That’s why, for years, there were two kinds of cameras: pocket models, with tiny sensors that produce blurry or grainy photos in low light and S.L.R. cameras, those big-sensor, big-body, heavy black beasts used by professionals.
In the last couple of years, though, things have changed. There’s a new class of camera whose size (both body and sensor) falls in between those two time-honored extremes. They represent a rethinking of every single design element, a jettisoning of every nonessential component, in pursuit of a tiny, big-sensor camera. Because that, after all, is what the world really wants.
Do you think these cameras are “what the world really wants”?
This audio slideshow interview by BagNewsSalon features New York Times contract photographer Michael Kamber, who discusses the issue of military censorship of photographs shot during the Iraq war and how his ability to document the war became more and more limited as time went on. An interesting point he makes is that uncensored photography should be allowed even if it can’t be published immediately, because it can provide posterity with an accurate view into the past.
Making pictures and getting them published have their own set of rules dictated by government, military, publishers and editors. The images made by the photojournalists who covered the war can reveal a gruesome reality beyond what the American media has shown us. “I think that we need to publish those photos for history even if we can’t get them in the newspaper today,” said Kamber.
A warning: the slideshow includes some pretty intense images of war.
The New York Times’ Lens blog is attempting a project similar to the worldwide 4am project we covered recently.
A Moment in Time is an attempt to capture a slice in the history of the world by allowing readers to submit photographs taken at Sunday, May 2, at 15:00 hours (U.T.C.).
While the photographs don’t have to be taken exactly at the specified time, they ask that you try to stay within minutes of the target. Once you’ve taken a photo, submit it through submit.nytimes.com/moment.
The submitted photographs will then appear on both the Lens blog and on NYTimes.com, and notable photographs will selected and featured more prominently on the blog.
If you’re interested in participating, mark your calendar and be ready with your camera on May 2!
The New York Times made a blunder on its website yesterday, when it displayed the wrong photograph for one of the headlines. The headline of the story was “Clinton Arrives in Chile With Pledge of Aid”, and the caption read “Hillary Rodham Clinton and Chilean President Michelle Bachelet”, but the photograph was obviously not showing the two politicians.
Here’s a full screenshot of the front page:
It’s amazing how something so strange could slip by the editors.
“My, Hillary! You’ve changed since I last saw you!”