Earlier today, Samsung officially released its recently-rumored/leaked flagship camera, the NX1. Alongside it, the South Korean electronics company showed off an impressive 50–150mm f/2.8 lens (70–200mm equivalent) and teased a new 300mm f/2.8 lens that’s still in development.
The X100T is far from the only announcement Fuji decided to make today. In addition to revealing the brand new fixed lens camera, the company is also pulling the cover off of a special 'graphite silver edition' of the powerful X-T1 camera, and adding two more lenses to its XF lineup.
As of a couple of hours ago, there's officially a new 'world-class' lens on the market. Touted as another 'world's best' in its category, ZEISS' 85mm f/1.4 Otus short telephoto lens has arrived.
Tamron broke new ground in MFT lenses yesterday with the release of the 14-150mm f/3.5-5.8 DI III, the company's very first all-in-one zoom lens for Micro Four Thirds cameras.
Typically, lens announcements go unnoticed unless the lens in question is some optically incredible, super-wide aperture prime lens. But if the idea of an 18-135mm f/3.5-5.6 lens leaves you thoroughly unexcited, we would beg you to read on, because Fuji's first attempt at a weather-resistant XF lens might just knock your socks off.
When it comes to medium format photography, prime lenses are the norm. The size, weight and quality of construction of lenses are all areas of constraint for medium format over DSLRs or mirrorless, and so zoom lenses are more of a rarity.
However, there are always impressive exceptions to the rule, which is exactly what Phase One has done with its second-ever zoom lens for the 645 digital medium format system.
Tokina broke new ground yesterday when it announced its very first optically-stabilized lens. Dubbed the AT-X 70-200mm F4 PRO FX VCM-S, it uses a voice coil motor-driven IS system to deliver a promised three stops of image stabilization for the shaky of hand.
Not to be outdone by Canon's lens announcements from yesterday, Nikon has come back with a few major announcements of its own. And foremost among them (at least in terms of price) is a brand new AF-S 400mm f/2.8E FL ED VR lens that will pair very well with the new AF-S TC-14E III teleconverter... well, assuming you have about thirteen grand handy.
Canon released a little bit of something for everybody last night in a press release that debuted, not just the expected 16-35mm and 10-18mm lenses we had already known about, but also the white SL1 that until now was not available in the United States.
Lomography's already has some experience partnering with Russian lens manufacturers. And given how successful the Zenit partnership and Lomo's recreation of the Petzval lens has been, they've decided to do it again, this time with the Russar+.
If you believed the rumors, today was supposed to be the day Samyang debuted its first AutoFocus-capable lenses. But that, it seems, wasn't in the cards. What Samyang did announce today (and what they have apparently been teasing all week) was a new 12mm f/2 and several revamped older models that will now work with APS-C and MFT mirrorless cameras.
ZEISS is touting its latest release as a "perfect" portrait lens with serious Macro chops to boot -- a 50mm, f/2.8 model for APS-C cameras sporting Sony E and Fuji X mounts.
The CES announcement train keeps on rolling with another one we saw coming thanks to the ever-increasing accuracy of rumor sites. Nikon has officially launched the consumer-level D3300 -- complete with a few hardware upgrades and a new kit lens -- as well as the long-rumored 35mm f/1.8G full-frame lens and a few new CoolPix models.
It's a good year for glass at CES in Vegas. First Samsung debuts its first premium 'S' lens, then Fuji comes out with the 56mm f/1.2R, and now Sigma is joining the fray by releasing two new lenses: an all-new 50mm f/1.4 DG HSM Art series lens and a significantly updated 18-200mm f/3.5-6.3 DC OS HSM Macro lens.
Despite many a rumor of a new X-Series camera coming at CES, Fuji didn't have a brand new shooter up its sleeve -- at least not that we know of. Instead, the company is debuting the much-requested all-black version of the X100s, and a super fast "portrait perfect" XF 56mm f/1.2R premium lens.
Wrapping up the announcements from Samsung today were two new pieces of glass, at least one of which might just get your Gear Acquisition Syndrome acting up. The new lenses are a 16-50mm f/3.5-5.6 Power Zoom and Samsung's first ever Premium 'S' lens: a 16-50mm f/2-2.8.
One of the common complaints people hesitant to switch to mirrorless systems have is that there just isn't enough glass for this that or the other mount. Micro Four Thirds cameras don't really suffer from this problem, but proprietary mounts like Sony's E-Mount (especially full-frame) and Fuji's X-Mount certainly don't offer the kind of selection you get from Canon or Nikon.
The good news is, they're catching up. And a great case in point is the Fuji X-Mount 10-24mm f/4 lens announced today.
What's that? The ZEISS 55mm f/1.4 Otus haunts your dreams when it's not keeping you up wondering how you're going to sell a kidney on the black market to afford it? Well then, you might want to ignore this post, because there's another Otus confirmed for 2014!
In the midst of all these camera announcements, Nikon has taken the time to unveil a new piece of high-end glass as well. Paying homage to a lens discontinued 15 long years ago, Nikon is bringing back the 58mm prime lens, this time with an f/1.4 aperture.
After weeks of speculation and leaks, Sony has seen fit to officially announce both its Alpha 3000 DSLR-style E-Mount camera as well as the rumored NEX-5T and three new E-Mount lenses. For details on the first of those, click here. As for the NEX-5T and the new lenses, it looks like the rumors were spot on.
There's nothing like the smell of fresh press release in the morning, and earlier today, Nikon decided to send two our way. The releases contain info about three new products that Nikon is announcing all at the same time: a new DX format lens, a small speedlight, and a 14x superzoom compact camera.
Nikon 1 photographers have a decent selection of eight lenses for their mirrorless camera, and now we can add one more choice to that list: the super-fast medium-telephoto 32mm f/1.2. The lens was announced earlier today, and promises "Superior Resolution and Incredible Depth of Field" for Nikon 1 shooters.
We've mentioned Sigma's upcoming revolutionary USB dock before, but until today we had no idea when the product would become a reality or how much it would cost. Thankfully, Sigma has cleared that up for us, and thrown in a demo video to boot.
Professional photographers have a choice to make: buy a car, put a down payment on a house, or buy Nikon's new 800mm f/5.6 FL ED VR behemoth. Obviously the last one, right? Well, maybe not, but still, this thing is impressive.
It was announced as "in development" way back in July, we got to see one in action at the Olympics in August, and now it's finally here -- and it was kind enough to come attached to a $17,900 price tag.
It's a big day for lens announcements, and we're not even done yet. Sigma showed MFT and E-mount some love, and now it's Tamron's turn to make mirrorless owners happy. Earlier today, the company officially announced development of its first ever Micro Four Thirds lens: the 14-150mm F/3.5-5.8 Di III VC.
Sigma is making camera lovers happy today with the announcement of four new lenses. Well, actually it's one new lens and three new versions of old lenses, but it's good news all the same. All of the new lenses are part of Sigma's sleek ART product line, and were announced today at the CP+ Camera and Photo Imaging Show 2013 in Japan.
Nikon has its 55-300mm, Canon has its 70-300mm, and now Sony is joining the club, adding a …
Back in January of this year Sigma announced that it was working on the world's first 1:1 180mm f/2.8 macro lens, which was to play the role of successor to the company's popular 180mm f/3.5 EX DG lens. Sadly, at the time Sigma gave us no indication of when we might be seeing the lens IRL, or how much we might have to pony up to get our hands on it. But a couple of days ago on Friday the 13th (let's hope that's not a bad omen) Sigma answered both of those questions.
Alongside a big photo leak of the Nikon D600 comes the …