This fascinating behind-the-scenes video shows what it’s like to work as a sports photographer for the New York Times. It follows around Barton Silverman, a photographer who has been working at the Times since March of 1962. Over the past 50 years, he has covered many a championship game and has photographed many a legendary athlete. The New York Times writes,
When he started at The New York Times 50 years ago, [Silverman] worked as a lab assistant, a title he would hold for four years. But he wanted to be a photographer. So he volunteered to carry Larry Morris‘s camera bag to Madison Square Garden.
“As I was taking notes,” he said, “I basically figured out how to shoot a hockey game.”
In the meantime, he volunteered to shoot for the team, earning the program credit “Photos by Barton.”
Here’s a short interview he gave after photographing his 39th Super Bowl back in 2010. Also, be sure to check out this New York Times Lens piece that sheds some more like on the epic photograph of a leaping Joe Namath mentioned in the video.
It’s like “déjà vu all over again”: New York Times freelance photographer Robert Stolarik was arrested this past Saturday while on assignment in the Bronx. As he was taking photographs of a developing street fight, Stolarik was confronted by officers, ordered to stop, and then allegedly assaulted. Read more…
We’ve seen some very heavy-duty gear lugged out to cover the Olympic games in London this year: some robotic rigs, an 800mm lens that could easily weigh more than the average lady gymnast, and of course, the usual suspects in a packed camera bag. But Guardian photojournalist Dan Chung is traveling light: he’s covering the games with a simple iPhone setup.
Using different combinations of an iPhone 4s, a clip-on Schneider lens and a pair of Canon binoculars, Chung has been live-blogging all aspects of the games. His photos yield surprisingly crisp results, indoors, outdoors and even underwater through a viewing window — which again reinforces the old photographer’s adage that the best camera is the one that’s with you.
Chung uses the Snapseed app to do in-camera/phone edits. You can check out more of Chung’s work on his Guardian blog.
Mexican photojournalist Julian Cardona has lived in Ciudad Juarez since 1960 and began documenting the city in the early 1990s as a photojournalist for the local newspaper, El Diario. He says he’s seen Juarez shift from an idyllic postcard-worthy border town to the city known as the homicide capital of the world. Read more…
The Friends of Anton is an organization that has come together over the past year to ensure the future of slain South African photojournalist Anton Hammerl’s three children; and 3 days ago the organization in partnership with Christie’s held the latter’s first ever auction of contemporary photojournalism prints, raising over $100,000 towards their touching cause. Read more…
CNN published an opinion piece yesterday by photojournalist Nick Stern, who has some pretty harsh things to say about the spread of Instagram-style “fake images” in the news:
The app photographer hasn’t spent years learning his or her trade, imagining the scene, waiting for the light to fall just right, swapping lenses and switching angles. They haven’t spent hours in the dark room, leaning over trays of noxious chemicals until the early hours of the morning.
Nor did they have to spend a huge chunk of their income on the latest digital equipment ($5,999 of my hard-earned cash just went on ordering a new Nikon D4) to ensure they stay on top of their game.
The app photographer merely has to click a software button and 10 seconds later is rewarded with a masterpiece.
Stern also states that “Any news photographer worth his or her salt will tell you that the best camera is one that lets you take the photo unencumbered by the technicalities of the process.”
A French photographer who goes by the pseudonym Mani was recently in Homs, Syria documenting the urban warfare between government forces and rebel fighters. The video above, broadcast by Channel 4 News in Britain, shows the amazing footage Mani was able to capture by fearlessly putting himself in the midst of skirmishes.
While the world has become used to grainy shaky and gruesome footage and images from Homs fed through whatever Internet connection is available, Mani’s crystal clear and incredible footage gives perhaps the clearest and most frightening account of what Homs has been like for the past three weeks.
Here’s an inspiring video in which we hear war photographer Joao Silva discuss the biggest fight of his life: losing his legs to a land mine in Afghanistian and fighting to return to his career. We’ve reported on Silva’s story a number of times before.
The New York Times has sent an angry letter to the New York Police Department after video emerged showing photojournalist Robert Stolarik being pushed around and then blocked while trying to photograph officers arresting Occupy Wall Street protestors. The memo itself hasn’t be published, but NYT VP and assistant general counsel George Freeman is quoted as saying,
It seemed pretty clear from the video that the Times freelance photographer was being intentionally blocked by the police officer who was kind of bobbing and weaving to keep him from taking photographs
The department has acknowledged receiving the note from the NYT, but has not issued a formal response yet. This incident comes just weeks after Police Commissioner Raymond Kelly ordered officers to avoid unreasonably interfering with media access during news coverage. Read more…
Here’s a fascinating video in which Italian photographer Ruben Salvadori demonstrates how dishonest many conflict photographs are. Salvadori spent a significant amount of time in East Jerusalem, studying the role photojournalists play in what the world sees. By turning his camera on the photographers themselves, he shows how photojournalists often influence the events they’re supposed to document objectively, and how photographers are often pushed to seek and create drama even in situations that lack it.
You might start looking at conflict photos in the news a lot differently after watching this.