Central News Agency, the state news agency of North Korea. The photo (above at bottom) raised red flags after a comparison with a Kyodo News photo taken just seconds earlier revealed that a number of people had vanished from the scene. The New York Times writes,
A side-by-side comparison of the full images does point to a possibly banal explanation: totalitarian aesthetics. With the men straggling around the sidelines, a certain martial perfection is lost. Without the men, the tight black bands of the crowd on either side look railroad straight.
Perhaps it was a simple matter of one person gilding the lily.
What would you pack if you were assigned to cover a war from the inside? The photo above shows what photographer Umit Bektas decided to pack in his camera bag for his embed with a US military unit in Afghanistan.
I was going to need two cameras but to be on the safe side, I took a third. As I was planning to do a multimedia piece as well, I packed an audio-recorder and GoPro Camera too. Also a Bgan to give me the internet access necessary to transmit my photos and the Thuraya to ensure communication at all events. As I placed my laptop in its bag, I thought “what if it breaks down” and added a nine-inch backup laptop too. Also packed was one spare battery for each piece of equipment that ran on them. For my cameras though, I took two spares each. As I would not be able to carry large lenses, I packed a converter, chargers, cables, memory cards, cleaning kits and adapters. All this filled up my largest bag.
Also in one of his bags was body armor and a helmet: a requirement for being embedded.
Image credits: Photograph by Umit Bektas/Reuters
Earlier this week, a Reuters photograph showing a Libyan rebel firing an RPG caused a stir after people on a number of sites suggested that it might have been Photoshopped. Well, it turns out the photo is 100% real — not only did Reuters confirm this with us, but forensic expert Neal Krawetz arrived at the same conclusion after analyzing the image:
By using a suite of analysis methods, it becomes extremely difficult for a fake image to pass unnoticed. While an intentional forgery might pass one or two tests, it takes a level of skill that most photographers and amateur graphic artists lack. This picture easily passes every test (including a whole slew that I didn’t include here). I have no reason to question the authenticity of this picture.
Typically, amazing photos come about through digital modifications. However in this case, Anis Mili has truly captured an amazing photo. And he did it without using a crutch like Photoshop.
You should definitely give Krawetz’s blog post a read — it’s an interesting look at image forensics.
Without a Crutch [The Hacker Factor Blog]
Update: Erin from Reuters contacted us informing us that this is in fact a genuine, non-manipulated photograph. Here’s a good explanation of why it’s real.
Reuters published the above image as an Editor’s Choice photo yesterday, and almost immediately readers began leaving comments questioning whether the photograph was Photoshopped. The debate soon spread to other websites, including Reddit, and it appears that the photographs has since been taken down (though it can still be seen in its original slideshow from last week).
When we shared the practice of “rooftopping” (climbing to the tops of skyscrapers and taking pictures from the edge) a couple days ago, some commenters pointed out that accidentally dropping your camera could kill someone on the ground. Well, Reuters photographer Mark Blinch had a “rooftopping” adventure of his own recently at the CN Tower in Toronto, which just launched an attraction called “EdgeWalk” that lets you walk hands free 356m (1,168ft) off the ground. Blinch describes how the crew secured his gear:
The morning started when the tower’s safety personnel attached all manner of clips and cables to my cameras so they could fasten them securely to the bright red jumpsuit they gave us to wear. I brought up a Canon 5d Mark II with a 16-35 wide zoom, and a Nikon D3s with a 24-70. The memory card slots, eyepiece, and battery doors of both cameras were all taped down to make sure nothing fell off. I have dropped a camera maybe once or twice in my life, and I knew this wouldn’t be the time to have an accident.
If you’re planning on doing any kind of photography where butterfingers could kill more than your camera, you might want to try this method of tape, clips, and cables.
Teetering on the edge [Reuters]
Image credits: Photographs by Mark Blinch/Reuters and used with permission