NIKKOR

The ink is still wet on Nikon's acquisition of RED Cinema, but the two teams are already meeting and working on integrating their technologies.

Nikon confirmed that it began considering acquiring RED due to the lawsuit the cinema company filed against Nikon back in 2022.

As part of Nikon's 90th anniversary of Nikkor lenses, Nikon provided PetaPixel the opportunity to interview three Nikon employees involved in Nikon's lens and user experience design.

An extremely rare Nikkor 6mm f/2.8 Fisheye lens with a massive 220-degree field of view has appeared on eBay for 130,000 euros, or about $146,152. It is the exact same lens that failed to sell at the 2022 Leitz Photographica Auction.

Nikon is continuing its recent tear of releases that support fans of long-distance shooting with the new Nikkor Z 180-600mm f/5.6-6.3 VR as well as a new Nikkor Z 70-180mm f/2.8 which it says completes the trio of affordable f/2.8 Z-mount zooms.

Yesterday, Nikon revealed that it was developing a new 85mm f/1.2 S lens for its Z-mount mirrorless cameras, and PetaPixel was able to get some literal hands-on time with the optic, which shows that the new lens is quite the handful.

The Nikon Z 800mm f/6.3 VR S is an anomaly: lens with this kind of focal length and aperture shouldn’t be so easy to use and inexpensive. So, what’s the catch?

Nikon has announced the compact Nikkor Z 400mm f/4.5 VR S super-telephoto prime lens for its mirrorless Z-mount cameras and it says that this new optic is the lightest in its class.

Currently, the longest-reaching telephoto zoom lens in the Nikon Z-mount system, the Nikkor 100-400mm f/4.5-5.6 VR S faces a lot of eager potential customers who are going to balance its longer focal length with overall size and cost. I can’t say it will disappoint.

The full-frame Nikon Z 400mm f/2.8 TC VR S has many long-lens photographers excited about being the last piece of glass they’ll ever need to buy. With a built-in 1.4x teleconverter effectively replacing the need for a 500mm or 600mm f/4 and state-of-the-art optics from Nikon, there’s potential to be something truly special.

Vintage lenses are more popular than ever, thanks in large part to the mirrorless revolution as well as affordable, high-quality cinema and hybrid video cameras. These lenses are regularly “cine modded” for video use due to their unique character and less clinical rendering, (sometimes) affordable prices compared to cine lenses, helicoid-driven focus with hard stops, and physical aperture rings (which are often de-clicked).

Looking to get started in photography but feel overwhelmed at the huge number of different camera models on the market? The daunting feeling can be an obstacle as you try to dive headfirst into the art form, but you have come to the right place: we have selected the best cameras for beginners looking to dip their toes in photography without breaking the bank or getting in over their heads.

While there are many advantages to buying a brand new camera -- including a manufacturer warranty and, well, the fact that it’s never been used by anyone else -- there are likewise a plethora of reasons to buy cameras on the used market.

There has been a lot of chatter and excitement surrounding the Nikon Z 28mm f/2.8 lens when it was announced as a special pairing (along with a special version) with the Z fc camera. As one of the smallest and lightest lenses released for the Z mirrorless system that comes paired with one of the shorter focus distances, the $297 "pocket" lens packs a lot of punch in a tiny and affordable package.

The Z9 takes a massive leap forward in technology and levels the playing field between Canon and Sony both in its construction and capabilities. While Nikon may have been late delivering a professional mirrorless system, the 120 frames per second (FPS) burst, 8K video, impressive battery life, and "always-on" EVF more than make the wait worth it.

As an art form and a technology, photography’s youth is only matched by its blisteringly rapid advancement. This creates something of a paradox for us as enthusiasts and professionals, where the history of the medium we so love can feel both short and overstuffed. Neither condition is conducive to any one camera gaining, let alone maintaining, a sense of permanence or constancy.

Nikon has announced the new Nikkor Z 28mm f/2.8 lens for its Z-mount. Designed for both crop-sensor APS-C and full-frame mirrorless cameras, the lens promises to be fast as well as small and compact.

Nikon today has announced the Z9, a new full-frame camera featuring a 45.7-megapixel stacked CMOS sensor, a new EXPEED 7 image-processing engine, 8K video with extended recording limits, and the complete elimination of a mechanical shutter.

Whether you are a working professional or a weekend hobbyist, the thrill of using truly exquisite gear is unmatched. We all work with what we have while salivating over what we cannot, and no matter how old we get, fancy toys never lose their luster. Do we need them? Probably not. Will we ever purchase them? Not likely. Will we spend hours staring at them? You bet. Nothing is as intoxicating to a photographer as good, outrageously expensive glass.

The Nikon 50mm f/2.8 Macro Prime lens is part of a pair announced in June. While the lens is designated as a macro, the 50mm focal length makes it more of a walkabout lens with macro capabilities.

In a documented but little-known fact, Nikon was very close to being instead named "Nikorette." The name was only changed when executives were afraid that the word sounded "weak."

I find it incredibly fun to use older, especially unique, digital cameras both as a challenge and for sheer enjoyment.

The history of photography is over a century old -- in fact, it was 107 years ago that Oskar Barnack created the Ur-Leica, a camera that would later be known as the genesis of the 36x24 “full-frame” format. Since then, hundreds of companies across the world have, to varying degrees of success, produced everything from 35mm to 127 to an assortment of medium format sizes and finally to digital.