Posts Tagged ‘longexposure’

Typeface Made by Taking Long-Exposure Shots of iPhone Streaks in the Dark

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Long exposure photography and light painted letters have been used in many a situation. One of the more elaborate we’ve seen was a massive light-painting proposal we shared with you back in 2011. But what do you get when a graphics designer and self-proclaimed Apple geek decides to use the technique? Well, in the case of Marcus Byrne, you get the typeface known as Phone Streak. Read more…

Dancing Ghosts: What You Get When You Interpolate Long Exposure Photos

Check out the creepy effect seen in the video above, titled “Dancing Ghosts.” It was created by photographer Micaël Reynaud, who photographed a group of people during the day using long exposure times, and then interpolated the resulting photos into a real-time video.
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Long Exposure Photography of a Moving Car at Night Using a Carbon Boom

I have a passion for automotive photography at night, but for the most part I’m forced to shoot static images. Long exposures require a stable support for your camera and that’s only achievable when everything’s locked down — including the car. Sure, light painting, traffic trails and even the occasional star trail all help to introduce dynamism to static automotive images but sometimes there’s no substitute for shooting the car whilst its moving.
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Beautiful Photos of Auroras Shimmering Over Iceland by Stéphane Vetter

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French photographer Stephane Vetter is a master of capturing gorgeous photos of landscapes at night. One of his favorite things to shoot are the northern lights (AKA aurora borealis) over Iceland, so many of his long exposure photographs show greenish glows illuminating the sky above.
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Beautiful Firework Photographs Captured Using Clever Camera Techniques

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Firework photographs are generally pretty uniform in their appearance: a dark sky, glowing sparks that are either points or lines depending on exposure time, and perhaps some views of the surrounding area. When photographing a major fireworks show last week, photographer Rob Shaw of BackFromLeave Photo wanted to do something different. He played around with various camera techniques and captured a set of firework images that is quite different than most of the images you’ll see online.
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Video: Making Creative Use of Focus to Capture Ethereal Firework Footage

In the past, we’ve shared a few creative ways to take your fireworks shots to the next level. Be it shooting hand-held long exposures for an abstract result or refocusing during a long-exposure, the results can be quite stunning.

The video above combines a couple of techniques we’ve shared before, making wonderful use of bokeh and the refocusing technique to create a mesmerizing minute of footage. Read more…

Long Exposure Engagement Photos Shot Under the Starry Night Sky

Astro Engagement Photography

Long exposure photographs of stars and romantic engagement photographs aren’t often found together, but that’s the fusion wedding photography couple Robert Paetz and Felicia Wong have been dabbling with as of late. The duo takes their clients out into natural landscapes away from light-polluted cities and photographs them under the night sky. They call the resulting photos, “astro wedding photography.”
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A Mind-Bending Look at the Hubble Ultra Deep Field Photo of the Universe

Check out this mind-bending video that talks about the “Hubble Ultra Deep Field” image captured by NASA astronomers nearly a decade ago — a photograph that some call “the most important image ever taken.”
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Starry Long Exposure Photos of Fireflies in the Forests of Japan

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This beautiful photograph is titled “Last Dance of the Fairies.” It was shot by Japanese photographer Yume Cyan in a forested area near Nagoya City, Japan.
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Long Exposure Photos of Gunfire at Night (A Memorial Day Memory)

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In April of 1970 I was near Phu Tai, Vietnam in the 173rd Airborne Brigade Admin Compound. We were pissed off at taking Viet Cong sniper fire from the mountain above us several nights in a row. The guy would stand up from behind a rock and blow off a clip from his AK47 on full-auto. The sniper was shooting at such a high angle that most of his rounds came through the sheet metal roofs of our hooches. We decided to use a “heavy” response the next time(s) the sniper hit us.
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