200 Yards is a neat photo project based in San Francisco that centers around the idea of having photographers point cameras at a small section of a particular city. For each cycle, organizers pick a particular “alternative gallery space” and invite photographers to create photographs within a 200-yard radius of that location (this translates to roughly one block in each direction). Submissions are then whittled down until 12 photographers remain, and these artists are invited to the resulting exhibition at the gallery space.
Posts Tagged ‘project’
Camera hoarder Stacie Grissom of Stars for Streetlights received a massive collection of old cameras from her uncle a couple years ago. She soon discovered that she wouldn’t possibly have time to use all of them, so she took a few of the neglected and worn down ones and made a one-of-a-kind lamp for her home. The cameras were turned into the lamp base using a pipe and some cold weld, and the lamp shade was made using color slide film. If you have some broken cameras lying around and want to make your own, Grissom has detailed her entire process over on her blog.
Image credit: Photograph by Stacie Grissom/Stars for Streetlights
The United States is a diverse country, but there are few places in the US as diverse as New York City: “the greatest city on earth.” In many ways The City’s diversity makes it a street photographer’s gold-mine, and it’s this mine that photographer Brandon Stanton has been meticulously digging through over the last couple of years. Read more…
Created by Chris Bell, Liangjie Xia, and Mike Kelberman, Rotobooth is a novel new photo booth with a twist — literally. It’s powered by a hacked rotary phone and shoots a photo after the user dials their cell phone number. The image is then automatically uploaded to Flickr and a link to the photo is sent as a text message to the phone number provided. Check out this interview with Kelberman to learn more about the project and this Flickr set to see some behind-the-scenes photos.
Image credit: Photograph by Mike Kelberman
After amassing 626 friends on Facebook two years ago, Tanja Hollander began to wonder how many of them were actually friends in the conventional sense. She then set out to answer the question by meeting each one of them and photographing them in their homes. The portraits are published on a website set up for the project, titled The Facebook Portrait Project, and each photo includes some information about the subject and their relationship to Hollander.
Some might say that the city of Rochester, New York is struggling; others might say that it’s evolving. One thing’s for sure though: Rochester — nicknamed The World’s Image Centre — is changing. Because of this, and because of the city’s rich photographical history (think Kodak), ten of Magnum Photos’ photographers have chosen Rochester as one of three locations currently being documented across the United States.
Back on July 1, 2009, artist Kelly DeLay began a personal project titled “Clouds 365″ with the goal of shooting a photo or video or clouds every single day for a year. After completing his goal 365 days later, he decided to keep going. He has now amassed over 1000 days of documenting clouds, and his popular website (which receives millions of visitors each year) was recently nominated for a Webby Award. In case you’re wondering what DeLay does on cloudless days: not all the photos show actual clouds.
Looking for a weekend project? Try you hand at creating an anthotype, or an image created using photosensitive material from plants. Grind up some plant matter to harvest the juices, paint the juices onto some paper, place a negative over the paper, and then leave the image out under the sun. When it’s done exposing, scan the image to preserve it and place the print in a dark place, since light will slowly cause the image to disappear. Photojojo has a step-by-step tutorial on the process here.
DIY: Create Photographs Using Plant Matter! [Photojojo]
Los Angeles-based photographer Ian Ruhter creates amazing photographs using a van that he turned into a gigantic camera. He uses the collodion process (AKA wet plate photography) to turn large sheets of metal into photographs, and spends upwards of $500 making each giant one-of-a-kind print.