Earlier this week, photographer Jeanine Thurston shared a letter that she received from a client that powerfully illustrates the value of photography. Thurston writes,
This letter wasn’t mailed – it was at my doorstep when I got home a couple months ago. I read it, I cried, and read it again – probably a hundred times by now. It wasn’t easy to read – and honestly, as much as it validates what I do for a living – I wasn’t sure I was going to share it either. If you choose to read through the letter, you will know why I’ve finally chosen to share it.
The post quickly went viral and has amassed hundreds of comments from fellow photographers who were impacted by the letter. Read more…
Demos at graphics conferences are often interesting to watch because they offer a sneak peek at technologies that may soon become available to the general public. The video above is a demo for “PatchMatch“, an algorithm developed by researchers at Princeton and Adobe. Although you might be unfamiliar with PatchMatch, you’ve probably heard of its most famous feature: Content Aware Fill. Only a small piece of this amazing technology was introduced in Photoshop CS5, so the amazing image manipulations seen in this demo are likely a sneak peek into what we’ll be seeing in Photoshop CS6.
Transform is a short film by photographer Zack Arias that offers encouragement to photographers who are going through a slump and hard times. It’s an incredibly powerful piece that everyone interested in photography — pros and enthusiasts alike — should see at least once, though you might find yourself coming back to it again and again in the future.
Anyone who says they aren’t frightened during war is either lying or a fool. It’s about finding a way of dealing with the fear – you have to be very calm. You’re not there to get your rocks off; you’re there because you feel your pictures can make a difference.
– Tom Stoddart
It’s amazing the kinds of dangerous situations photographers place themselves into to serve as the world’s eyes during wars and conflicts.
There’s a photography joke that goes, “If you saw a man drowning and you could either save him or photograph the event… what kind of film would you use?”. While this might be a lighthearted jab at photo-lovers, it also reminds us of a very real dilemma photojournalists are often confronted with — the struggle between doing their job by documenting reality and getting involved in the reality they need to document. The short film above, titled “Moment of Truth – Photographer”, provides a powerful glimpse into the mental and emotional toll wartime photojournalists undoubtedly pay quite often.