Freelance news photographer Phil Datz was recording the conclusion of a police chase from the opposite sidewalk last Friday when he was confronted by a police officer and commanded to “go away”. Though he politely obeyed and moved a block further from the scene, the officer decided to arrest him for “obstruction of governmental administration”. The latest news is that the department is planning to drop the charges and put its officers through “media relations training”.
Posts Tagged ‘media’
Newspapers are fading. News media is in a limbo of redefinition. Now we can add photojournalism to that list of defunct media, said Neil Burgess, head of London-based photo agency NB Pictures. Burgess is also the former head of Network Photographers and Magnum Photos, and twice Chairman of World Press Photo, and has spent much of his life working on social documentary photography and 25 years as a photojournalist.
There’s an increasingly overwhelming sense of frustration coming from the Gulf region, but this time, it’s coming from photographers and journalists. Media access has been tough since the beginning of the oil spill, whether on land, on beaches, or in the air. According to a new safety zone rule passed down from the US government, reporters and photographers are not allowed within 20 meters of booms, boom operations, and other cleanup activities, except with the express permission of the US Coast Guard. CNN’s Anderson Cooper reports that the limit was originally 300 feet, but it was reduced to 65 feet.
But to complicate matters, under the new rule, anyone found “willfully” in violation of the rule would be fined $40,000 and charged with a Class D felony. Class D felonies typically carry a jail sentence. The law especially affects photographers in the area who need to be on site in order to properly cover the events.
(via A Photo Editor)
It happens all the time, but does that make it acceptable? According to a court decision this week, what Current TV’s vice president Michael Streefland calls “standard practice in digital media” is legal after all.
Current TV and photographer Ken Light have been entwined in a legal debate over an image which belongs to Light but was used without his permission on the media company’s website.
Light brought his case against Current TV to small claims court, charging the company with unfair competition. The photographer won initially, which included $500 for compensation and $88 for court fees. Soon after, Current TV appealed the decision, which was subsequently reversed by a San Francisco Superior Court judge.
According to Light, the court’s change of heart stemmed from the technical details. Current TV’s chief technologist testified that the site used in-line linking to the image on the New Yorker’s site, and did not technically copy the photo.
Furthermore, the court ruled that the image qualified as fair use, and the root issue was over the photo’s copyright, which is a federal court case. Light told PDNPulse that he is at the end of the line in state court and doesn’t know whether he will proceed with a copyright suit.
Although the case may not make it out of the state, the suit has garnered national attention, including a piece in the New York Times. Times writer Scott James wrote in favor of Light, calling the case a “David vs. Goliath” situation, and suggesting:
“Imagine if Mr. Light’s photograph had been in a frame — few would say it was O.K. to borrow it without permission, deny the artist credit and exhibit it and collect sponsor fees.”
In spite of the loss, Light said he is pleased with the widespread publicity and ensuing discussions the case has sparked. He says he hopes the case sets a precedent for other photographers and journalists to fight for due compensation.
“Yes, I lost, but I think waving the flag is important,” Light said. “We have to keep [pushing] this until we get some protection.”
A video released on WikiLeaks.org shows disturbing footage taken in 2007 from an American apache helicopter as they circle and fire upon a group of people they identify as armed hostiles in the street.
As it turns out, the two men who appear to be armed are actually working Reuters employees: photographer, 22-year-old Namir Noor-Eldeen, and his driver, Saeed Chmagh, who was 40. The two men were walking in the street with camera straps hanging from their shoulders. One of the men has a long lens, misidentified as an RPG.
According to a New York Times article published yesterday, Reuters had heard of a military raid in the area — the same raid that the military was attending to, and the two men went to investigate. Their mere proximity to the raid proved to be fatal.
The military fired upon the men and other individuals, who were later confirmed to be civilians, among them two children and the two Reuters employees. The attack killed 12, including Noor-Eldeen and Chmagh.
In a United States Central Command report:
“[The men] made no effort to visibly display their status as press or media representatives and their familiar behavior with, and close proximity to, the armed insurgents and their furtive attempts to photograph the coalition ground forces made them appear as hostile combatants to the Apaches that engaged them.”
Reuters news editor in chief David Schlesinger said in a statement:
“The deaths of Namir Noor-Eldeen and Saeed Chmagh three years ago were tragic and emblematic of the extreme dangers that exist in covering war zones. We continue to work for journalist safety and call on all involved parties to recognize the important work that journalists do and the extreme danger that photographers and video journalists face in particular.”
