Barack Obama broke online photo-sharing records this week after winning Tuesday’s presidential election. When his victory became evident, Obama shared the above photograph on his Facebook timeline with the simple caption, “Four more years.” That photograph quickly attracted “likes” faster than any other image shared through the social networking service. When it hit more than 2.1 million likes shortly after midnight Wednesday morning, Facebook announced that it had become the most-liked Facebook photo of all time. Read more…
The 2012 election season is now over, and photojournalists who have been scrambling for many months on the campaign trail can now take a breather and reflect on their experiences. Reuters sent us the video above in which Reuters White House photographer Jason Reed offers a short 2-minute-long behind-the-scenes look at what it was like to photograph Barack Obama as he hustled around the nation, “from riding in motorcades through the streets of Manhattan to flying in Air Force One.” Read more…
As President Obama’s four-year term in office comes to an end, TIME magazine caught up with his official photographer Pete Souza for thoughts on his career so far. It’s a pretty fascinating read:
Souza recalls one meeting that he missed because it had been rescheduled unbeknownst to him. “I was a little upset with the President’s secretary for not telling me that they had moved the meeting up, and [the President] heard us talking and he said, ‘What are you talking about? You were in that meeting.’ He’s so used to me being there that he thought that I had been in the meeting that I wasn’t even in. So I took that as a compliment.”
His access to Obama’s inner circle and day-to-day routine stems from the trust he built during their relationship prior to the presidency. “I’m there to seriously document his presidency. I’m not looking for cheap shots, and I think that’s the kind of relationship any White House photographer should have with the President they’re covering,” he says. “That they have a level of access and trust that will lead to important photographs for history.”
They also asked Souza to submit an edit of more than 100 photos that provides a nice overview of some of his best shots.
Shepard Fairey avoided jail time after all. The Obama HOPE poster artist was sentenced today to two years of probation and a $25,000 fine for using an AP photo without permission and then destroying evidence to cover his tracks. The New York Times writes that the entire dispute will be an interesting case study for fair use law:
When the case began in 2009, Mr. Fairey argued that his use of Associated Press imagery constituted fair use under copyright law. But the civil lawsuit was settled before that question was decided, and the two sides agreed to financial terms that were not disclosed. The parties also agreed to share the rights to make posters and merchandise bearing the “Hope” image. Mr. Fairey maintained that he had never personally profited from sales of the image, a contention The A.P. disputed.
[...] Until the settlement between Mr. Fairey and The Associated Press, the case was watched closely as one that might define more clearly the murky issues surrounding the fair-use exceptions to copyright protections. One of the central questions was whether Mr. Fairey’s creation, which became ubiquitous on street corners and T-shirts during and after Mr. Obama’s campaign, constituted a “transformative” use of the photograph, a use that is allowed under the law so that creative expression is not stifled.
In his official statement on the matter, AP CEO Gary Pruitt states, “We hope this case will serve as a clear reminder to all of the importance of fair compensation for those who gather and produce original news content.”
Reuters photographer Kevin Lamarque recently got a call that summoned him for a top secret assignment: travel on an unannounced trip to Afghanistan with President Obama. After getting back, Lamarque wrote up an interesting behind-the-scenes blog post documenting his experience:
We are driven to the remote hangar where Air Force One sits out front, completely blacked out. We board the plane in darkness and inside the cabin, the shades are all down. We will not do the customary photo of Obama boarding the plane as we do on every other scheduled departure. Instead, at some point, we feel the plane begin to move and we know President Obama is on board and we are headed to Afghanistan.
[...] Communication, a photographers primary concern after making pictures, is patchy at Karzai’s presidential palace, our first stop. The ability to get pictures out to our clients quickly can produce stress in places such as Kabul. Though all four photographers on this trip (Reuters, AP, AFP, New York Times) carry various data card devices, we know they may prove useless. We also carry satellite phones, but we all know that there will never actually be time to set them up and use them. At the palace, we do get a faint and slow cellular data signal, and after checking that the embargo on Obama’s arrival has been lifted, we are all able to transmit the first pictures of Obama arriving in Afghanistan. The veil of secrecy is gone.
Guess who joined in on the Instagram party? President Obama. While the White House Flickr Photostream publishes a steady stream of official images captured by Pete Souza, the new Instagram stream will be broadcasting casual behind-the-scenes glimpses at Obama’s reelection campaign — with vintage filters, of course. His username is @barackobama.
The White House announced last month that it would be ending the long-running practice of reenacting Presidential speeches for photographs, but stated that they were still working out how the new system would work. Last week it reached an agreement with the White House Correspondents’ Association — rather than reenacting photos for a larger group of photographers, a single photojournalist will be given permission to shoot future speeches as they happen:
[...] news photographers will now be permitted to designate a single representative to act as a “pool” for the entire press corps. The photos taken by the pool representative will be made available to all news organizations. Reporters use a similar pool system for presidential events in which space is limited. [#]
“Hey, no pressure, but the world’s media is depending on your photos!”
Pete Souza’s iconic photo of Obama and his national security team in the Situation Room has become extremely well known in the span of a week, so it’s unlikely that any reputable media outlet would dare alter the photo in any way — but that’s exactly what one newspaper did. Orthodox Hasidic newspaper Der Tzitung has a policy of never publishing photographs of women, and decided to publish Obama’s situation room photograph with Hillary Clinton and counterterrorism director Audrey Tomason Photoshopped out of the frame. Read more…
President Obama announced last week that photographs of Osama bin Laden’s body would not be released to the public due to concerns that it would incite violence and hatred, but a number of news agencies and advocacy groups are attempting to have them released using a Freedom of Information Act request. The Associated Press is one of the agencies that filed a FOIA request (they’re also requesting that video of the raid be released), and the US government has 20 days to respond. Read more…