Firefly photographs are commonly shot using long exposures from a tripod. The proper exposure depends on the ratio of the fireflies’ luminosity to that of the background. That ratio is constant if we assume (as is usually the case) that the background lighting doesn’t change much over the course of a session. We usually would like a rather long exposure because we want to see lots of fireflies in the final image.
The problem is that fireflies flash briefly, whereas the background illumination persists for the duration of the exposure. Over the course of a long exposure the background brightness builds up to the the point where it’s as bright as the fireflies, and the image looks terrible. Read more…
Wondering whether or not the shutter speeds on your camera are accurate? Instead of taking it to a shop or buying expensive testing equipment, you can use an old television or CRT monitor as a simple shutter speed tester! Camera enthusiast Rick Oleson has an easy to understand diagram showing what you can expect to see from the screen at different shutter speeds. For a more technical explanation and tutorial, check out this article that appeared in a 1967 issue of Popular Science.
Here begins the process of lining up your children and, ummmm, figuring out which ones you love more than the others. This begins the painful process. It’s painful to not only choose but if you are a true creative this is the part where your self doubt, anxiety, and loathing start to show up. You come back to your BIG edit and it all sucks.
The images that you want to shoot are not in this folder. They are still out in the world waiting for you to capture them. As you start to go through 1,000+ of your “best” images they all begin to suck. You want to trash them all and just go shoot a new book. Well sorry Charlie, you can’t do that. You can’t go shoot a new book. Those elusive images are just that… elusive. You have to harden yourself during this process and realize that you are building a body of work with what you have to work with. If you ever say “I’ll just do this when my work is ready” then you will never do it. That kept me from this process for a long time. Kick the demons out of your head and get to work.
Arias recommends that you should go through this process at least twice a year, as it will show you holes in your body of work that you can then go out and fill.
This advertisement might not seem too special or difficult to do at first glance, until you find out that it was done completely in Photoshop.
Our original plan: traditional animation in flash, still art in illustrator. Boy did that change. As we went through look development, everyone was feeling the wonkier hand drawn feel. Goodbye Illustrator. As we talked through the pipeline process with our new animator buddy Ben, he suggests “just do it ALL in Photoshop”. With a flurry of keystrokes, the animation timeline was opened, and we were animating… right there… all in one program. ZOMG. [#]
Did you know that Photoshop is capable of animation? Check out the Window->Animation panel.