(via New York Times)
I’m down in sunny Anaheim, California at the Photo Marketing Association (PMA) 2010 Sneak Peek.
PMA is an international photo trade association, encompassing companies from all aspects of the photo industry, from camera manufacturers, printers, photo processors, papers, software and displays.
The PMA trade show officially kicks off tonight at 5pm, and the exhibition doors open tomorrow morning at 10:30 here at the Anaheim Convention Center, but already, there is a ton of awesome new products worth a look.
Just to give a taste of some products and news we’ll feature over the next few days, here are some highlights:
- The trend in this years point-and-shoot cameras: waterproof, durable, touch-screen, and retro styles.
- A vast new line from Fujifilm including a 3D handheld point-and-shoot and a medium format camera.
- A preview of Sigma’s 2010 line of lenses for full frame cameras.
- ThinkTank Photo showcased some exciting new products, including the Hydrophobia 70-200 rain cover (pictured below) and the Retrospective soft-sided camera and lens shoulder bags.
Keep an eye out for those stories and more on our site.
The Shorty Awards now have a prize dedicated to Twitter photography: The Shorty Award for Real-Time Photo of the Year. The winner of the award will be invited to the special awards ceremony on March 3rd, 2010 in New York City.
Candidate photographs are nominated through the website, and must be cameraphone photos shot in 2009 and distributed on Twitter through one of the popular social media channels (i.e. Twitpic, Flickr, etc…). The nomination phase ends on February 5th, 2010.
An obvious favorite to win is the following photograph by Janis Krums of US Airways Flight 1549‘s successful ditch in the Hudson River on January 15, 2009:
What made the tweet and story particularly noteworthy was that the real-time nature of Twitter allowed the photograph to circulate widely before any mainstream news sources were able to obtain photographs. We’re guessing this is exactly the type of photo the new Shorty award would like to honor.
The ubiquity of cameraphones combined with real-time distribution offered by Twitter has changed the world of photography. When something happens in one part of the world, people can now see it all over the world almost instantly — if someone with a cameraphone and Twitter account is nearby.
Can you think of any other candidate photograph for the new award?
There hasn’t been much directly photo-related news at CES 2010 today, but the announcements of newly redesigned e-readers might be key to drawing in a wider e-reader audience and — dare we speculate? — might bring some vigor back to traditional print publications.
While promising e-reader sale increases and recovering print publication’s mojo might be an optimistic goal, the recently revealed Skiff reader design is so innovative that it might just catch on.
Skiff reader content will be designed to look much like the designed content on a physical copy of a publication. Thus, newspapers and magazines can retain their carefully designed layouts, which conveys ranked importance, dominant headlines, featured artwork and photographs.
It may be a stretch, but Skiff could potentially bridge the gap between those readers reluctant to quit their physical newspaper and magazine subscriptions and those readers who only read e-versions of publications. However, print media will still technically die (or continue its current trend of rarity) … but the content (and subscriptions and ad revenue) could be more accurately transferred onto a new medium.
In the long run, publishers could potentially stop bleeding money on printing and distribution costs, while upping their circulation — that is, if Skiff finds favor amongst thus far critical e-consumers and outbids the efforts of Amazon and other e-reader distributors.
The Skiff e-reader is extremely flexible and thin, with a display size 9 inches by 11 inches, and a thickness of 0.268 inches, and weighs 17-9/16 ounces (498 grams) — that’s roughly the weight of four iPhones . It is made of silicon thin-film-transitors on a flexible stainless-steel substrate, which Skiff says makes the display is shatter-proof and crack-proof.
The device is 3G and WiFi enabled, has a USB 2.0 port, an internal memory of 4GB, a built in speaker, audio jack, an SDHC card slot, and a battery that lasts about a week before it needs to be recharged. Where does it fit all of that?
The color touchscreen display has resolution of 1200×1600 pixels at 174 ppi.
The Skiff e-reading service is set to launch with the Sprint 3G network this year.
Skiff has also partnered with the Hearst Corporation, the major news corporation that owns several newspapers including the San Francisco Chronicle, and has interests in several other major news groups, magazines, and major newspapers. LG Display and Marvell also had a hand in Skiff development, so it appears to be off to a hot start by connections alone.
Read more about Skiff and other e-readers at CNN.