When tasked with making the music video for the song HAVOC by While You Slept, Frokost films decided to get a little creative. In addition to shooting the whole thing in slow motion, they managed to shoot the entire music video using just one 18-second continuous shot. Read more…

There’s some pretty big news over in the cinema camera world today. RED founder Jim Jannard announced that massive price cuts have been made to the prices of his company’s high-end cinema cameras (which are also used for still photography).
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Video technology is advancing at an alarming rate, and the question that seems to be on many a photographer’s mind is: “will video ever render still photography obsolete?” In the future, will shooting a sunset simply involve going out and recording 30 minutes to an hour of video and then pulling your favorite frames into Photoshop or Lightroom? Well, that’s the question that this video from Fstoppers is trying to answer.
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Photographer Vincent Laforet recently attached a Canon 600mm f/4 lens with a 2X converter to a $58,000 RED Epic camera using a yet-to-be-released mount, capturing some great footage of a lake at more than 3400mm (in 35mm terms).

While long lenses are nothing new in the motion picture world – this type of resolution combined with Canon’s Image Stabilization technology is utterly impressive and should be a huge hit with wildlife and sports photographers around the world.

This is once again an example of technology allowing us to pull things off we once thought impossible (or could be done with a lot of additional technology)

It’s a beautiful look at what the world looks like when you’re at a focal length powerful enough to peer closely at the moon.

One Degree: A Canon 600mm w 2X Extender on the RED Epic [Vicent Laforet]