How to Take Great City Photos at Night
Intimidated by nighttime photography? Here's an inspiring 11-minute video from photographer Peter McKinnon on how you can take better photos of cities at night.
Intimidated by nighttime photography? Here's an inspiring 11-minute video from photographer Peter McKinnon on how you can take better photos of cities at night.
One camera and flash feature that helps with shooting sharp photos in low light is the AF assist beam. Here's a quick 2-minute video from Adorama and David Bergman that looks at how to use it correctly.
After photographing the solar eclipse in Idaho, I couldn't resist continuing my "long-service leave" and returning to Canada's Yukon Territory for some early season aurora hunting in September 2017. I had just two and half weeks (one New Moon cycle) based with my friends and supporters Andrea and Florian Lemphers at Shallow Bay, north of the capital Whitehorse.
Nikon has been promising huge things for shooting the new D850 at high ISOs. If you'd like to see how the camera performs at the limit of its native range (ISO 25600), we've got our hands on some first real-world sample photos.
The Nikon D850 has generated a considerable amount of excitement among photographers today after its announcement, and here's a new fact that will add even more fuel to the frenzy: Nikon says the D850 should have the same image quality at double the ISO as the D810.
The Sony a9 mirrorless camera has been turning heads ever since it was first announced in April, and it will continue to do so with DxOmark's latest findings.
The Fujifilm GFX 50S's ISO invariance makes it so easy to shoot the Milky Way that it's not even funny. I was able to take an "impossible" shot, capturing the Milky Way in the middle of Sydney, during a light festival, without bracketing on the Milky Way. The sensor captured so much info on the highlights that this was possible.
Canon's amazing new ME20 camera can shoot at a whopping ISO 4,560,000 and can capture incredible views of stargazers under the Milky Way. Now the short video above shows what the camera can do underwater -- Canon and a team of researchers recently used the camera to shoot bio fluorescent turtles.
When Google software engineer Florian Kainz showed his friends on the Gcam team a nightscape he captured using his fancy Canon 1DX, they threw down the gauntlet. Take that same photo, they challenged him, but with a smartphone camera instead. He accepted, and succeeded.
Absolutely nothing?
Ten years ago, a Nikon D3 saved me while shooting a gig in a dimly lit club. It’s expansive ISO range of 200-6400 allowed me to shoot with a 24-70mm f/2.8 at about 1/20th of a second. Good enough for jazz as it was.
Wildlife photography and videography is more incredible today than ever before, thanks in large part to the last decade's amazing leaps in camera technology. This behind the scenes look at the cameras used by the BBC to shoot Planet Earth II shows you how advances in camera tech have allowed us to see the creatures of the night in ways never before thought possible.
Pentax is preparing to release a tiny titan of a DSLR this week, according to photo and spec leaks by the Japanese website Nokishita. If leaks are accurate, The Pentax KP will make a big splash when it officially launches.
Swedish photographer Tomas Jönsson has taken and shared two photos with what he claims is an unreleased Nikon D7** full-frame DSLR. They're low-light photos so utterly unbelievable that, if they are indeed legitimate, they mean Nikon has an incredible ace up its sleeve.
When Sony released the A7s, they did something strange. While everyone else was adding megapixels, they took them away for the sake of low light capability. Well... Casio just took that strategy to the extreme with their new 1.9MP EX-FR110H action camera.
Sony's latest E-mount mirrorless cameras have wowed photographers with their low light and high ISO capabilities. Now it looks like its latest A-mount SLT, the new Sony a99 II, will do the same. Above is a 2-minute video showing its performance at ISOs up to 25600 in a room lit only by two candles.
I have had a great weekend shooting with the now kind-of-old, well-known, and mostly-forgotten-about Canon 50 f/1.2L lens. This lens came out years ago, and has been reviewed hundreds of times by users, reviewers, and anyone with an opinion. So why I am dedicating a post and short review to this lens?
Ultra-high sensitivity cameras like the 4 Million ISO Canon ME20F-SH are making it possible to record things never before possible, like these bioluminescent bamboo corals pulsating with light 1,245 feet below the surface of the ocean.
What you can shoot with Canon's crazy low-light MH20F-SH camera, which has a max ISO of over 4 million? You can shoot real-time footage of people standing under the glowing Milky Way.
Photographer Justin Olsen of Salt Lake City, Utah, recently visited a mountain biking trail at night with Cody Kelley, the world's 39th ranked rider. While Kelley did runs and jumps, Olsen shot video entirely by moonlight using the Sony a7S II. The 1-minute Red Bull video above is what resulted.
Since I got my Nikon D7000 camera 6 years ago I’ve used it almost everyday. That is a lot of shutter clicks, 148,558 to be exact. It looks like I will be in the market for a new camera soon as the D7000 is only factory tested to 150,000 clicks. My dilemma is should I go full frame, or stick with my cropped frame?
