Daily photo projects have become quite popular as of late, and a number of viral time-lapse videos feature people who take one self-portrait a day over many years. However, if you think taking a photo every day requires a crazy amount of dedication, you ain’t seen nothing yet.
For an entire year, from April 11, 1980 through April 11, 1981, legendary performance artist Tehching Hsieh punched a time clock and took a self-portrait every hour (i.e. 24 times a day) on the hour. At the end of the year, he ended up with 8,760 photos and combined them into a time-lapse video showing the passing of a year (and the growth of his hair). Now that’s crazy!
There’s some serious artiness going on over at MoMA. Artist Marina Abramović has a new performance called “The Artist is Present” that involves her sitting silently across from museum visitors. The show runs from March 14 to May 31 and, with the exception of a few days, Abramović sits from before the museum opens and continuously through when the museum closes. MoMa also provides a live stream of her performing.
So how does this have anything to do with photography? Photographer Marco Anelli has been creating portraits of the participants for MoMa and uploading them to a MoMA set on Flickr. Below each portrait is also the length of time that person sat in front of Marina. At the time of this writing, there have been 759 fascinating portraits uploaded.
Most people participating sit in front of Abramović for anywhere from a few minutes to an hour. One woman sat there for a whopping six and a half hours.
There’s also a good number of people with teary eyes, whether from the stress of sitting and staring, or from being moved emotionally somehow through the performance:
Wikipedia has a description of a previous performance Abramović did with her ex-boyfriend Ulay (who happens to be the man crying above in the upper left hand corner pictured here):
To create this “Death self,” the two performers devised a piece in which they connected their mouths and took in each other’s exhaled breaths until they had used up all of the available oxygen. Seventeen minutes after the beginning of the performance they both fell to the floor unconscious, their lungs having filled with carbon dioxide. This personal piece explored the idea of an individual’s ability to absorb the life of another person, exchanging and destroying it.
For more on this performance, check out Jason Kottke’s coverage in which he documents interesting happenings (including an appearance by Lou Reed).