In 9th grade, photographer Joe Edelman was given the assignment of creating 5 separate photos of an egg without moving it. That task became a defining moment in his journey as a photographer, teaching him the importance of learning to “see” light over learning “how” to light.
Here’s a video in which photographer Ryan Schude walks through how he went about shooting a photograph titled “The Diner”. The image involved 24 lights, 20 subjects, and 12 hours of shooting. Check out his crazy lighting diagram and the finished photo.
Even if you have a good command of using f-stop numbers and properly exposing photographs, you might not understand the math behind why f-stop numbers are what they are. Here’s a simple (albeit math-filled) explanation by Dylan Bennett of what f-stop is, including a simple trick you can use to memorize the f-stop scale.
Here’s a tutorial by skateboarding photographer Michael Burnett in which he discusses various composition tips and techniques. His area of expertise is in shooting skateboarders, but the tips are very applicable for other types of photography as well. Read more…
Vimeo has partnered up with Nikon for a new educational video series titled Do More With Your DSLR. The first video is about “working with available light”, and is geared towards beginners who are just starting to figure out how to use their DSLR camera. You can find a more in-depth discussion of the concepts in the video (e.g. exposure, white balance, ISO) in this article.
Photography is not like painting. There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.
That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever. [#]
The phrase was taken from a quote by the 17th century Cardinal de Retz, who stated, “There is nothing in this world that does not have a decisive moment.”
Here’s a helpful video that shows how you can optimize your Canon DSLR for video recording based on Vincent LaForet‘s recommendations. It’s geared towards the 5D Mark II, but is applicable for other video-capable DSLRs as well (e.g. 5D Mark III and 7D). There’s also an article over on LaForet’s blog that explains the reasoning behind the various settings.
Bart Zoni of Leica Boss made this short video explaining the main differences between DSLR and mirrorless cameras. He discusses flange focal distance and sensor size, and how the cameras’ differences in those two things affect image quality.