For her project Mirrors, photographer Traci Griffin explores the concept of symmetry by photographing trees in various locations, and then mirroring the sweeping branches while omitting most of the trunks.
The resulting photographs look like strange shapes, formations, and even creatures floating in midair.
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For his project “Trace Heavens,” James Nizam found an abandoned property in Delta, Canada, and, with the government’s permission, sliced gaps and holes into a couple of the rooms. He then allowed sunlight to stream into the space in the middle of the day, and then used small mirrors attached to ball joints in order to direct the light beam around the room in various patterns.
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Last week we issued a challenge asking readers to shoot a creative mirror self-portrait using an alternative style of photography. Reader Agustin Barrutia took us up on that challenge, and created a pair of wet plate photographs that take the concept of “mirror self-portrait” to a new level (they’re unlike anything we’ve seen before). Both photographs are straight-out-of-camera wet plate photos that weren’t manipulated digitally. Barrutia simply used “mirrors” (one doesn’t involve a mirror, per se) and “reflections” in clever ways.
The wet plate above is a self-portrait of Barrutia shooting the wet plate. That camera in the frame is the camera that captured the wet plate.
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Last week we shared a project by photographer Daniel Kukla, who photographed mirrors on easels in the desert in a way that makes them look like landscape paintings. Photographer Brendan Wixted did a similar project earlier this year for a photography class at his university, except he used off-camera lighting to illuminate the reflected landscapes.
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Daniel Kukla is a photographer who had formal training in biological and anthropological sciences. His educational background plays a major part of his artistic practice, and this can be seen in his clever project titled, The Edge Effect.
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For her project titled Mirrors, Swedish photographer Ilar Gunilla Persson photographed various landscapes with giant mirrors placed in them. The mirrors give the scenes an surreal and artificial look, but all the shots were captured on film.
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These photos might look like they were computer generated, but they’re actually unmodified photographs. Ron Brinkmann took 6 mirror tiles and made a box with them with the help of some duct tape. He then placed a camera inside and triggered shots using the timer.
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A ‘vortograph’ is a photo taken using a triangular arrangement of three mirrors. The process was invented back in 1917 by an American photographer named Alvin Langdon Coburn. Photographer Simon Gardiner decided to try his hand at vortography, and created this beautiful Inception-esque photograph of the Champs-Élysées in Paris [using Photoshop].
From the sky down (via Colossal)
Update: As was pointed out by keen eyed PP readers, Gardiner actually relied on Photoshop for the effect seen in this example. We’ve updated the post to reflect this fact.
Image credit: Photograph by Simon Gardiner and used with permission
