If you’ve ever tried shooting in a dark location without using flash or a tripod, you probably know how difficult it can be to remove camera shake from your photos. Alex Jansen — a photography enthusiast who’s an officer in the US Army — has written up an awesome tutorial on how you can apply some of the tricks used by rifle shooters to shooting with a camera:
I am by no measures a “pro,” but I understand my fundamentals very well, and this specific set has been drilled into my head so many times that it is now second-nature. I am going to teach you how to “shoot” your camera like a high end rifle because at the end of the day, the fundamentals stay the same in every aspect.
If you’re a fan of learning things through Khan Academy, then you might enjoy learning about how ISO works in this similar-styled tutorial by Dylan Bennett. Bennett might not have Salman Khan’s soothing voice, but he does his best to break down the magic of digital camera sensors into easy to understand ideas. For a more detailed and comprehensive understanding of how things work, check out Cambridge in Colour’s excellent tutorials.
So I’ve been shooting some shows for some of the choral groups on campus at my school, and I’ve started to notice a trend: people make some stupid faces when they are singing. They can range from an approaching sneeze to a full-on O-face. Read more…
Here’s an excellent video tutorial by photographer Peter Hurley on how to improve your portrait photographs by focusing on the jawline of your subject. It’s a simple technique that can drastically improve the quality of your images.
Here’s a clip from the bodybuilding documentary “Bigger Faster Stronger” in which photographer Rich Schaff spills the beans on some industry secrets for how those unbelievable before-and-after photos promoting bodybuilding products are made. He shows how both shots can be of the same model on the same day, with various tricks and image manipulations used to achieve the drastic differences you see. Read more…
For those of you who are interested in the fine art of studio lighting, here’s a video in which American celebrity photographer George Holz talks about how he went about photographing Beyonce for the cover of Spin magazine.
There’s nothing wrong with not being any good at photography. Everybody started out bad and none of us does all aspects of it well. But it’s a crying shame to want to be good at it, to spend time and money trying to be good at it, and not getting any better.
This isn’t like teaching a child to read. Positive reinforcement is your enemy. Your Facebook friends, your Twitter followers… hate you. Instead of taking ten seconds to say. “This doesn’t work. You need to do better”. They readily push that “like” button, because it’s easy and they hope to get the same from you, but also because they’re cowards.
His advice? “Seek out great photography. Devour it, and be suspicious of any undue praise.”
Here’s your interesting photo fact of the day: did you know that sepia toning (when B&W photos are given that distinctive warm tone) is named after the Common Cuttlefish? The scientific name of the species is Sepia officinalis, and the ink produced by the cuttlefish was used for sepia toning when the technique first emerged in the 1880s.
Sepia is a dark brown-grey color, named after the rich brown pigment derived from the ink sac of the common cuttlefish Sepia. The word sepia is the Latinized form of the Greek σηπία, sēpía, cuttlefish. [#]
Nowadays, sepia ink is generally replaced with other dyes or pigments that produce the same hue.