I made a big purchasing decision a few months ago by investing in the new Fujifilm GFX 50R camera. It is a larger-than-full-frame ‘medium format’ sensor camera. The 50R was by far the most affordable medium format option in its class at the cost of $4,500.
In this article and the 8-minute video above, we are comparing the $2,200 Sony FE 24-70mm f/2.8 GM lens with the $880 Tamron 28-75mm f/2.8 Di III RXD lens in sharpness, image quality, focal length, autofocus, and video.
Thinking about which lens to buy next? You might want to take a look at this 9-minute video first. In it, photographer Jamie Windsor argues that choosing the right focal length is more than a technical decision based on what type of photography you want to do -- your choice affects the dynamic and meaning of your photos.
Samyang has announced the new AF 85mm f/1.4 FE prime lens for Sony full-frame mirrorless cameras. It's a lens with "stunning resolution and bokeh" and "excellent AF performance," the South Korean company says.
Although it’s been six months since the Nikon mirrorless Z system was announced, there’s still a dearth of native Z mount lenses, and the ones that are available are in my opinion somewhat overpriced (starting at $599 for the Nikon 50mm f/1.8 S). While the FTZ adapter does work remarkably well, it adds quite a bit of bulk to even the smallest F mount lenses. This is where I believe the Meike 50mm f/1.7 finds its niche.
Sony's new FE 135mm F1.8 GM lens will hit store shelves next month, but it's already dropping jaws with its sharpness. According to one new test, it may be the sharpest lens of its kind on the market today.
The Hong Kong-based gear manufacturer Meike has unveiled its new 85mm f/1.8 lens for Sony full-frame E-mount cameras.
Can an ordinary person made a camera lens from scratch? Here's a 22-minute video in which Andy George of How To Make Everything answers that question by producing clear glass and metal and combining them to create a camera lens.
Leica has announced the new APO-Summicron-SL 35mm f/2 ASPH prime lens for the L-Mount, which is found on Leica's SL mirrorless camera as well as all cameras that are launched as part of the L-Mount Alliance between Leica, Panasonic, and Sigma.
Sony has announced the new FE 135mm f/1.8 G Master prime lens for its full-frame E-mount cameras. It's a "high-performance tool" geared toward professional portrait, wedding, and sports photographers.
Samyang has just announced the XP 10mm f/3.5, the world's widest rectilinear prime lens. The lens beats Venus Optics' Laowa 12mm f/2.8 lens and offers the same focal length as the Laowa 10-18mm f/4.5-5.6 FE (a slower non-prime lens).
Kenko Tokina has announced the new Tokina opera 16-28mm f/2.8 FF lens for full-frame Canon and Nikon DSLRs.
Tamron has just announced the development of two new full-frame DSLR lenses (the 35-150mm F/2.8-4 Di VC OSD and SP 35mm F/1.4 Di USD, and one new full-frame mirrorless lens (the 17-28mm F/2.8 Di III RXD).
Fujifilm has announced the new XF 16mm f/2.8 R WR, a wide-angle prime lens for APS-C sensors that's the equivalent to a 24mm lens in 35mm terms.
Nikon has announced the new NIKKOR Z 24-70mm f/2.8 S lens for its full-frame mirrorless cameras.
Olympus has announced the new M.Zuiko Digital ED 12-200mm f/3.5-6.3 super-telephoto zoom lens for Micro Four Thirds cameras. The lens features a 35mm equivalent focal range of 24-400mm for a 16.6x zoom, the highest magnification available for mirrorless cameras.
Ricoh today announced two new lenses for Pentax K-mount DSLR cameras: the Pentax HD Pentax DA* 11-18mm f/2.8 ED DC AW and Pentax HD Pentax-FA 35mm f/2.
The Hong Kong-based camera equipment company Meike has launched an affordable 50mm f/1.7 manual-focus prime lens for Canon and Nikon's full-frame mirrorless camera systems.
Fujifilm has just announced the new Fujinon GF 100-200mm f/5.6 R LM OIS WR telephoto zoom lens for GFX medium format cameras.
Nikon has unveiled its new NIKKOR Z 14-30mm f/4 S, the first ultra-wide-angle zoom lens for the Nikon Z full-frame mirrorless camera system.
