Update: Apparently this isn’t something ordinary photographers need to worry about. See below.
The Washington Post has published a list of 160 misdemeanor offenses that can land you in jail in Washington D.C. While most are quite reasonable (e.g. “Sale of Cigarettes to a Minor” or “Unlicensed Driving Instructor”), there is one that is troubling. Under the category “Photographer Violations” is the entry:
Photographer – More than 5 minutes at location
The entry is quite vague and, as Carlos Miller points out, leaves a lot of room for police officer interpretation.
Update: The Washington Post has written a followup article addressing this issue (thx Darrow). Apparently the law is directed at full-time photographers who photograph passersby on the streets:
”Our policy has been that the street photographer license would apply to persons who are stationed on public space to take photos of passersby,” said agency spokesman Helder Gil in an e-mail. Amateurs aren’t covered, he said, nor are “journalists, professional photographers who take pictures of buildings/scenery, or wedding photographers taking pics of happy couples on D.C. streets and sidewalks.”
So as long as you don’t make a living hustling tourists for snapshots, you can snap away without keeping an eye on your watch.
Photography business analyst Dan Heller has written a helpful post in which he busts common misconceptions photographers in the US have about model releases. A big one is that you need to first obtain a model release before selling photos of people. Heller writes,
[...] newspapers buy photos, and their use of the photo is unlikely to need a release. So, selling a photo (and making a profit doing so) to a newspaper also does not require a release. And because the law does not require you to have any knowledge of the buyer or their intended use of a photo, you are always allowed to sell photos without a release.
His point is that model releases have to do with photographs being published, not sold. A photographer cannot publish the photos however they’d like, but they can sell them however they’d like since liability rests solely with the eventual publisher. That said, it’s still a good idea to always use one, since they’re often required by the buyers.
A 19-year-old man in the UK has been sentenced to two months in prison for snapping a courtroom photo. Paul Thompson was sitting in a public gallery last week — the defendant was a friend who was on trial for robbery — when another friend texted him to ask where he was. Thompson decided to snap a picture with his Blackberry to explain why he couldn’t talk, but was quickly arrested by officers who noticed what he was doing. He was then sentenced to two months in prison for “contempt of court” by Judge Barbara Mensah, who wanted to send out a strong message:
There are notices all around the court building about not taking photographs in court. This is a serious offence and the message must go out that people cannot take photos.
Although two months in jail seems harsh, it could have been worse: CBS News notes that the law gives the courts the right to jail someone for up to two years for photography.
If a stranger suddenly grabs your camera and takes a photograph, who owns the copyright to that photograph? Photographer Mirjam Letsch writes,
Walking in an Indian bazaar, my Nikon dangling on my shoulder, this boy quickly clicked five times. I really liked the creative result when I later saw these images! Don’t know who owns the copyright though!
This might seem like a pretty farfetched example, but what about a case where you carefully set up and compose a fine art photograph, then for some reason ask a stranger to press the shutter for you?
A photograph is a mechanical representation of facts. This is unlike a painting, which is a non-mechanical representation of something—be it facts, such as an attempt to paint an outdoor scene or create a portrait of someone, or imagination in the form of how the artist sees the world, such as the Vincent van Gogh’s Starry Night painting. Paintings, therefore, are pure expressions of ideas or facts. Photographs, however, are mechanical expressions of facts.
[...] extending copyright protection beyond the mechanical copying of a photograph (i.e., scanning it and sending it to all your friends) is extending copyrights in photographs too far. The expression of a photograph cannot be separated from its factual reproduction of actual events. Attempting to do so leads to absurd results.
Therefore, a bright-line rule should reserve copyright protection in photographs only for the reproduction of those photographs. Copyright protection should not extend to the elements within the photographs themselves—doing so results in copyrighting facts, which is beyond the scope of copyright law.
It’s a pretty length piece, but well worth a read. What’s your opinion on this issue? Should the elements within a photograph be covered by copyright protection?
Freelance news photographer Phil Datz was recording the conclusion of a police chase from the opposite sidewalk last Friday when he was confronted by a police officer and commanded to “go away”. Though he politely obeyed and moved a block further from the scene, the officer decided to arrest him for “obstruction of governmental administration”. The latest news is that the department is planning to drop the charges and put its officers through “media relations training”.
503.03 Works not capable of supporting a copyright claim.
Claims to copyright in the following works cannot be registered in the Copyright Office:
503.03(a) Works-not originated by a human author.
In order to be entitled to copyright registration, a work must be the product of human authorship. Works produced by mechanical processes or random selection without any contribution by a human author are not registrable. Thus, a linoleum floor covering featuring a multicolored pebble design which was produced by a mechanical process in unrepeatable, random patterns, is not registrable. Similarly, a work owing its form to the forces of nature and lacking human authorship is not registrable; thus, for example, a piece of driftwood even if polished and mounted is not registrable.
Is a photograph taken by a monkey the product of human authorship? On one hand, the monkey pressed the shutter, but you also can’t argue that a human author didn’t contribute, since they had to have provided the camera in the first place (unless the monkey stole it or something…). TechDirt believes the photos are in the public domain.
A little update to the recent brouhaha over Google+’s Terms of Service: Tom W of Getty Images posted the above message to fellow Getty members on Flickr informing them that Getty’s lawyers have no problems with the ToS. He writes,
The important thing to watch out for in Terms of Service, and it’s the same as we’ve talked about for contests, is that whatever they do (or allow third parties to do) with the images should be in the context of the service itself, not to re-license or otherwise commercialize the images to other parties (or even the main company itself) outside of the context they’re posted for.
Certain people have argued that uploading your photos to Google+ may hurt your ability in the future to sell exclusive licenses to images. If that’s what you’re worried about, it’s probably safer to keep your photographs off the Internet completely, since every content sharing service on the Internet requires at least a license to display your photos using their service.
At what point does inspiration turn into plagiarism? That’s the question that popped up last year when Rhianna was sued by David LaChapelle over scenes found in one of her music videos, and it’s the same issue with a lawsuit recently filed by photographer Janine Gordon against photographer Ryan McGinley. Gordon claims that 150 of McGinley’s images — including some used for a Levi’s ad campaign — are “substantially based” on her photos. In the three pairs of disputed images shown above, the ones on the left are by Gordon and the ones on the right by McGinley. Read more…