lens

I had a chance to test a very rare lens: the Zuiko Auto-T 180mm f/2 ED-IF, an Olympus super-telephoto lens from the early 80s. Back then, the OM-system bodies that Olympus had were OM-3 and OM-4. Olympus had a very nice line up of Zuiko lenses for those cameras and other OM-system bodies. The one lineup they did not have was pro-grade fast telephoto lenses.

Accessory maker Fotodiox is known for creating some unique (if occasionally problematic) lens adapters, and they've just done it again. Their new MY7 - GFX pro fusion adapter lets you use Mamiya 7 rangefinder lenses on Fuji's medium format GFX cameras, including electronic control where possible.

Recent industry-shaking news aside, Olympus isn't going anywhere just yet. In fact, earlier today, the company revealed an updated lens roadmap and released OM-D Webcam Beta Software: a Windows-only program that turns several of the most popular OM-D cameras into webcams for livestreaming and video conferencing.

Fujifilm has unveiled the new FUJINON GF 30mm f/3.5 R WR, a lightweight, high-resolution, wide-angle lens for GFX medium-format cameras with a 35mm-equivalent focal length of 24mm.

Venus Optics has unveiled the new Laowa 9mm f/5.6 FF RL, the world's widest rectilinear (i.e. straight features in the scene have straight lines instead of curved) lens for full-frame cameras.

The new Meyer Optik Görlitz Trioplan 100mm f/2.8 II manual focus lens was launched today after months of delays, officially bringing the storied Meyer Optik Görlitz brand back from the grave after being acquired from its bankrupt former owner (net SE) by the German company OPC Optics.

Tamron has announced the new Tamron 28-200mm f/2.8-5.6 Di III RXD lens, the world's first all-in-one zoom lens that offers f/2.8 at the wide end.

After first showing off the lens over a year ago, and sharing a few more teasers during a livestream two weeks ago, Ricoh has officially unveiled the HD Pentax-D FA* 85mm f/1.4ED SDM AW—a "next-generation, high-performance" portrait prime for K-mount DSLRs.

After teasing an “in development” announcement late last year, Tamron’s all new 70-180mm f/2.8 for Sony E-mount is finally about to hit store shelves. With the release of this lens, Tamron will complete their “holy trinity” for Sony mirrorless.

Weird lens enthusiast and YouTuber Mathieu Stern has created another fun stay-at-home DIY lens while stuck in quarantine. This time it's a functional camera lens, complete with focusing mechanism, made almost entirely out of LEGO bricks.

Samyang/Rokinon has unveiled a new "tiny but absolute" autofocus portrait lens for Sony E-Mount cameras. The full-frame AF 75mm f/1.8 FE lens offers Sony shooters a lightweight, high-performance portrait lens with an interesting feature not typically seen in third-party glass: a customizable lens ring.

Weird lens aficionado Mathieu Stern has created the rarest of camera lenses with the most precious of materials (in the ongoing pandemic): a roll of toilet paper.

Yongnuo has unveiled a new 50mm f/1.8 lens, expanding its "nifty fifty" lineup to include the YN50mm f/1.8S DA DSM for Sony's E-Mount APS-C cameras. We don't have a price yet, but we expect this to be the cheapest 50mm lens you can buy for Sony's a6000 series once it hits stores.

If you have deep pockets and want to venture to the edge of what's possible in ultra-wide lenses, check out the new C-4 Precision Optics 4.9mm f/3.5 Hyper Fisheye. It's the world's widest-ever fisheye lens, so wide that it can see behind itself, and it can now be yours for the low price of $39,000.

Photographer Jason Webber recently embarked on a little statistical experiment. He wanted to see if he could use stats from his Instagram photos to choose the 'perfect' lens purchase by identifying the focal lengths he uses most often, the holes in his lens lineup, and what features he needs to prioritize.

Tokina has a lot in store for photographers in 2020. In an announcement that would have been made at CP+ 2020 (RIP), the company revealed that it will be releasing a total of six new lenses: one APS-C lens for Nikon and Canon DSLRs, two full-frame lenses for Sony E-mount, and three APS-C lenses for both the Fuji X- and Sony E-mounts.

PetaPixel has confirmed that Nikon is experiencing production delays on some of its most recent products due to the novel coronavirus (COVID-19) outbreak. Having previously apologized for the delay of the 70-200mm f/2.8 Z lens, Nikon Inc. told us that the recently released 120-300mm f/2.8E F-mount lens has also been delayed "as we determine the global impact of the novel coronavirus outbreak."

These days, it's probably more likely that you win the lottery than for Sony to make a bad lens. Their process over the last few years has been really dialed in, to the point where making a technically good piece of optics is their bread and butter.

Sony has just released the brand new FE 20mm f/1.8 G: a lightweight, high-performance, ultra-wide prime lens for full-frame Sony mirrorless cameras that the company has dubbed "the widest full-frame prime lens in E-mount lineup."

