Posts Tagged ‘postprocessing’

Creative Underexposure with Nikon DSLRs

European Wedding Photographers

With the release of the D750, much has been made of its ability to recover shadow detail. Given the range of talents that the D750 has it is strange that this has been singled out given that the D800 and D4, released in 2012, outperform it in this regard, and the cheaper D600 (also from 2012) is able to match it at base ISO. And the old guard, the D700, D3 and D3s, weren’t too shabby at recovery either!

With news of incredible shadow recovery typically there comes two responses: the hyperbolic “That’s amazing! I want one NOW!” and the cynical “you wouldn’t need shadow recovery if you exposed right.” There is, of course that third response: ‘I wish the 5D MkIII could do that’ but I won’t get into that here… Read more…

Using Clipping Masks and Drop Shadows to Turn Any Portrait Into a Sculpturesque Image

Although they often get overlooked in the Photoshop workflow, clipping masks can make for some very interesting effects in images. A perfect example is the work of Roderique Arisiaman, whose portraiture includes intricately overlaid designs to make for intricate, unique images.

After being asked enough times how he goes about making these images, Arisiaman finally decided to create a tutorial for DIY Photographer and show the world how he uses clipping masks and a multitude of layers to create elaborate portraits.

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Here’s a Look at How Much Post-Processing Goes Into a L’Oréal Beauty Commercial

People can get really upset when you start using the P word. Magazine covers, professional portraits and even Instagram posts have been accused of using Photoshop. But nobody bats an eye when a beauty commercial comes on TV.

Photos are manipulated, video, unless there’s CGI involved, is immune from such falsehoods right? Not really. As the time-lapse screen video above by Color Me Up! senior colorist Andreas Brueckl shows, those commercials get quite a bit of help in the software department as well. Read more…

How to Post-Process Almost Any Aspect of a Single Exposure Landscape Shot

Most tutorials tend to focus on one small aspect of the photographic process — be it tweaking a minor adjustment such as white balance or showing you how to properly sharpen an image — but this Lightroom 4 QuickStart tutorial goes way beyond this.

It, instead, opts for a more comprehensive approach, showing you how to properly edit almost any landscape image from beginning to end.

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Video: A Full Portrait Retouch Done Completely in Capture One Pro 8

There are a seemingly infinite number of videos that walk you through retouching a portrait from beginning to end; however, most of them are based in Photoshop, Lightroom and — once upon a time — Aperture. This leaves the less-used but robust Capture One Pro out of the game.

Well, not anymore! Giving Capture One Pro 8 some love is photographer and retoucher Michael Woloszynowicz, who decided to take it for a test drive and see how close he could get to his Photoshop results using Capture One Pro 8 instead.

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Tutorial: A Quick Way to Add a Subtle Punch to Your Photos’ Color In Lightroom

Photographer Trevor Dayley has put together a very handy little tutorial to give your photographs that extra ‘pop’ of color in Adobe Lightroom or Adobe Camera RAW without going overboard.

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Polarr is a Smart and Versatile Browser-Based Photo Editor that Learns Your Technique

Polar_1

As cloud-based storage options expand in size and numbers, the battle for browser-based photo editors is equally under way. One of the newest and most impressive to the game is Polarr. It’s currently available to use as an open beta and features a number of advance tools and resources for making sure you can efficiently edit your images from within the browser.

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Tutorial: Easily Focus-Stack Using a Photoshop Feature You Probably Didn’t Know About

Focus stacking is a fairly common technique used in the world of macro photography, but the process of focus stacking isn’t always a straightforward one. Sure, certain programs can automatically achieve a result for you, but when you’re looking for much more control, getting it done by other means is sometimes a necessity.

In the video above, Adobe’s Bryan O’Neil Hughes shows you an effective way to stack focus using a feature that’s been baked into Adobe Bridge and Photoshop since CS4.

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Tutorial: An Effective Method for Fixing Uneven Skin Tones in Photoshop

There are times when capturing portraits that you’ll notice the skin tone of the subject varies between their face and their body. It’s a rather common occurrence and by no means out of the ordinary. Caused by a number of factors, including makeup, tan, skin quality, lighting quality, etc.

While not a horrible problem to have, it can be a bit unpleasant, aesthetically speaking. Here to help fix the problem are the Photoshop gurus over at Phlearn. In the above video, Phlearn details a few ways to ensure skin tone is consistent across your image, giving you the results you’re looking for.

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Humorous Tutorial Explains Why You Suck at Using Clone Stamp and Manual Cloning in Photoshop

Do you suck at Photoshop? No? Well, Donnie Hoyle seems to think so, which is why he put together this wonderful resource detailing how to properly use the clone stamp and manual cloning tools in Photoshop. (Warning: There is some strong language in the video) Read more…