Australia-based photographer Glen Ryan has been working on a long-running infrared project called Invisible Landscapes. He recently created the gorgeous time-lapse video above featuring the limestone landscapes near Wee Jasper in New South Wales for an exhibition at the Karst Country exhibition. The black-and-white infrared images make the clouds overhead pop out of the dark sky in the background.
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Director and photographer Jess Dunlap spent all of 2012 creating the 4-minute time-lapse video above, titled Monolation. It comprises over 17,000 gorgeous landscape photographs, and features beautiful camera movements that make it feel as though you’re looking around and watching the world pass in fast motion.
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Last month, there was a total solar eclipse that was visible to people in Australia. Photographer Colin Legg captured the whole thing as three separate time-lapse videos (seen above). The short but beautiful clips show the moon passing in front of the sun, a darkness sweeping across the vast landscape, and the moon’s shadow sweeping across the sky!
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If you want to enjoy some eye-popping infrared landscape photographs, look no further than the portfolio of French photographer David Keochkerian. He photographs gorgeous landscapes using an infrared sensitive camera, which causes the green tree leaves to show up as golden yellow and silvery white, and turning spring into fall and winter.
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For his project titled Take Refuge, Los Angeles-based photographer Kevin Cooley shot nighttime landscape photographs with an interesting choice of lighting: military-grade flares — the kind you find in emergency kits. Each image in the series features the same red glow, whether the flare is held in a subject’s hand or hidden behind a feature in the landscape.
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Programmer and photography enthusiast Roderick Lee Mann snagged quite the time-lapse video earlier this week. He had originally set up his camera to snap photos of a beautiful Hawaiian sunset, but afterward he discovered that he had captured something that you can’t really plan for: the perfectly-framed formation of an end-to-end rainbow.
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Stacking long-exposure photos of stars leads to some pretty neat photos and time-lapse videos, but what happens if you use a similar technique for clouds? That’s what photographer Matt Molloy does. His “photo stack” images of landscapes show clouds that look like smears and brush strokes across the sky.
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Metaphysics of an Urban Landscape is an ongoing series of photographs by Milan-based photographer Gabriele Croppi that features high-contrast, black-and-white photographs of major cities around the world. His images often feature a single subject illuminated by a slice of sunlight in front of a background filled with shadows and negative space. His photographs of New York City are especially striking, as a normally chaotic city is turned into a silent play of light and darkness.
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Andy Adams of FlakPhoto has an interesting new digital exhibition titled Looking at the Land — 21st Century American Views that features 88 landscape photographs captured around the United States since 2000. What’s neat is that each of the images is accompanied by an explanation of “why” it exists. Adams asked each of the photographers the same questions, with the main one being, “Why did you photograph this place?”
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Photographer Richard Esposito has written an interesting article over at Tiffinbox on how weddings are becoming a “too many cooks in the kitchen” kind of environment, where everyone and their mother is a photographer now:
Gone are the days of capturing a sea of guests with genuine emotion on their faces. Now you have to give an elbow to Aunt Clair who’s blocking the aisle with her Digital Rebel in hand as the bride makes her grand entrance. I used to love capturing guests emotion during the first dance, parent dance, even the toasts. But now my subjects are a handful of guests with point and shoots held up blocking their faces, or the tops of everyones head because they are looking down at the back of the camera to check the photo they just took. My favorite moment so far was a photo of the bride going down the aisle from behind. Everyone in front of the bride has their cameras up, everyone that the bride has past is still facing the back of the church with the heads down looking at the back of their camera. Very few people stopped to enjoy the moment of a father walking his daughter down the aisle on her wedding day.
His advice for brides-to-be: “If you think it’s expensive to hire a professional photographer for one day, the emotional cost of hiring an amateur lasts forever.”
The New Wedding Guest [Tiffinbox via PhotoShelter]
Image credits: Photographs by Richard Esposito/Tiffinbox
