This contraption is essentially a glorified egg timer with a tripod screw designed to allow for easy 360 degree time lapse images. The Camalapse, designed by video gear rental and retailer Camarush, slowly rotates in a full circle. If paired with a camera’s time-lapse feature, it can allow for pretty seamless, panning 360 degree time-lapse over an hour. You can also stitch resulting time-lapse photos together to make a 360 degree panoramic.
Posts Tagged ‘photography’
Photoshelter hosted this truly inspirational talk with photographer Tim Mantoani. It runs a bit long, but it’s definitely worth a watch. Mantoani shares about what truly motivates and inspires him in photography, as well as the experiences photography yields. Most importantly, Mantoani talks about envisioning your dream photo and how to go about capturing it.
The photographer is a cancer survivor, and his experience has influenced his approach to photography. Mantoani has also been working on a fascinating project, Behind Photographs, in which he takes portraits of iconic photographers holding prints of their work. You can view some of Mantoani’s projects and other work on his website.
Photographers can now use their iPad or iPhone to view images remotely during a photo shoot — if they’ve got a Leaf or a Mamiya digital back. Today, Mamiya and Leaf announced the release of a new App compatible with Leaf backs, as well as Mamiya’s DM-series and RZ33 digital cameras and backs. When tethered shooting on a Mac, the Leaf Capture Remote v 2.0 App allows one or more iPad or iPhone to function as a remote image viewer over Wi-Fi.
There is no live view mode, but images are available to view as they are taken. There are obvious benefits to workflow with this sort of program, since the photographer can move around while reviewing the results from shots. Also, several people can view and flip through the images on different devices, which could come in handy in large photo shoots.
The App is free from the Apple store, and works in tandem with Leaf’s Capture server, which must be installed on your computer.
If you’re suffering from post-World Cup withdrawal, this might cheer you up: models frolicking on a soccer field. Actually, these women are doing much more than than that in fashion photographer Giuliano Bekor’s behind-the-scenes video of the Bebe 2010 World Cup campaign. Shooting and directing by example on the turf of the Los Angeles Memorial Stadium, Bekor pushes his models to the limit. These ladies are doing things I’d certainly never attempt in a dress and stiletto heels — running on grass, for one.
Nikon President Makoto Kimura says that in order to keep its “top position” in Japan’s DSLR market, it needs to create an “entirely new domain” that may go well beyond its plans for a mirrorless, EVIL camera.
In an interview with Pen News Weekly, Kimura said:
“Nowadays digital cameras take movies, performance of cameraphones is rapidly advancing and demand for simple movie cameras for uploading video on the Internet is on the rise. Redefinition of photography may become necessary.”
Much of this comes at the heels of Canon’s revelation of their future plans at the Shanghai World Expo, with its Wonder Camera presentation. With the introduction of cameras like the iPhone 4 and other smartphones with HD video modes, both companies suggest that there is a lot of pressure to keep abreast of the improving technology in typically lower-end camera competition from camera phones, as well as in higher end DSLRs with video capabilities. It seems that Kimura hopes to reassert Nikon’s product by marketing EVIL cameras to consumers primarily for higher quality video and video sharing, perhaps through a built-in internet mode.
However, it sounds like Nikon may have more up its sleeve than simply adding better video and internet. Kimura also said:
“It will be a camera that may take photos of the world that the traditional SLR cannot reach.”
(via Nikon Rumors)
Fine art photographer Jane Fulton Alt has made a series of images commenting on the effect of the Gulf oil spill on Americans. The photos, in her collection “Crude Awakening,” are eerie and still portraits of swimmers and beach-goers drenched in oil. Some of her past work includes a chilling and intimate look at the devastation left behind by Hurricane Katrina in her book Look and Leave.
Also, like much of her work, Alt’s portraits aim to make a powerful statement. Alt says:
Living on the shores of Lake Michigan, I am acutely aware of the disastrous toll the oil spill in the Gulf of Mexico has taken on all forms of life, especially as our beaches opened to the 2010 swimming season. This environmental, social and economic catastrophe highlights a much larger problem that has inflicted untold suffering as we exploit the earth’s resources worldwide.
We are all responsible for leading lives that create demand for unsustainable energy.
We are also all responsible for the solution and we must work together to protect the balance of life.
The Sydney Morning Herald has an amazing collection of interviews with their photojournalists, sharing how they approach photography and the stories they wish to convey through their images. Each photographer has a different focus and style, but all of their images and narrations are very inspiring. It’s powerful to see so much emotion conveyed and art created through photojournalism.
See them on the Sydney Morning Herald site.
Always wanted a manual Leica but couldn’t afford it? This Likea pinhole camera may not reproduce Leica-quality photos, or necessarily feel like a Leica (it’s made from card stock), but it looks like one! Though it may be more manual than you can handle: for $20, you just get the Likea MPH kit that you’ll still need to assemble. And you’ll have to make your own pinhole part out of a soda can. But after all, it’s not the camera that makes the photographer.
Brothers Will and Matt Burrard-Lucas, the same UK-based duo who created a remote-control BeetleCam to photograph wildlife in Africa, decided to get up-close and personal with some of nature’s less desirable creatures. The two originally noticed mosquito larvae in stagnant water sitting in the backyard of their home, and decided they’d found their next photo subjects. They patiently set up the photo shoot, waiting for key moment when the adult mosquitoes emerged from their larval state. It’s fascinating how delicate and alien the pesky critter is up-close:
Their patience and planning went a long way, Will tells us:
We did a bit of research into their development and discovered that it takes about 1-2 weeks (depending on the temperature) for them to develop into the adult form. This gave us a good amount of time to devise a set up to photograph them as they emerged.
Over the course of about 14 days, we kept a keen eye on their development. We kept the larvae in a glass of distilled water indoors and covered it with perforated cling film – we didn’t want to suffer any bites during the night! Once the larvae had turned into pupae, we knew they were close to hatching. We soon discovered that when one straightened out, we had about 5 minutes until they hatched.
Google has a new feature that photographers may enjoy: you can now customize the Google homepage with your own photography. Visit the Google homepage, and you should see a “Change background image” link on the bottom left hand corner of the page. If you don’t see this link, try logging out of Google and then visiting the page.
You can use images from a preset collection, a public gallery, your Picasa account, or your computer via upload. If you can’t see this feature for some reason, it should be rolled out to you shortly.