If you're just getting into landscape photography and you're not sure what lenses you actually need for this genre, photographer Mads Peter Iversen is here to help. In one of his most popular videos to date, Iversen lays out the only 3 lenses you "need" for landscape photography."

The OM-D E-M1 Mark III was the big release of the night for Olympus, but the company also had two other products up its sleeve. The first is the surprisingly compact 12-45mm f/4 PRO lens; the second the PEN E-PL10 camera that was already released in Asia four months ago.

Lomography has launched its 12th Kickstarter campaign, unveiling its latest Petzval portrait lens to the world: the 180th Anniversary Edition Petzval 80.5mm f/1.9 MKII Art Lens for Canon and Nikon DSLRs.

Indian wedding photographer Ankita Asthana recently traveled to Rome for a shoot and brought along the $8,000 Nikon NIKKOR Z 58mm f/0.95 S Noct lens to test out. She shares her thoughts and a behind-the-scenes look at the shoot in this 7-minute video.

Professional photographer Karl Taylor has put together a short-but-very-useful tutorial that will show you how you can calibrate your lens autofocus without buying a special calibration chart or tool. All you need are a few household items, your camera, and your tripod.

Over the past few years, I've experienced a number of lenses that were optically stunning. Near-perfect examples of optical technology, lenses like the Sony 135mm f/1.8 (which I reviewed and loved) and 24mm f/1.4 (also loved) along with the Canon RF 28-70mm f/2 or their RF 50mm f/1.2 all exhibited these traits of pushing towards "perfection."

Late last year, macro photographers rejoiced at the announcement of a worthy competitor to the Canon MP-E 65mm f/2.8 1x-5x macro lens, which has been heralded as the best high-magnification macro lens since its release in 1999. The Mitakon 85mm f/2.8 1x-5x lens held a lot of promise, but it was immediately apparent that something was wrong.

After a long, deafening silence, Pentax is finally back on the map. Minutes ago, Ricoh unveiled its first new K-mount lens in some time with the HD Pentax-D FA 70-210mm f/4ED SDM WR: a lightweight do-everything telephoto zoom for Pentax DSLRs.

In early November, Panasonic announced that a 70-200mm f/2.8 for the L-mount was coming soon. The lens represents, which comes in at a hefty $2,597.99, is a major step closer to completing the holy-trinity lineup for their S series cameras.

After a week full of rumors and leaks, Tokina has officially unveiled their brand new 'atx-m' line of mirrorless lenses, starting with an affordable 85mm f/1.8 lens for Sony full-frame mirrorless cameras: the Tokina atx-m 85mm f/1.8 FE.

A reliable report from Canon Rumors, as well as a newly discovered patent, has revealed some of Canon's exciting plans for the RF Mount. Not only is a nifty fifty 50mm f/1.8 lens in the works, the company is also working on a pancake lens and has designed a 135mm f/1.4L.

In early November, Panasonic announced that they would be releasing a 16-35mm f/4. Ever since Panasonic released the S1 and S1R, people have been asking about a wide angle lens, especially with the availability of a high-res mode in both cameras (96MP in the S1, 187MP in the S1R) making them a great camera for landscape shooters.

Hasselblad has just released the ultra-light XCD 4/45P digital medium format lens. Weighing in at just 320g (0.7 lbs) and measuring only 47mm (1.85 in), Hasselblad claims that this 45mm f/4 lens is "the world’s lightest digital medium format autofocus lens on the market today."

Nikon today announced the new NIKKOR Z 70-200mm f/2.8 VR S lens for its Z series full-frame mirrorless cameras. It's a telephoto zoom lens designed for professionals and the first full-frame Z lens to offer built-in stabilization.

My main objective in this article isn’t to provide an in-depth review of the Tamron 17–28mm f/2.8 Di III lens, but I hope to offer the reader a few insights in terms of how the lens performs from a landscape photographer’s perspective as a photographer who usually prefers to shoot ultra-wide-angle.

Canon has officially confirmed that the new RF 70-200mm f/2.8L IS USM lens does, indeed, have a front-focusing issue at minimum focus distance, and revealed that a firmware fix will be released as soon as possible.

Tamron recently announced a trio of compact primes for Sony FE: the 24mm f/2.8, 35mm f/2.8 and 20mm f/2.8. We had the chance to test out the 24 and 35mm primes for a few days to see how they performed.

The trinity is now complete. Since the release of the Canon EOS R about a year ago, the mirrorless camera is my go-to tool for shoots. Not least because of its size and weight, as well as the amazing lenses (RF 28-70mm f/2, RF 50mm f/1.2, and my RF 24-240mm f/4-6.3 expedition lens) the EOS R has benefits over its DSLR counterpart.

Sigma has announced the new 24-70mm f/2.8 DG DN Art lens for full-frame mirrorless cameras. It'll be available at launch for the E-mount by Sony and the L-mount by the Leica/Panasonic/Sigma L-Mount Alliance.