One of the most effective ways to fill a frame with information, particularly in street photography, is to layer elements of your composition, either in two dimensions along the X and Y axis or in three with the Z axis.
Jay P. Morgan of The Slanted Lens was recently invited to shoot at Luke Air Force Base (again) and he didn't want to miss turning this into an educational opportunity. And so, in the behind the scenes video above, he shows you how he was able to dynamically light up a portrait that involved a fighter pilot and an entire fight jet using only four 400 Watt strobes.
When Nick Fancher created his series of 80's Cyber images, he made use of some textures to add that extra bit of character to the photos. The textures turned out so well that, upon publishing the series, he received multiple inquiries about where he got those textures.
Well, it turns out he created them himself, and he's decided to share the step-by-step how-to in case you want to duplicate his results.
Raleigh, North Carolina-based artist Scott Hazard creates abstract images by tearing shapes into multiple prints of the same photograph, and then stacking the images on top of each other. He uses the technique to create things such as smoke, clouds, and portals in walls. He calls the project "Photo Constructs".