Posts Tagged ‘lighting’
Photographer duo Joachim Guanzon and Marden Blake (AKA aesonica) created this short behind-the-scenes video showing how they recently shot and Photoshopped an Audi A4 photo for a print advertisement. You can read a longer how-to over on the aesonica website:
The goal is to make it look as if you had 20+ lights, grids, flags and reflectors to shoot your project. There is nothing better than hearing someone ask how many lights were needed to create your shot and revealing that you used only one. The trick is by doing something that could realistically be done with enough equipment and lighting skill, with only one light.
On the other hand, if you get too carried away, there is nothing worse than someone asking if you used Photomatix to compile your HDR garbage shot followed by “My 13 year-old has that program too!”
Photographer Joseph Nienstedt was at a grocery store recently when he spotted a $4 plastic flask that reminded him of a curved light modifier he had seen before. After buying it and transforming it into a diffuser using a razor, Nienstedt discovered that it provided softer light than his Sto-Fen Omni-Bounce due to the 5x larger surface area. While it’s not a very respectable look for a professional environment, using a plastic bottle as a DIY diffuser could be an option if you’re in a pinch or if you’d like to experiment with lighting.
Head on over to Nienstedt’s blog post for a step-by-step guide.
DIY Speedlight Diffuser [JWNPhoto]
Here’s an illuminating (pun intended) video walkthrough by photographer Eric Curry, showing how he went about creating a photo of a B-25 bomber. His technique for lighting the plane is similar to the real estate photography walkthrough that we featured last weekend, and involves lighting the scene a bazillion times from different angles, and then combining the different parts of the photo in Photoshop.
As he says in the video, it’s a useful technique that can be done by “anyone with a digital camera and a tremendous amount of patience.”
We always get a laugh when news organizations or governments try to pass off bad Photoshop jobs as real images, but with the way graphics technology is advancing, bad Photoshop jobs may soon become a thing of the past. Here’s a fascinating demo into technology that can quickly and realistically insert fake 3D objects into photographs — lighting, shading and all. Aside from a few annotations provided by the user (e.g. where the light sources are), the software doesn’t need to know anything about the images. Mind-blowing stuff…
Needing a portable light box, Instructables member HHarry came up with a ingenious collapsible design that has built-in lighting. He’s also written up a tutorial on how you can build one too, but be warned: the materials may cost you up to $80, and you’ll need a good amount of know-how. However, if you’re looking for a hefty weekend project and need a convenient way to light and photograph small objects on-the-go, this one’s for you.
Optical sensors are a cheap way to trigger slave flashes if you don’t want to pay for a wireless transmitter, but the fact that you’re firing your on-board flash to trigger the sensors limits your creative options. Flickr user Victor came up with the idea of turning an on-camera flash unit into an infrared transmitter by covering up the flash with a filter. The filter is simply a piece of processed (but unexposed) E6 slide film — it blocks visible light, making it completely black, but allows infrared light to pass through and trigger optical sensors.
Using Infra Red Masters To Trigger Optical Slaves [DIYPhotography]
To promote its new Xperia phones, Sony hosted a three-day hackathon on a boat to see what creative innovations people could come up with. One of the hackers decided to make a flamethrower-style flash (seen at 2:26), triggering a gas flame to flare whenever a photograph is taken with the phone. Maybe this’ll start a fire-lighting trend in professional photo studios…