In the two-plus decades I’ve been a photographer, finding the right light modifiers for the varied work that I did was a challenge. In the small community I lived in, my subject matter ranged from commercial photography to weddings and portraits. Each subject required its own type of lighting.
Parabolic light has become increasingly popular among fashion and portrait photographers. With so many options to choose from, a photographer may get lost or not understand the modifiers at all.
Natural light is one of the easiest ways to shoot portraits with minimal gear. More often than not natural light is soft and flattering to the face. Yet, a photographer who is able to create natural light in the complete absence of it is valued highly. That is of course with strobes. Here’s how you can easily create natural-looking light with flash.
Picking the right light modifier is often crucial to the success of the image. With hundreds of different modifiers to choose from, there is really nothing you can’t do. However, a wide choice often ends up confusing or possibly scaring photographers.
Sometimes photographers may be in a situation where they only have a single light source at their disposal during a portrait session. The good news is there are many ways you can use a single light to create unique and dramatic looks for portrait work as Dima Metkin demonstrates.
In this short tutorial, well-known portrait and fashion photographer Lindsay Adler will show you how to use "the most inexpensive and under-appreciated" lighting modifier to capture beautiful studio portraits. She's talking, of course, about the lowly umbrella.
With the huge range of lighting modifiers available–umbrellas, beauty dishes, soft boxes, octaboxes, and on and on and on—it can be hard for a first time buyer to understand the differences and decide how to best spend their money. Photographer Scott Choucino to the rescue.
A little while ago I was teaching one of my lighting workshops and one of the attendees was looking to implement some of the set-ups I was sharing into his workflow. Seems simple enough right? Well, it turns out this photographer was a Formula 1 trackside shooter that needed to get portraits of drivers and crew.
Godox has revealed its new S-R1 Round Head Accessories Adapter, a speedlight attachment that lets you mount the company's round magnetic modifiers on traditionally shaped flashes.
There is an almost endless supply of lighting modifiers available on the market right now, some are cheap and some of the better ones are certainly a lot more expensive. But does cost directly relate to quality? Well, a lot of the time yes it does if you're referring to build quality.
German photographer Michael Quack has created a helpful resource for photographers getting started with portrait lighting equipment. It's a look at 111 lights and modifiers and the different looks you get using them.
A few weeks ago, we shared a video by photographer Karl Taylor that gave you a behind the scenes look at what a day-long fashion shoot in his studio was like. And even though a few of our readers poked fun at the video's obvious product placement, a lot of people learned a thing or two and came back with followup questions regarding the light modifiers that Taylor was using throughout the day.
Fortunately for us, Taylor was listening, and has produced this very informative follow-up video in which he discusses the differences between his go-to modifiers, complete with side-by-side comparisons.
Spinlight 360 is a relatively young startup company that makes modular flash modifier systems for speed lights. Its products are based around a ring assembly attached on the head of flash units that various modifiers can be mounted to, allowing it to be a "jack of all trades" of sorts when it comes to controlling light and shadows.