Nikon recently gave filmmakers Wriggles & Robins the new Nikon D810 and asked the duo to showcase the low-light capabilities of the DSLR. They decided to shoot a stop motion animation in the dark outdoors.
Berlin-based professional adventure photographer Benjamin Jaworskyj was recently flying to a workshop in Norway when he got a chance to test the low-light capabilities of his Sony a7S II: filming the dim Northern Lights in the skies outside.
The $6,500 Nikon D5 DSLR and $3,200 Sony a7R II mirrorless camera are two of the current leaders in low-light, high-ISO shooting, but how do they stack up against each other? This 1.5-minute comparison video will show you.
Back in July 2015, Canon announced the Canon ME20F-SH, a multi-purpose camera with a $30,000 price tag and a max ISO of 4.5 million. This 11-minute video is a closer look at the camera's features and abilities.
The Sony a7S II is known to have amazing performance in low light and at high ISO. To see just how powerful its low light capabilities are, a Greek photographer who goes by Boji decided to do a casual test that pits the camera against the human eye. You can see the comparison in the 48-second video above.
DCinematic of Hong Kong shot this 2-minute-long dance short film, titled “LUNA,” using …
Canon will start shipping its $30,000 ISO 4.46 million camera this month for people who need to shoot in pitch black environments. A similar technology that's making a splash these days is "color night vision."
A Las Vegas-based company called SPI has a color night vision sensor called the X27. The 1.5-minute video above shows what the 10-megapixel sensor can capture in extremely dark places.
Sony just launched a new image sensor called the STARVIS that excels in capturing images in low-light environments. Designed for industrial applications -- surveillance cameras, for example -- the new backside-illuminated CMOS sensor boasts extremely high sensitivity that can capture usable images at night.
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Back in July, Canon announced an ultra-high-sensitivity camera that has a ridiculously high max ISO of over 4,000,000. If you've been wondering what the camera can capture, check out the eye-opening sample video above that Canon just released.
Sony today unveiled the new a7S II, a full-frame mirrorless camera that's designed for amazing low light performance: its ISO range is 100-102400, expandable to 50-409600.
The highly-regarded Sony a7S is known to be a monster in low-light situations, a fact demonstrated by a number of short films have used moonlight as the only light source. Those projects are eye-opening, but another way to see just how good the camera's high ISO quality is is to compare it with other well-known cameras.
That's what photographer Tony Northrup does in the short 1-minute comparison above, pitting the a7S against the Nikon D810 and Sony a7 II at various ISOs.
The short film above, titled 'Refuge,' is the world's first narrative short film that was filmed entirely with moonlight. Director Sam Shapson shot the entire 7-minute story using the powerful little Sony A7s at ISO 51,200.
"On an off-world biosphere, biological researchers suspect their newly developed ecosystems may be adapting in unexpected ways," the tagline says. (Warning: the film contains very strong language and violence.)
Nikon’s D7000 lineup of enthusiast level cameras is currently the highest one can go before moving onto a full-frame FX series body. The company’s latest creation, the Nikon D7200, provides incremental improvements upon the previous model while also upping the standards for low-light performance in enthusiast DSLR camera systems. In a world of connected mobile devices, Nikon has also added WiFi and NFC for smarter access to photographs.
The low light performance in your future camera may be improved thanks to new research in "nano earthquakes." Researchers have found that sound waves can be used to improve the electronic properties of 2D materials, paving the way for things such as camera sensors that can capture better shots in dark environments.
Photographer Justin Majeczky wanted to test the 4K low-light capabilities of the Sony A7s for a short film he's planning to shoot this summer, so he took the camera and an Atomos Shogun out to the Big Sur coastline of California in the dead of night to see what the camera could do under moonlight. The video above was captured at ISO 40,000.
Most Aurora Borealis videos are time-lapses, because cranking the ISO high enough for bright real-time video would normally result in a noisy mess. That, however, was before cameras like the Sony A7s came along.
It's no mystery that the Sony A7s kicks every other camera's butt handily when it comes to low-light shooting, but just how capable is it? And what's the creative potential of this sort of capability? Both of those questions are answered quite impressively in the aptly-titled 'Moonlight,' shot with the A7s using only moonlight.
It’s no secret now that modern cameras have taken photographers to new heights with their ability to shoot at and above ISO 1600. Personally, I can now shoot in situations where previously, I ‘had no choice’ but to use flash or put the camera down, so it’s no surprise many photographers are taking advantage of high ISO to be able to shoot in poor existing light.
Award-winning filmmaker Philip Bloom recently got his hands on the new A7s, and as part of his ongoing review of the newest mirrorless full-frame offering from Sony, he put it to the test in low-light to see how it compared to approximately 520 million years of eyeball evolution.
The DxO Mark verdict is finally in for the much-lauded Sony A7s, and as you might expect, it steals the low-light crown from the Nikon Df handily. The problem is, it seems to fall short of its main competition (the other two A7 cameras) in every other category.