Photographer Made to Wait Four Years for Perfect Sunburst Shot
A photographer was made to wait for four years to capture a perfect sunburst shot of an iconic landmark.
A photographer was made to wait for four years to capture a perfect sunburst shot of an iconic landmark.
In September of 2018, I had already been dabbling with remote trail cameras for about six or seven years. I had captured trail cam images and video of just about all of the high-profile critters you’d be interested to capture in my part of the world: coyotes, foxes, bears, bobcats, and mountain lions.
Wildlife photography can often require a whole lot of patience and a whole lot of luck. But those two things just came together for photographer Mithun H, who captured this remarkable photo of a leopard and its black panther "shadow."
Insects and other animals have fascinated me since I was a small child. I remember well how I used to pick them up and simply stare at them in wonder for hours. The concept of photographing insects indoors had been on my mind for years, even when photography and playing with light was a hobby, and long before I considered photography a profession and way of life.
If you are anything like me, when you go out on a photography shoot, you end up taking many images and lots of different compositions as the light changes, and an inevitable outcome is a number of good shots but no stunners.
Landscape photography takes a lot of patience. When we share shots on the Internet, people often don't realize how much effort can go into creating some of them. I'm often told, "you’re always at the right place at the right time." And yes, I am sometimes at the right place at the right time, but it took me lots of effort and sometimes a bit of luck!
Photographer Will Burrard-Lucas was recently challenged to recreate his photos of African wildlife in the UK. This 3.5-minute video shows how he went about shooting beautiful nighttime infrared photos of barn owls.
Wildlife photography often requires a great deal of patience, and one photographer who has mastered the art of waiting is Belgian wildlife photographer Michel d'Oultremont. Here's an 11-minute short film titled "The Wait" by Contra Agency that follows d'Oultremont in his pursuit of the "perfect shot."
With well over 100,000 subscribers on YouTube, landscape photographer Thomas Heaton is popular for his behind-the-scenes window into life in the outdoors. On the recent shoot seen in the 11-minute video above, with incredible patience and dedication, Heaton spends 24 hours in the forest to capture just 1 image.
Travel photographer Mohamed Hakem recently visited Siwa, the largest oasis in Egypt and one of the most remote inhabited places on Earth. While there, he did a bit of experimenting. He took 5 photos of the same location over the course of 24 hours, showing how time of day changes a photo.
Patience can lead to great things in photography. For photographer Johan Georget, it's what allowed him to capture this shot-of-a-lifetime of a rhinoceros in Africa.
Does waiting for your photos to develop make the experience of picture taking more enjoyable? More importantly, does it make you more deliberate about the photos you do take? Nevercenter Labs' answer to both of those questions is a resounding "yes," which is why they created a neat new smartphone photography app called 1-Hour Photo.
Production value aside, the lip sync proposal video above took a serious amount of dedication and patience. Four years worth, to be exact.
Artist Maarten Baas has a project called "Real Time" in which he creates one-of-a-kind clocks using a video camera and boatloads of patience and dedication. He creates 12-hour-long loops of people manually setting the time on various clocks... in real time. The video above shows his grandfather clock exhibit in which the hour and minute hands of the clock are painstakingly drawn in every minute of every hour for twelve hours.
You've probably seen time-lapse videos spanning hours, days, weeks, or months, but how about years? Ramon, a videographer based in Paris, spent three years shooting the same location in Paris, documenting the teardown of an old skyscraper and the construction of a new one. The photographs were shot between January 2007 and September 2010 using a Pentax K110D DSLR, and a whopping 45,000 photographs were captured.