Posts Tagged ‘lensrentals’

Are Metal Mounts Any Better than Plastic? LensRentals Investigates

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Photography companies love catchword marketing. They like catchwords because photographers make assumptions about what those words mean, even though the words really don’t mean anything. So basically, they say nothing, but it makes you believe something.

Two of my favorite examples are “professional quality construction” and “weather resistance”. When I read those terms, my brain translates them to “Blah, blah, blah. Blah, blah.” They are subjective terms, just like ‘elegant design’ and ‘innovative styling.’ Read more…

A Bit of A7R Sanity: Rising Above the Trash Talk and Fanboy-ism with Actual Facts

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A while back I wrote a post I humbly called Roger’s Law of New Product Introduction, complete with the graph shown below. The release of the Sony A7R has demonstrated the accuracy of that post as few other releases have. Read more…

Sony a7R: A Rising Tide Lifts All the Boats?

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I have to admit I didn’t get too worked up when the Sony A7 and A7R were released. The last time I wrote about Sony it was how there were so few lenses for the NEX system years after introduction. So now we’re going to a system requiring a whole new lens mount. Sure the camera’s specs were interesting. But the idea of yet another camera body good mostly for shooting lenses on adapters wasn’t very exciting. So I planned to ignore it.

But my friends over at Imaging-Resource/SLRGear were waxing poetic when they talked about their testing of the A7. Then they started claiming that the lenses were really good, too, and sent me some rather shocking test results. Plus, I will admit when it arrived I kind of liked the look and feel of the camera. It’s a very small camera for a full-frame, but with a nice deep grip that felt good in my overly large hands. Sort of a retro appearance. So even though we were a bit backed up, Aaron and I decided to at least run some preliminary testing in our Imatest lab with the A7R. Read more…

Metabones Works Some More Magic With Its New Speedboosters for Blackmagic

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Metabones, maker of the impressive Speedbooster adapters is back at it again. When the Speedbooster first came out, I wrote about it being like magic, increasing the aperture and field-of-view of Nikon and Canon full-frame lenses mounted to NEX and micro 4/3 cameras, while maintaining or even improving image quality. Now they’ve brought the Metabones magic to the Blackmagic cinema and pocket cinema cameras. Read more…

Inspecting an ‘In Spec’ Lens

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I’m going to open a can of worms today. I’ve been getting more and more emails from people telling me the same story that goes like this:

I’ve got this lens. It’s awful. I’ve sent it in for adjustment and the service center tells me it’s ‘in spec’ and nothing is wrong with it. Am I crazy?

Read more…

There is No Such Thing as a Perfect Lens

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I get asked a couple of questions every time I publish a graph showing Imatest results for multiple copies of lenses like the one below. Most people understand that some copy-to-copy variation is inevitable in the manufacturing process. Most are surprised, though, at how large the sample variation seems to be. Heck, I was surprised at how large the sample variation was when I started doing this kind of testing. Read more…

LensRentals Launches LensAuthority as a Used Gear Outlet

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LensRentals is at the height of its popularity and still growing. About a week ago, we shared some stats that more than proved this, showing how a company started by one man and $5,500 dollars in 2006 is now a 42 person operation on track to bring in $13 million this year.

But if you think that LensRentals has reached a point where it is content to rest on its laurels, you would be wrong. The company has just launched a brand new site, LensAuthority, where it will sell off the used gear it is constantly turning over through the main website. Read more…

Camera Gear Rentals is Big Business, and LensRentals Proves It

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Some people say that the secret to striking it rich during a gold rush is to sell shovels. That’s kind of what Roger Cicala is doing. With photography exploding in popularity as of late, Cicala has found huge success in loaning out gear to photographers who would rather rent than buy.
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Overcoming My Photo Entekaphobia: The Fear of Shooting at f/11

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Entekaphobia is fear of the number 11. I’m a resolution fanatic. I test every new lens for resolution. For personal use, I’ll choose the lens with higher resolution over the one with creamy bokeh every time. When choosing a camera, I have a (yes, I’m ashamed to admit it, but it’s true) strong tendency to want the most megapixels. I’m a resoholic.

Being a resoholic, I’ve always been somewhat fanatical about apertures. Whenever possible I shoot with the lens stopped down at least one stop to wring the maximum sharpness out of my lens. But I’m always careful not to stop down too far because I was taught, soon after I picked up a camera, that if you stopped down too far the dreaded diffraction softening would kick in.
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