Award-winning filmmaker Philip Bloom recently got his hands on the new A7s, and as part of his ongoing review of the newest mirrorless full-frame offering from Sony, he put it to the test in low-light to see how it compared to approximately 520 million years of eyeball evolution. Read more…
Posts Tagged ‘philipbloom’
British filmmaker Philip Bloom was recently in Frankfurt working with digital agency Szyygy, and while he was there, he was selected as the subject of a filmmaking exercise he assigned the students of the 3-day private workshop he gave.
The assignment was to film a mini doc, and the four students picked Bloom as the subject, choosing to interview him about the street photography he shoots during his time off. Read more…
Back in January 2013, lens adapter company Metabones rocked the camera world by announcing the Speed Booster, an SLR-to-mirrorless lens adapter that can magically increase your maximum aperture, sharpness, and angle of view.
So far the adapter has been released for Sony NEX and Fuji X cameras, but greater things are on the horizon: Metabones will be releasing the Speed Booster for Micro Four Thirds cameras as well.
While attending Photokina 2012 in Cologne, Germany last week to talk about the C300 for Canon, filmmaker Philip Bloom decided to create a short film documenting the event (the world’s largest photo trade show). However, instead of pointing his camera at the shiny new cameras like everyone else was doing, he decided to capture portraits of the camera-obsessed attendees. The video above, titled “Camera Geeks”, is what resulted.
On the technical side of things, he was shooting with the Canon 1D-X with the Canon 50mm f/1.2 L lens. Everything was shot at 50p and then conformed to 23.976 frames per second. Some of the flickering you see is due to the bright screens found throughout the halls. The footage was also graded in Colorista II and had some faux film grain added in post. You can see some still photo portraits created through the course of this project over on Flickr.
In the old days, affordable consumer cinema cameras used the same film as high-end ones, allowing everyday folk to capture high-quality videos. All that changed when digital video rolled around. However, there’s a new camera in development called the Digital Bolex that aims to bring us back to that:
The Digital Bolex is a “digital cinema camera” or a camera that shoots RAW images (sometimes known as Digital Negatives) instead of compressed video. Unlike the digital cinema cameras used on big budget films, the Bolex is designed with consumers as well as pros in mind, and will be inexpensive, compact, and easy for anyone to use, just like the film cameras many of us remember using as kids.
The camera captures 2K RAW video using a 16MM equivalent sensor. It records in DNG, TIFF, or JPEG sequences and has XLR inputs for audio.
Philip Bloom recently shot this interesting mini-documentary on Anthony Vizzari using a Sony NEX-5N. Vizzari is a guy who collects photographs and cameras, owns a photo shop, and runs a photobooth business. Here’s an artist, architect, antiquarian, photographer, and storyteller, and calls himself an “archotographist”.
A warning: this film contains a few upsetting images. Vizzari collects vintage “mourning” photos in which families gather to make one final photo with the deceased.
Thanks for the tip, Jim!
Filmmaker Philip Bloom recently helped Lucasfilm shoot parts of their upcoming film Red Tails. The behind-the-scenes video above gives an interesting glimpse into what it looks like when pretty ordinary DSLR gear meets the big budget world of Hollywood filmmaking. The cameras are hooked up to some pretty serious equipment.
You can check out a trailer for the movie here — Blooms says that a number of his shots can be seen in it, but is keeping mum about which ones.
Here’s a beautiful tone mapped HDR time-lapse video of Las Vegas shot by Philip Bloom using a few Canon DSLRs and a Panasonic GH2. He spent 5 days shooting, and many more processing the bracketed photographs using Photomatix Pro. It’s pretty amazing seeing Las Vegas go from day to night and then back again — all in HDR. To find out how Bloom did this, check out the behind-the-scenes writeup and video over on his blog.