Venus Optics has just unveiled the Laowa 9mm f/2.8 DL Zero-D. It's the widest lens ever made for DJI cameras and drones.
Sigma completes its “Holy Trinity” with the release of the all-new 70-200mm f/2.8 Sport – is it the ultimate 70-200mm on the market right now? Sigma sent us a review piece of the upcoming lens for us to try out for a few days.
While at Photokina back in September, camera reviewer Kai Wong got some hands-on time with a pink Kipon 40mm f/0.85 lens. This 11.5-minute video is Wong's brief review of the "bokeh machine."
While the Canon EF and Nikon F lens mount ecosystems are teeming with 3rd-party lenses, the new Canon R and Nikon Z full-frame mirrorless lens mounts completely lacked 3rd-party glass... until now. The Chinese brand KIPON has announced that it's the first out of the gate.
Is it too good to be true? A cheap M mount lens that goes all the way to f/1.1? Does the $369 7artisans 50mm f/1.1 lens belongs in the bargain bin or on your camera?
ZY Optics has unveiled the new Mitakon Speedmaster 65mm f/1.4 lens for the Fujifilm G mount. It's the fastest standard-length native lens available for Fujifilm's GFX medium format mirrorless cameras.
Samyang has announced the new XP 35mm f/1.2 lens for Canon EF cameras. Also called the Rokinon SP 35mm f/1.2, the new premium-quality manual-focus lens is designed to meet the needs of professional shooters.
Compared to companies like Canon and Nikon, which produce f/1.2 and even f/1.0 full-frame camera lenses, Sony's E-mount lenses max out at f/1.4. But it's not that Sony can't match the faster lenses on the market -- it just doesn't see a need to.
Nikon's new full-frame mirrorless Z lens mount is designed to be futureproof over the next 100 years and "redefine possibilities." How crazy are the possibilities? Get this: the Z-mount could theoretically accept lenses with apertures as large as f/0.65.
Gloucestershire police have unveiled Britain's biggest speed camera. Called the A417, the portable camera can catch drivers violating laws from roughly 1,000 meters or about 3/5 of a mile. And on the front of the camera is a Canon 100-400mm f/4.5-5.6L IS telephoto zoom lens.
The Chinese lens manufacturer Venus Optics has revealed the full details of its new Laowa 10-18mm f/4.5-5.6 FE lens for Sony mirrorless cameras. It's the world's widest rectilinear full-frame zoom lens.
Zeiss is gearing up to add a fourth lens to its highly-acclaimed Otus lineup. New leaked photos are giving us a sneak peek at the upcoming Zeiss Otus 100mm f/1.4 lens.
A Berlin-based startup called ExperimentalOptics has unveiled a 35mm f/2.7 pancake lens for full frame cameras, which it calls "the smallest lens in the world."
I always put a lens hood on my lenses. Except… when they fall! As I recently finished shooting at 6 AM in the Maldives with my wife, I kicked my tripod with my Sony a7R III, Sony 16-35 f/2.8 GM, and an ND-8 filter on it. The tripod fell over towards the ocean and, to my partial relief, fell on the wooden platform 7 feet (2m) below with the camera on it…
Zeiss has announced the new Batis 40mm f/2 CF (Close Focus) lens for full-frame mirrorless cameras, a product the company calls "the most versatile lens in the Zeiss Batis family."
Panasonic has announced the development of the Leica DG 10-25mm f/1.7 for Micro Four Thirds cameras. It's the world's first wide-angle zoom lens with a constant f/1.7 aperture.
The European lens brand Irix has unveiled the new 150mm f/2.8 Macro 1:1 telephoto macro lens for full-frame cameras.
I had the pleasure of trying out the brand new Sony 24mm f/1.4 G-Master lens before it was announced today. I spent the last few days in Sicily with Sony Europe and we had some time to go hands-on with it.
Sony has just announced the 24mm f/1.4 G Master E-mount full-frame wide-angle prime lens, the lightest and smallest lens among 24mm f/1.4 full-frame autofocus lenses.
Canon has announced the new EF-M 32mm F/1.4 STM, the fastest lens made so far for the EOS M mirrorless camera line.